Japan Tour Rehearsals

January 2nd - 10th, 1980 • For Wings
Studio:
Home Studio, Peasmarsh, Sussex, UK

Songs recorded


1.

Let Me Roll It

Written by Paul McCartney, Linda McCartney

Recording

Album Released on bootleg Oobu Joobu Part 14


2.

With A Little Luck

Written by Paul McCartney

Recording

Album Released on bootleg Oobu Joobu Part 14


3.

I've Had Enough

Written by Paul McCartney

Recording

Album Released on bootleg Oobu Joobu Part 15


4.

Band On The Run

Written by Paul McCartney, Linda McCartney

Recording

Album Released on bootleg Oobu Joobu Part 15


5.

Eleanor Rigby

Written by Lennon - McCartney

Recording

Album Released on bootleg Japan Rehearsals


6.

Got To Get You Into My Life

Written by Lennon - McCartney

Recording

Album Released on bootleg Japan Rehearsals


7.

With A Little Luck

Written by Paul McCartney

Recording

Album Released on bootleg Japan Rehearsals


8.

Coming Up

Written by Paul McCartney

Recording

Album Released on bootleg Japan Rehearsals


9.

Got To Get You Into My Life

Written by Lennon - McCartney

Recording

Album Released on bootleg Japan Rehearsals


10.

Video Killed The Radio Star

Written by Trevor Horn, Geoff Downes, Bruce Woolley

Recording

Album Released on bootleg Japan Rehearsals


11.

Got To Get You Into My Life

Written by Lennon - McCartney

Recording

Album Released on bootleg Japan Rehearsals

About

In anticipation of the upcoming Wings tour in Japan, Wings spent a bit more than a week rehearsing at Paul’s farm house. A 13 minutes movie of those rehearsals have surfaced, likely filmed for inclusion in a Japanese TV special.

This is Paul McCartney speaking, can you hear me? Oh yes, I can hear you. We are just rehearsing here you know, man… Yeah right! … Is that right? Yeah, that’s right people of Japan.

Paul McCartney
https://www.youtube.com/watch?v=LB75n83C6oU

The tour would not happen, due to McCartney being arrested for drug possession at the Tokyo airport. He would later comment about this whole accident, and specifically on the rehearsals:

Another strange thing is, we hadn’t really rehearsed enough. For the previous Wings tours we rehearsed a lot. It was almost as if I wanted to get busted – although I really didn’t.

Paul McCartney, Wingspan book, 2002

I think the Japanese ‘episode’ as we can call it, was the end of Wings. It’s strange, that period for me. I didn’t want to go to Japan with this band. I felt under-rehearsed. And I don’t like that feeling at all. I will normally rehearse so I feel, We’ve got a great show. Then I’m happy to go. We were going to rehearse in Tokyo, and I thought, Oh, a bit last minute so I was panicking about it all.

And suddenly, I get busted. And I don’t know, it feels strange. It’s almost like I got myself busted, to get out of it. I really don’t know, to this day. I also think, did someone put that stuff in there? To bust me? I don’t know. It’s very psycho-drama. Anyway, the upshot was, we got there, I got busted, and I really thought, this band isn’t gonna work, I’m not happy with it.

Why weren’t we rehearsed? There was something going wrong, something was trying to tell me something. So that was the end of Wings. Since Wings had started, I must say I was looking forward to the day it ended — just to be able to say: ‘Wings Folded’. I do remember wanting to say that. I’m not sure if anyone ever used it.

Paul McCartney, in Conversations With McCartney, by Paul Du Noyer, 2017

Drummer Steve Holley had the same opinion:

I didn’t feel at my best when we set off. I remember the rehearsals being less than satisfactory. They hadn’t yielded enough security for Paul. So when we left, there was a cloud hanging over it.

Steve Holley, quoted in Man On The Run, Paul McCartney in the 1970s, by Tom Doyle

In another interview:

It has to be said in hindsight and with retrospect, Paul wasn’t the happiest guy on the planet before we left. At the rehearsals, he wasn’t sure if he wanted to take the horns on tour as he did in ’75 and ’76 and he had asked us all individually but I was the new guy so I wasn’t going to say we shouldn’t have a horn section and put four people out of work. It was not my position and I would never ever choose to accept that, plus the fact I liked the guys and I thought that retaining the horn section was a good thing; I enjoyed it on the tour we did for twenty-two dates in the UK but I could tell that Paul wasn’t entirely happy with the way rehearsals went to say the least.

Steve Holley, interview with Glenn Williams

Last updated on May 21, 2020

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