March 7-8, 1970
For Paul McCartney
Last updated on August 9, 2025
Recording studio: Morgan Studios • London • UK
Previous session Circa 1970 • Home recordings
Article Mar 05, 1970 • "Let It Be" video clip shown on Top Of The Pops
Single Mar 06, 1970 • "Let It Be / You Know My Name (Look Up The Number)" by The Beatles released in the UK
Session March 7-8, 1970 • Mixing outtakes from the "McCartney" album
Session Mar 11, 1970 • The "McCartney" track listing is finalised
Single Mar 11, 1970 • "Let It Be / You Know My Name (Look Up The Number)" by The Beatles released in the US
In late December 1969 and on January 17, 1970, Paul McCartney began recording new material using a Studer J37 4-track tape recorder that had recently been installed at his home in London. Believing these experiments could evolve into his first solo album, he moved to EMI Studios, Abbey Road, to continue the work. He spent time there on January 24, February 7 and 8 and again on February 15.
From February 16 to February 20, Paul relocated to Morgan Studios, where he continued recording the album. On February 21, 22, 24 and 25, he returned to EMI Studios.
On February 26 and 28, he was back at Morgan Studios with engineer Robin Black to mix the last tracks for the upcoming “McCartney” album.
On March 7 and 8, Paul and Robin Black held the last mixing session at Morgan, preparing rough mixes of the leftover material from the album sessions.
Written by Paul McCartney, Linda Eastman / McCartney
Mixing • Recorded under the title "Rupert"
Unreleased track
Written by Paul McCartney
Mixing
Unreleased track
Written by Paul McCartney
Mixing • Mixing Take 3
Unreleased track
Written by Paul McCartney
Mixing • Mixing Take 2
Unreleased track
Written by Paul McCartney
Mixing
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
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In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.
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Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.
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