Recording studio: Hog Hill Studio • Rye • UK
Previous session Sep 04, 1995 • "Smokin' Mojo Filters" session
Concert appearance Sep 07, 1995 • 20th Buddy Holly Week
Album Sep 09, 1995 • "The HELP Album" by Various Artists released globally
Session October 1995 • "The Ballad Of The Skeletons" session
Interview Winter 1995 • Paul McCartney interview for Club Sandwich
Film Began October 4, 1995 • Shooting of "Real Love" promo film
Next session Nov 01 to Dec 05, 1995 • "Flaming Pie" sessions with Jeff Lynne at Hog Hill Mill #1
AlbumSome of the songs worked on during this session were first released on the "The Ballad of the Skeletons" EP
From The Beatles Monthly, N°244, August 1996:
Paul McCartney has recorded a new track, ‘The Ballad Of The Skeletons’, with legendary American poet Allen Ginsberg. The recording is the result of several transatlantic overdub sessions, which began in New York when Ginsberg, along with guitarists Mark Ribot and David Mansfield, recorded the basic track with producer, rock journalist and Patti Smith’s
long-term guitarist, Lenny Kaye, at Kampo Studios – a small, low-key facility in Greenwich Village. The tapes were then sent over to the U.K., where Paul added organ, drums and maracas. Once Paul returned the tapes to the States, minimalist composer Philip Glass added further keyboard overdubs.
We made a basic track and sent it to him, on 24 tracks, and he added maracas and drums, which it needed. It gave it a skeleton, gave it a shape. And also organ; he was trying to get that effect of Al Kooper on the early Dylan. And guitar, so he put a lot of work in on that. And then we got it back just in time for Philip Glass to fill in his arpeggios on piano.
Allen Ginsberg, from the Flaming Pie Archive Collection, 2020
Written by Paul McCartney, Allen Ginsberg, Philip Glass
Recording
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.Read our exclusive interview with Luca Perasi
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