Richard Lester

From Wikipedia:

Richard Lester Liebman (born January 19, 1932) is an American retired film director, who spent the majority of his professional life in the United Kingdom. He is known for the fast-paced, flamboyant directing he brought to his comedy films, most notably the Beatles’ vehicles A Hard Day’s Night (1964) and Help! (1965), and The Knack …and How to Get It (1965).

Originally from Philadelphia, Lester began his career directing television, moving to the United Kingdom in the mid-1950s. He collaborated with Peter Sellers and Spike Milligan, on The Goon Show and The Running Jumping & Standing Still Film. After breaking into film directing through his Beatles collaborations, he helmed various productions including the superhero films Superman II (1980) and Superman III (1983), A Funny Thing Happened on the Way to the Forum (1966), Petulia (1968), The Three Musketeers (1973) and its two sequels, as well as Robin and Marian (1976), and Butch and Sundance: The Early Days (1979).

A two-time BAFTA Award nominee, Lester is an Honourary Associate of London Film School and a BFI Fellow. According to the British Film Institute, “if any single director can encapsulate the popular image of Britain in the Swinging Sixties, then it is probably Richard Lester. With his use of flamboyant cinematic devices and liking for zany humour, he captured the vitality, and sometimes the triviality, of the period more vividly than any other director.” […]

The Beatles

The Running Jumping & Standing Still Film [a short film he made with Spike Milligan and Peter Sellers in 1959] was a favourite of the Beatles, particularly John Lennon. When the band members were contracted to make a feature film, they chose Lester from a list of possible directors. A Hard Day’s Night (1964) showed an exaggerated and simplified version of the Beatles’ characters and proved to be an effective marketing tool. Many of its stylistic innovations survive as the forerunner of music videos; in particular, the multi-angle filming of a live performance. Lester was sent an award from MTV as “Father of the Music Video”.

A Hard Day’s Night was a huge critical and commercial success. Lester then directed the first of several quintessential “swinging” films, the sex comedy The Knack… and How to Get It (1965). It was the first of three of his films with actor Michael Crawford, and the first out of four credited collaborations with screenwriter Charles Wood. The film won the Palme d’Or at the Cannes Film Festival.

Lester followed The Knack… and How to Get It with the Beatles film Help! (1965). A spoof of the popular James Bond spy thrillers, it was the second collaboration with screenwriter Charles Wood and another huge commercial success. Lester received a Hollywood offer to direct the film adaptation of A Funny Thing Happened on the Way to the Forum (1966).

He then made the darkly surreal, satirical anti-war movie How I Won the War (1967) co-starring Crawford and Lennon, which Lester referred to as an “anti-anti-war movie”. He explained that anti-war movies still took the concept of war seriously, contrasting “bad” war crimes with wars fought for “good” causes like the liberation from Nazism or, at that time, Communism, whereas with screenwriter Charles Wood, Lester set out to show war as fundamentally opposed to humanity.[citation needed] Although set in World War II, the film serves as an oblique reference to the Vietnam War, and at one point, breaking the fourth wall, references this directly.

He made Petulia (1968) with Julie Christie and George C. Scott, and a score by John Barry (who had also scored The Knack). He returned to his anti-war theme with the post-apocalyptic black comedy The Bed Sitting Room (1969), based on a play by Spike Milligan and John Antrobus. The screenplay was the fourth credited collaboration between Lester and Charles Wood, but Wood provided uncredited production rewrites for more films of Lester.

How I Won the War and Bed Sitting Room performed poorly at the box office; Lester found himself unable to raise funds for a series of projects, including an adaptation of the Flashman novels. […]

Film directed by Richard Lester