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Sir John Kenneth Tavener (28 January 1944 – 12 November 2013) was an English composer, known for his extensive output of religious works, including The Protecting Veil, Song for Athene and The Lamb.
Tavener first came to prominence with his cantata The Whale, premiered in 1968. Then aged 24, he was described by The Guardian as “the musical discovery of the year”, while The Times said he was “among the very best creative talents of his generation.” During his career he became one of the best known and popular composers of his generation, most particularly for The Protecting Veil, which as recorded by cellist Steven Isserlis became a bestselling album, and Song for Athene which was sung at the funeral of Princess Diana. The Lamb featured in the soundtrack for Paolo Sorrentino’s film The Great Beauty. Tavener was knighted in 2000 for his services to music and won an Ivor Novello Award. He was awarded an Honorary Fellowship by Sarum College in 2001. […]
The Whale and early operas
Tavener first came to prominence in 1968 with his dramatic cantata The Whale, based on the Old Testament story of Jonah. It was premièred at the London Sinfonietta’s début concert, which was also the opening concert of the Queen Elizabeth Hall. Tavener’s younger brother, Roger, was then doing some building work on Ringo Starr’s home and, gaining the musician’s interest, persuaded the Beatles to have The Whale recorded by Apple Records and released in 1970. The following year Tavener began teaching at Trinity College of Music, London. Other works by Tavener released by Apple included his A Celtic Requiem, which impressed Benjamin Britten enough to persuade Covent Garden to commission an opera from Tavener. The ultimate result, to a libretto by playwright Gerard McLarnon, was Thérèse: when staged in 1979 the opera was thought too static to be a successful drama.
Tavener had also been deeply affected by his brief 1974 marriage to the Greek dancer Victoria Maragopoulou. His chamber opera A Gentle Spirit (1977), with a libretto by McLarnon based on a story by Fyodor Dostoyevsky, concerns a pawnbroker whose marriage fails to the extent that his wife commits suicide. It has been deemed “far superior to Thérèse, with the internal drama more suited to the stage”. Significantly, it also touched on Russian Orthodoxy, to which McLarnon had been a convert for several years. […]
Tavener’s subsequent explorations of Russian and Greek culture resulted in Akhmatova Requiem: this failed to enjoy success either at its Edinburgh Festival premiere in 1981, or at its Proms’ performance the following week where many of the audience left before it finished. Of more lasting success was Tavener’s short unaccompanied four-part choral setting of William Blake’s poem “The Lamb”, written one afternoon in 1982 for his nephew Simon’s third birthday. This simple homophonic piece is usually performed as a Christmas carol. Later prominent works include The Akathist of Thanksgiving of 1987, written in celebration of the millennium of the Russian Orthodox Church; The Protecting Veil, first performed by cellist Steven Isserlis and the London Symphony Orchestra at the 1989 Proms; and Song for Athene (1993). The two choral works were settings of texts by Mother Thekla, a Russian Orthodox abbess who was Tavener’s long-time spiritual adviser until her death in 2011. Song for Athene in particular gained worldwide exposure when performed at the funeral of Diana, Princess of Wales in 1997.
Tavener’s Fall and Resurrection, first performed in 2000, used instruments such as ram’s horn, ney flute and kaval. It was dedicated to the Prince of Wales, with whom Tavener formed a lasting friendship. In 2003 Tavener composed the exceptionally large work The Veil of the Temple (which was premièred at the Temple Church, London), based on texts from a number of religions. Identified by Tavener as “the supreme achievement of my life”, it is set for four choirs, several orchestras and soloists and lasts at least seven hours. Prayer of the Heart, written for and performed by Björk, was premiered in 2004. In 2007 Tavener composed The Beautiful Names, a setting of the 99 names of God in the Muslim tradition, sung in Arabic.
It had been reported, particularly in the British press, that Tavener left Orthodox Christianity to explore a number of other different religious traditions, including Hinduism and Islam, and became a follower of the Traditionalist philosopher Frithjof Schuon. In an interview with The New York Times, conducted by British music journalist Michael White, Tavener said: “I reached a point where everything I wrote was terribly austere and hidebound by the tonal system of the Orthodox Church, and I felt the need, in my music at least, to become more universalist: to take in other colors, other languages.” The interviewer also reported at the time that he “hasn’t abandoned Orthodoxy. He remains devotedly Christian.” Speaking on the BBC Four television programme Sacred Music in 2010, Tavener described himself as “essentially Orthodox”. He reiterated both his desire to explore the musical traditions of other religions, and his adherence to the Orthodox Christian faith, on Start the Week, recorded only days before his death and broadcast on 11 November 2013. […]
In 2000, John Tavener contributed to A Garland For Linda, by writing “Prayer for the Healing of the Sick“.
Songs written or co-written by John Tavener