UK Release date : Feb 19, 1971
By Paul McCartney • 7" Single • Part of the collection “Paul McCartney • Singles”
Last updated on September 9, 2025
Previous single Jun 15, 1970 • "Que Sera, Sera (Whatever Will Be, Will Be) / Fields Of St Etienne (US)" by Mary Hopkin released in the US
Session Feb 08, 1971 • Mixing "Another Day"
Article Feb 19, 1971 • The trial for the dissolution of The Beatles' contractual partnership - Day 1
Single Feb 19, 1971 • "Another Day / Oh Woman Oh Why" by Paul McCartney released in the UK
Article Feb 22, 1971 • The trial for the dissolution of The Beatles’ contractual partnership – Day 2
Session Feb 22, 1971 • Recording "Ram On"
Next single Feb 22, 1971 • "Another Day / Oh Woman Oh Why" by Paul McCartney released in the US
This album was recorded during the following studio sessions:
Oct 12, 1970
Recording "Little Woman Love", "Another Day"
Jan 21, 1971
Feb 05, 1971
Feb 08, 1971
Written by Paul McCartney, Linda Eastman / McCartney
3:45 • Studio version • A
Paul McCartney : Acoustic guitar, Backing vocals, Bass, Electric guitar, Producer, Vocals Linda Eastman / McCartney : Backing vocals Denny Seiwell : Drums, Percussion David Spinozza : Acoustic guitar, Electric guitar Tim Geelan : Recording engineer Ted Brosnan : Assistant recording engineer Dixon Van Winkle : Mixing engineer
SessionRecording : Oct 12, 1970 • Studio : CBS Studios, New York City
Overdubs : Undocumented dates
SessionOverdubs : Jan 21, 1971 • Studio : A&R Studios • New York City • USA
SessionMixing : Feb 08, 1971 • Studio : A&R Studios • New York City • USA
Credits & recording details courtesy of Luca Perasi • From the books "Paul McCartney: Music Is Ideas. The Stories Behind the Songs" • Buy Volume 1 (1970-1989) and Volume 2 (1990-2012) on Amazon
Written by Paul McCartney
4:36 • Studio version • A
Paul McCartney : Bass, Electric guitar, Gun shots, Percussion, Producer, Shaker, Vocals Linda Eastman / McCartney : Backing vocals Denny Seiwell : Drums, Percussion, Shaker Hugh McCracken : Electric guitar Tim Geelan : Recording engineer Ted Brosnan : Assistant recording engineer Dixon Van Winkle : Mixing engineer
SessionRecording : Nov 03, 1970 • Studio : CBS Studios, New York City
SessionMixing : Feb 05, 1971 • Studio : A&R Studios, New York City
“Another Day,” backed with “Oh Woman, Oh Why,” was Paul McCartney’s debut single as a solo artist. It was released in the United Kingdom on February 19, 1971. The single peaked at number 2 on the UK charts in March 1971, reached number 5 in the United States in April, and topped the charts in both Australia (for one week) and France.
Although neither track was originally included on “Ram“, later CD reissues of the album featured one or both songs as bonus tracks.
The single was re-released for Record Store Day in 2012 and was also included on the Special and Deluxe editions of the 2012 remastered “Ram”.



Paul: new album and single out soon
PAUL McCartney is hot on the heels of George Harrison in the Beatle solo stakes. Within the next three weeks Apple will release a brand new single by McCartney entitled “Another Day” – a new song recorded in New York by Paul and his wife Linda. Composer on the singled is credited to “Mr and Mrs McCartney.”
A spokesman for McCartney told the MM this week that a second McCartney solo album was expected soon. We don’t know whether ‘Another Day’ is a track from the album or not, and we don’t know what the B side will be”, he said.
He is to tape a television special for American TV in California in March, with the same musicians who worked with him on his new album.
American session guitarist Hugh McCracken, who is working in Britain with Gary Wright at the moment, told the MM that the TV show was definitely on but that he did not know any details about it.
McCartney is expected back in London this week from the States. […]
From Melody Maker – February 20, 1971

Surprise McCartney single rush-released
A surprise Paul McCartney single is being rush-released by Apple, and should be available in the shops “within a few days.” Title of the disc is “Another Day” and Paul shares the composer credits with his wife Linda. This will be Paul’s first single under his own name, and his first record to be released since his “McCartney” album was issued nearly a year ago.
From New Musical Express – February 20, 1971

PAUL & LINDA LISTEN…
NEW YORK — Paul and Linda McCartney, pictured in a New York recording studio, are putting the finishing touches to Paul’s latest single, “Another Day” and “Oh Woman, Oh Why?” “Another Day,” which was co-written by Paul and Linda, is the first of their joint songwriting ventures. Since then they have written together many songs.
From New Musical Express – February 20, 1971

PAUL McCARTNEY (Apple 1829)
Another Day (3:41) (McCartney/Maclen, BMI—McCartneys)Vignette verses and a haunting chorus give Paul McCartney an intriguing side for his first post—LP material. The attraction of McCartney should spark initial action for the side, but each additional hearing shows that “Another Day” will come into its own as a song too. Flip: “Oh Woman, Oh Why, Why, Why” (4:37) (Maclen, BMI—McCartney) Rockier venture.
From Cashbox Magazine, February 27, 1971

McCartney’s Song Print To Chappell
NEW YORK — Chappell & Co., Inc. has concluded an agreement securing the print rights to Paul McCartney’s new single “Another Day” in the areas of the United States, Canada and the U. K.
The song, the first written jointly by Paul McCartney and his wife Linda, is being rushed into print to coincide with release of the Apple single. Sheet music will feature a photograph of the McCartneys.
The “Another Day” printing is in line with Chappell’s new policy of accepting increasing numbers of outside copyrights for print, including recent deals covering Bob Dylan’s hit LP “New Morning”, the Cannon Film Group and Amos Productions.
Agreement with McCartney Music, Inc. was negotiated with Lee Eastman of Eastman and Eastman, the New York law firm.
From Cashbox Magazine, February 27, 1971

PAUL: IT’S BEEN WORTH THE WAIT
PAUL McCARTNEY: ★ Another Day (Apple).
A WELCOME single from Paul, co-written with his wife Linda. It’s not so instantly commercial as Harrison’s hit, and probably won’t be such a fantastic smash, but that’s because it’s a more complex song.
The story of a lonely girl who waits in her room for her lover to arrive (presumably because he’s a married man), it’s tinged with that wistfulness which characterises so many of Paul’s songs. There’s quite a bouncy beat to it, with an occasional hint of Latin — a touch of the paso dobles, would you believe?
Paul dualtracks much of it, with a pungent acoustic guitar sound adding depth to the backing. A song that takes time to grow on you — but once its perception and beauty have registered, you’re hooked on it. The flip is a much harder sound, with Paul at his most fervent and uninhibited in “Oh Woman, Oh Why.” A surefire hit, of course.
From New Musical Express – February 27, 1971


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