Friday, October 16, 1970
Last updated on September 21, 2025
"Ram" sessions (CBS Studios, New York City)
Oct 12 to Nov 20, 1970 • Songs recorded during this session appear on Ram
Recording studio: CBS Studios • New York City • USA
Session Oct 12, 1970 • Recording "Another Day"
Session Oct 14, 1970 • Recording "Get On The Right Thing"
Session Oct 16, 1970 • Recording "3 Legs", "Eat At Home"
Session Oct 19, 1970 • Recording "I Lie Around"
Session Oct 20, 1970 • Recording "The Back Seat Of My Car," "When The Wind Is Blowing"
AlbumSome of the songs worked on during this session were first released on the "Ram" LP
This was the end of the first week of recording the “Ram” album, but only the third session overall, as Paul McCartney had cancelled the Tuesday and Thursday sessions at the last minute — a situation that frustrated session guitarist David Spinozza, who was in high demand and had to turn down other engagements.
On this day, Paul, Spinozza, and drummer Denny Seiwell began work on two new tracks: “Eat At Home” (under the working title “Come On Little Lady”) and “3 Legs.”
In the morning, they recorded the basic track of “Eat At Home,” with Paul on acoustic guitar, Spinozza on electric guitar, and Seiwell on drums.
After lunch, the focus shifted to “3 Legs.” Paul sang a rough guide vocal, accompanied by Spinozza on acoustic guitar and Seiwell on drums.
At the close of the session, Paul informed Spinozza and Seiwell that they would probably not be needed the following week, as he planned to concentrate on overdubs by himself. However, on Sunday he changed his mind, and Linda called the two musicians to return on Monday, October 19. By that time, Spinozza had already committed to other sessions from Wednesday onward.
On Friday, the last day of the first week you recorded 3 Legs. What do you remember about that track?
The end. It just went into a whole different bah. It was so much fun to play on. Paul’s songs were like pieces of music. It wasn’t just one song, all the same vibe to it. Then we got to the end and it got really funky. And we got a chance to cut loose a little bit and have some fun. After being kind of restraint because of the lyric and all, but when we got to the end we got to have a little fun with it.
Denny Seiwell – Interview with Edward Eikelenboom, August 2013 – From Maccazine Volume 40, Issue 3
There’s one track which is a cute thing, a blues tune, which I think has a pretty unique sound on and I had fun doing “3 Legs.”
Paul likes to double-track a lot of things. We both played acoustic on some tracks, and then tripled. Denny Seiwell was on drums, myself and Paul on guitars. Sometimes Paul played piano, but he never played bass while we were there. He overdubbed the bass. It was a little weird, because bass, drums and guitar would have been more comfortable, but that’s the way he works.
David Spinozza – Interview with Vicky Wickham – From Hit Parader, November 1971
The date started out going really smoothly, but then what was happening was that although originally they had told me they wanted me for four whole weeks, days were getting cancelled out and they weren’t booking definite dates. So I had to keep asking, not to be a drag, but to keep my book straight and to know what other work I could take. I kept asking but I wasn’t getting a straight answer.
David Spinozza – Interview with Vicky Wickham – From Hit Parader, November 1971
Written by Paul McCartney
Recording
Written by Paul McCartney, Linda Eastman / McCartney
Recording
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