Thursday, March 9, 2000
Last updated on December 21, 2019
Recording studio: Sear Sound Studio • New York City • USA
Previous session Sep 16, 1999 • "Maybe Baby" session
Article Mar 06, 2000 • Paul inducts James Taylor to the Rock And Roll Hall Of Fame
Classical concert Mar 08, 2000 • Standing Stone
Session Mar 09, 2000 • "That's All Right Mama" session
Album Apr 25, 2000 • "A Garland For Linda" by Linda Eastman / McCartney released globally
Classical concert Apr 27, 2000 • Standing Stone
Next session November 2000 • Recording "Always Be There", "Heather", "Only Our Hearts"
AlbumSome of the songs worked on during this session were first released on the "Good Rockin' Tonight: The Legacy Of Sun Records" Official album

From The Blue Moon Boys, The Story Of Elvis Presley’s Band:
[…] The day after [Scotty] Moore was inducted into the Rock ‘n’ Roll Hall of Fame, he found himself in an upstate New York studio With Fontana and Sir Paul McCartney. The former Beatle had been on hand to help induct James Taylor and now wanted to play with Presley’s original hand. The ex-Beatle sang and played his Hofner electric bass as they recorded a fresh version of “That’s All Right (Mama)” for the soundtrack to Good Rockin’ Tonight: The Legacy of Sun Records.
“We got to the studio early, and Paul arrived shortly after with only one assistant and his Hofner Beatle bass, the very one he used on most all the Beatles sessions,” recalls Griffin. Cutting live in the studio, the British superstar interjected some lyrics Presley had originally omitted as he imbued the performance with a pleasing touch of English skiffle. After three false starts and one flub from each of the musicians, the track was complete. On listening to the playback, Moore felt that Bill Black’s slap bass was noticeably absent. McCartney decided to overdub knee slapping, hambone style, to replicate the effect. (That section ended up being the clip for the closing credits of the film.)
During casual conversation, an elated McCartney mentioned that his wife, Linda, had bought Bill Black’s original stand-up bass and given it to him. “It must have some old leaves in it or something,” he complained mildly. “It’s always rattling when I pick it up.” Moore and Fontana just smiled and told McCartney that the sound wasn’t coming from accumulated debris. “Bill used
to change Elvis’s guitar strings,” Moore laughed, “and he always put the old ones inside the F-hole of his bass.” McCartney, his connection to the singer he idolized as a teen now more vibrant than ever, was quite simply blown away. “Once again,” notes Griffin, “Scotty dreaded something intensely and walks away having the time of his life.“
Written by Arthur Crudup
Recording
AlbumOfficially released on Good Rockin' Tonight: The Legacy Of Sun Records
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.Read our exclusive interview with Luca Perasi
Eight Arms to Hold You: The Solo Beatles Compendium
Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.
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