Please Please Me (Mono)

By The BeatlesOfficial album • Part of the collection “The Beatles • The original UK LPs

Timeline See what happened in March 1963
UK release date:
Mar 22, 1963
Publisher:
Parlophone
Sessions This album has been recorded during the following sessions

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Track list

Disc 1


1.

I Saw Her Standing There

Written by Lennon - McCartney

2:55 • Studio versionA • Mono

Paul McCartney:
Bass, Handclaps, Vocals
Ringo Starr:
Drums, Handclaps
John Lennon:
Backing vocals, Handclaps, Rhythm guitar
George Harrison:
Handclaps, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


2.

Misery

Written by Lennon - McCartney

1:49 • Studio versionA • Mono

Paul McCartney:
Bass, Vocals
Ringo Starr:
Drums
John Lennon:
Rhythm guitar, Vocals
George Harrison:
Lead guitar
George Martin:
Piano, Producer
Geoff Emerick:
Second engineer
Norman Smith:
Engineer
Stuart Eltham:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Overdubs:
Feb 20, 1963
Studio:
EMI Studios, Studio One, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


3.

Anna (Go to Him)

Written by Arthur Alexander

2:55 • Studio versionA • Mono

Paul McCartney:
Backing vocals, Bass
Ringo Starr:
Drums
John Lennon:
Acoustic rhythm guitar, Vocals
George Harrison:
Backing vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


4.

Chains

Written by Gerry Goffin, Carole King

2:23 • Studio versionA • Mono

Paul McCartney:
Bass, Vocals
Ringo Starr:
Drums
John Lennon:
Harmonica, Rhythm guitar, Vocals
George Harrison:
Lead guitar, Vocals
George Martin:
Producer
Norman Smith:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


5.

Boys

Written by Luther Dixon, Wes Farrell

2:24 • Studio versionA • Mono

Paul McCartney:
Backing vocals, Bass
Ringo Starr:
Drums, Vocals
John Lennon:
Backing vocals, Rhythm guitar
George Harrison:
Backing vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


6.

Ask Me Why

Written by Lennon - McCartney

2:24 • Studio versionB • Mono

Paul McCartney:
Backing vocals, Bass
Ringo Starr:
Drums
John Lennon:
Rhythm guitar, Vocals
George Harrison:
Backing vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer

Session Recording:
Nov 26, 1962
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Nov 30, 1962
Studio:
EMI Studios, Studio Two, Abbey Road


7.

Please Please Me

Written by Lennon - McCartney

2:00 • Studio versionA • Mono

Paul McCartney:
Bass, Harmony vocals
Ringo Starr:
Drums
John Lennon:
Harmonica, Lead vocals, Rhythm guitar
George Harrison:
Harmony vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer

Session Recording:
Nov 26, 1962
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Nov 30, 1962
Studio:
EMI Studios, Studio Two, Abbey Road


8.

Love Me Do

Written by Lennon - McCartney

2:23 • Studio versionB • Mono

Paul McCartney:
Bass, Vocals
Ringo Starr:
Tambourine
John Lennon:
Acoustic rhythm guitar, Harmonica, Vocals
George Harrison:
Acoustic rhythm guitar
George Martin:
Producer
Norman Smith:
Engineer
Andy White:
Drums
Ron Richards:
Producer

Session Recording:
Sep 11, 1962
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Sep 11, 1962
Studio:
EMI Studios, Studio Two, Abbey Road


9.

P.S. I Love You

Written by Lennon - McCartney

2:04 • Studio versionA • Mono

Paul McCartney:
Bass, Lead vocals
Ringo Starr:
Maracas
John Lennon:
Acoustic rhythm guitar, Backing vocals
George Harrison:
Acoustic guitar, Backing vocals
Norman Smith:
Engineer
Andy White:
Percussion
Ron Richards:
Producer

Session Recording:
Sep 11, 1962
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Sep 11, 1962
Studio:
EMI Studios, Studio Two, Abbey Road


10.

Baby It's You

Written by Burt Bacharach, Hal David, Barney Williams

2:40 • Studio versionA • Mono

Paul McCartney:
Backing vocals, Bass
Ringo Starr:
Drums
John Lennon:
Rhythm guitar, Vocals
George Harrison:
Backing vocals, Lead guitar
George Martin:
Celesta, Producer
Geoff Emerick:
Second engineer
Norman Smith:
Engineer
Stuart Eltham:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Overdubs:
Feb 20, 1963
Studio:
EMI Studios, Studio One, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


11.

Do You Want To Know A Secret

Written by Lennon - McCartney

1:56 • Studio versionA • Mono

Paul McCartney:
Backing vocals, Bass
Ringo Starr:
Drums, Percussion
John Lennon:
Backing vocals, Rhythm guitar
George Harrison:
Lead guitar, Vocals
George Martin:
Producer
Norman Smith:
Engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


12.

A Taste of Honey

Written by Bobby Scott, Ric Marlow

2:03 • Studio versionA • Mono

Paul McCartney:
Bass, Vocals
Ringo Starr:
Drums
John Lennon:
Backing vocals, Rhythm guitar
George Harrison:
Backing vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


13.

There's A Place

Written by Lennon - McCartney

1:51 • Studio versionA • Mono

Paul McCartney:
Bass, Vocals
Ringo Starr:
Drums
John Lennon:
Harmonica, Rhythm guitar, Vocals
George Harrison:
Backing vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer
Richard Langham:
Second engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road


14.

Twist and Shout

Written by Phil Medley, Bert Russell

2:32 • Studio versionA • Mono

Paul McCartney:
Backing vocals, Bass
Ringo Starr:
Drums
John Lennon:
Rhythm guitar, Vocals
George Harrison:
Backing vocals, Lead guitar
George Martin:
Producer
Norman Smith:
Engineer
A.B. Lincoln:
Second engineer

Session Recording:
Feb 11, 1963
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Feb 25, 1963
Studio:
EMI Studios, Studio One, Abbey Road

About

From Wikipedia:

Please Please Me is the debut studio album by the English rock band the Beatles. Parlophone rush-released the album on 22 March 1963 in the United Kingdom to capitalise on the success of the singles “Please Please Me” (No. 1 on most lists but only No. 2 on Record Retailer) and “Love Me Do” (No. 17).

Of the album’s 14 songs, eight were written by Lennon–McCartney (originally credited “McCartney–Lennon”), early evidence of what Rolling Stone later called “[their invention of] the idea of the self-contained rock band, writing their own hits and playing their own instruments.” In 2012, Please Please Me was voted 39th on Rolling Stone magazine’s list of the “500 Greatest Albums of All Time.”

Recording

The norm for British 12″ vinyl pop albums in 1963 was to have seven songs on each side (American albums usually had five or six songs per side) leaving producer George Martin needing only ten more tracks if he were to include the four sides of the group’s first two singles: “I asked them what they had which we could record quickly, and the answer was their stage act” Martin said. He had at first contemplated recording the album live at the Cavern Club in front of the group’s home audience and visited the Liverpool club on 9 December 1962 to consider the technicalities (or, as more recent scholarship indicates, on 12 December 1962.) But when time constraints intervened, he decided to book them at EMI Studios in Abbey Road and record them live there instead. Martin said, “It was a straightforward performance of their stage repertoire—a broadcast, more or less.

Initially only a morning and afternoon session were booked; the evening session was added later. Therefore, at 10:00 am on Monday, 11 February 1963, the Beatles began working their way through their live set song by song, the number of takes varying on each, and finished at 10:45 pm—less than 13 hours later— capturing in essence an authentic representation of the band’s Cavern Club-era sound. The day ended with a cover of “Twist and Shout,” which had to be recorded last because John Lennon had a particularly bad cold and Martin feared the throat-shredding vocal would ruin Lennon’s voice for the day. This performance, caught on the first take, prompted Martin to say: “I don’t know how they do it. We’ve been recording all day but the longer we go on the better they get.” Mark Lewisohn would later write: “There can scarcely have been 585 more productive minutes in the history of recorded music“. Paul McCartney double tracked his vocal on “A Taste of Honey” and Lennon added harmonica onto “There’s A Place” during these sessions. Martin overdubbed piano on “Misery” and celesta on “Baby It’s You” on 20 February during which the Beatles were not present.

The song “Hold Me Tight” was recorded during these sessions, but was “surplus to requirements” and not included on the album. “Hold Me Tight” was recorded again on 12 September 1963 for With the Beatles.

The whole day’s session cost around £400 (£10,000 as of 2016). Martin said: “There wasn’t a lot of money at Parlophone. I was working to an annual budget of £55,000.” This budget had to cover all of the artists on Martin’s roster. Individually, under a contract with the Musicians’ Union, each Beatle collected a £7 10s (£7.50) session fee for each three-hour session.

Martin considered calling the album Off the Beatle Track before Please Please Me was released on Parlophone PCS 3042. The album was recorded on a two-track BTR reel-to-reel tape deck, and live in delta mono with most of the instrumentation on one track and the vocals on the other, allowing for a better balance between the two on the final quarter-inch tape mix-down in mono. A stereo mix was made at the same time as the mono mix (though even the stereo album only featured mono mixes of “Love Me Do” and “P.S. I Love You“), with one track on the left channel and the other on the right, as well as an added layer of reverb to better blend the two tracks together. The two tracks generally divided the instrumental track from the vocals, with the exception of “Boys,” in which the close proximity of Ringo’s drums to his vocal mic placed the drums (but not the other instruments) on the vocal channel. This was common practice for mixing stereo albums at the time.

Release

Please Please Me was released as a mono LP album on the Parlophone label in the UK on 22 March 1963, and has remained on UK catalogue continuously since 1963. The stereo version was released on 26 April, over a month after the mono version.

Release formats:

  • Vinyl (12″) record (stereo and mono)
  • Reel-to-reel (3-3/4-ips) (mono) (paperbox) [deleted late 1960s]
  • Reel-to-reel (3-3/4-ips (mono)+(stereo)) (plastic boxes) [deleted mid-1970s]
  • 8-track tape (stereo) [deleted late 1970s]
  • Cassette tape (originally released in stereo, re-issued in mono in 1988) [deleted late 1990s]
  • CD (1987 version) (mono) [deleted 2009]
  • CD (remastered in 2009) (stereo and limited edition mono)
  • Digital Download (remastered in 2009) (stereo)
  • Vinyl (re-issue of the 1963 vinyl, but used 2009 CD release) (stereo)
  • Vinyl (re-issue of the original mono mix on 180g vinyl) (mono)

In the United States, most of the songs on Please Please Me were first issued on Vee-Jay Records’ Introducing… The Beatles in 1964, and subsequently on Capitol Records’ The Early Beatles in 1965. Please Please Me was not released in the US until the Beatles’ catalogue was standardised for CD.

In Canada, the majority of the album’s songs were included upon the Canadian-exclusive release Twist and Shout, which featured “From Me to You” and “She Loves You” in place of “I Saw Her Standing There” and “Misery“.

In New Zealand, the album first appeared only in mono on the black Parlophone label. The following year (1964) EMI (NZ) changed from black to a blue Parlophone label and the album was again available only in mono. Due to constant demand, it was finally made available in stereo, first through the World Record Club on their Young World label in both mono and stereo, and finally on the blue Parlophone label.

The album was released on CD on 26 February 1987 in mono, as were their three subsequent albums, With the Beatles, A Hard Day’s Night and Beatles for Sale. It was not released on vinyl or tape in the US until five months later when it was issued for the first time in the US on LP and cassette on 21 July 1987.

Please Please Me was remastered and re-released on CD in stereo, along with all the other original UK studio albums, on 9 September 2009. The 2009 remasters replaced the 1987 remasters. A remastered mono CD was also available as part of the The Beatles in Mono box set.

As consistent with all early 1960s albums made in the UK, the rear of the album sleeve has sleeve notes. The Beatles’ press officer Tony Barrow wrote extensive sleeve notes, which included a brief mention of their early 1960s rivals The Shadows.

Album cover

George Martin was an honorary fellow of the Zoological Society of London, which owns the London Zoo. Martin thought that it might be good publicity for the zoo to have the Beatles pose outside the insect house for the cover photography of the album. However, the society turned down Martin’s offer, and instead, Angus McBean was asked to take the distinctive colour photograph of the group looking down over the stairwell inside EMI’s London headquarters in Manchester Square. Martin was to write later: “We rang up the legendary theatre photographer Angus McBean, and bingo, he came round and did it there and then. It was done in an almighty rush, like the music. Thereafter, though, the Beatles’ own creativity came bursting to the fore.” In 1969, the Beatles asked McBean to recreate this shot. Although the 1969 photograph was originally intended for the then-planned Get Back album, it was not used when that project saw eventual release in 1970 as Let It Be. Instead, the 1969 photograph, along with an unused photograph from the 1963 photo shoot, was used in 1973 for the Beatles’ retrospective albums 1962–1966 and 1967–1970. Another unused photograph from the 1963 photo shoot was used for The Beatles (also released in 1963).

Reception

Please Please Me hit the top of the UK album charts in May 1963 and remained there for 30 weeks before being replaced by With the Beatles. This was surprising because the UK album charts at the time tended to be dominated by film soundtracks and easy listening vocalists.

In a 1987 review upon its CD reissue, Rolling Stone magazine’s Steve Pond recommended Please Please Me “for the Beatles’ unfettered joy at making music“. In 2012, Please Please Me was voted 39th on Rolling Stone magazine’s list of the “500 Greatest Albums of All Time“. It was ranked first among the Beatles’ early albums, and sixth of all of the Beatles’ albums, with Sgt. Pepper’s Lonely Hearts Club Band, Revolver, Rubber Soul, The Beatles (The White Album) and Abbey Road ranked higher.

Rolling Stone also placed two songs from the album on its list of The 500 Greatest Songs of All Time: No. 140, “I Saw Her Standing There“, and No. 186, “Please Please Me“. According to Stephen Thomas Erlewine of AllMusic, “Decades after its release, the album still sounds fresh,” the covers are “impressive” and the originals “astonishing.” […]

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