Sour Milk Sea / The Eagle Laughs at You

Timeline More from year 1968
UK release date:
Aug 30, 1968
US release date:
Aug 26, 1968
Publisher:
Apple
Reference:
APPLE 3 (UK) / 1802 (US)

Related sessions

This album has been recorded during the following studio sessions


Recording "Sour Milk Sea"

June 25-26, 1968

Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project.

Track list

Side 1


1.

Sour Milk Sea

Written by George Harrison

3:54 • Studio versionA

Paul McCartney :
Bass
Ringo Starr :
Drums
George Harrison :
Acoustic guitar, Lead guitar (solo), Producer
Eric Clapton :
Lead guitar
Nicky Hopkins :
Piano
Jackie Lomax :
Vocals
Eddie Clayton :
Percussion

Recording :
Jun 24, 1968
Studio :
EMI Studios, London, UK

Session Recording:
June 25-26, 1968
Studio :
Trident Studios, London, UK

Side 2


1.

The Eagle Laughs at You

Studio version

About

George Harrison produced and wrote for this first Lomax solo effort on the fresh, new just-ripening APPLE label. It is called ‘Sour Milk Sea’ — the sea we all find ourselves in from time to time. ‘Get out of that Sour Milk Sea, you don’t belong there. Come back to where you should be……’ A few words of Beatle-warning, Lomax delivered. The backing of the record is astounding — listen to the guitar solo and know that Britain can still play rock’n’roll.

Derek Taylor – From the US press release

Sour Milk Sea” was one of the four first singles published by Apple Records ; and a limited edition press kit, called “Our First Four“, was issued in the UK. The four first Apple singles were:

SingleUK ReferenceUK release date
Hey Jude / Revolution” by The BeatlesR 5722August 31, 1968
Those Were The Days / Turn, Turn, Turn” by Mary HopkinAPPLE 2August 30, 1968
Sour Milk Sea / The Eagle Laughs at You”, by Jackie LomaxAPPLE 3August 26, 1968
Thingumybob / Yellow Submarine” by Black Dyke Mills BandAPPLE 4August 31, 1968

In the US, a different press kit was sent to radios. From Apple’s American Debut – The Original 1968 Press Kit | beatle.net:

On August 22, 1968, Apple Records’ Los Angeles office sent press kits to radio station program directors across the United States. The kits were packaged in white envelopes with an Apple logo in the upper left corner serving as the return address. The logo was a solid green circle with a white apple in the center with the word “Apple” in white script above the stem. The post mark indicated that the package cost a then hefty eighty cents to air mail. The lucky recipients of these envelopes would be among the first people in America to see and hear what the Beatles new Apple venture was all about. […]

For those disc jockeys who had been monitoring Apple’s progress by reading trade magazines, the arrival of the classy looking white envelope with the Apple logo was truly a magic moment. Upon ripping open the envelope, the recipient encountered a glossy cream colored folder with a large Apple logo on its front side. Inside was a treasure of sound, visuals and text.

In contrast to the white envelope and folder were four distinguished-looking black center cut record sleeves. One proclaimed “The Beatles on Apple” in an attractive script font. The group’s name was in white and Apple in green. The other three sleeves merely said “Apple” in the same eye-catching green script letters. Peeking out of the center of each sleeve was a record label covered with a Granny Smith green apple.

The sleeves were not the only thing different about the singles. While most records had the same label design on both sides, these discs had a full green apple on one side and a sliced apple was its exposed white innards on the other side. The singles also had something new to most Americans — a slip guard consisting of 360 interlocking serations surrounding the label. Although the tiny grooves appeared to be an innovation of Apple, several British labels had been pressing discs with slip guards for years. By coincidence, Capitol had re-tooled its pressing plants for slip guard singles at the beginning of the month, so the Apple singles were among the first Capitol manufactured titles to take on the new look. […]

The press kit also included two 8″ x 10″ black and white glossies of each of the artists featured on the records. The Beatles are represented by their cartoon images from the Yellow Submarine film. Paul and his sheep dog Martha are pictured with the Black Dyke Mills Band in the brass band’s horizontal publicity still. Jackie Lomax and the lovely looking Mary Hopkin are each featured in vertical pictures. All four glossies have the artist’s name printed below the picture towards the left side and the Apple logo in lower right corner.

Recipients of the press kit learned about each artist through separate 8 1/2″ x 11″ information sheets and 5 1/2″ x 8 1/2″ booklets. The text of the information sheets is credited to Apple press agent Derek Taylor. Although no credit is given in the booklets, the writing is appears to be the work of Derek Taylor as well. […]


Frontpage ad on New Musical Express, September 14, 1968

Last updated on September 13, 2021

Contribute!

Have you spotted an error on the page? Do you want to suggest new content? Or do you simply want to leave a comment ? Please use the form below!

Muninman 4 years ago

According to a few sources, Paul and George produced and arranged Jackie's follow up single, Thumbin' a Ride / Going back to Liverpool, with Paul likely to have contributed drums, bass and possibly guitar


The PaulMcCartney Project 4 years ago

Thanks Muninman for this. Indeed, I had a look at "All Together Now", a 1975 book that lists all Beatles contribution. It's written there:

Thumbin' A Ride

Jackie Lomax: Vocal
Prod: Paul
George: Guitar
Paul: Drums
Billy Preston: Piano & Organ
Klaus Voorman: Bass
George & Patti and the Rascals: Backing Vocals

No mention of any contribution for the B-side "Going back to Liverpool" in this book. Will research more.

Thanks again !

Nicolas


Your comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.