Tuesday, October 19, 1965
For The Beatles
Last updated on December 17, 2025
Recording studio: Marquee Studio • London • UK
Session Oct 16, 1965 • Recording "Day Tripper", "If I Needed Someone"
Session Oct 18, 1965 • Recording "If I Needed Someone", "In My Life"
Session Oct 19, 1965 • Recording Christmas fan club messages
Session Oct 20, 1965 • Recording "We Can Work It Out"
Session Oct 21, 1965 • Recording "Norwegian Wood (This Bird Has Flown)", "Nowhere Man"
On this day, The Beatles took a break from recording their new album “Rubber Soul” and from EMI Studios, Abbey Road. Instead, they went to Marquee Studios in Soho to record their 1965 Christmas fan club message, under the direction of their press officer Tony Barrow.
The group worked from a script prepared by Barrow, adding various ad-libbed exchanges. Towards the end of the session, they gathered around a piano to sing improvised lines. The session ultimately proved unsuccessful. John disliked Barrow’s script, Ringo appeared largely disengaged, and despite everyone’s best efforts, little genuinely amusing material emerged from the recordings.
In addition to Tony Barrow and the three Beatles present, the group’s official photographer, Robert Whitaker, also attended the session. Photographic evidence indicates that Mick Jagger, of The Rolling Stones, visited the studio during the recording.
The four Beatles would make another attempt at recording their Christmas message on November 8, 1965, at the end of a “Rubber Soul” recording session.
In its December 1965 issue, The Beatles Book Monthly published extracts from Barrow’s original script. A brief portion of the Marquee Studios recording was eventually released on “Sound Of The Stars“, a promotional flexi-disc produced by Tony Barrow for Disc And Music Echo in Spring 1966.
Two tape reels from this session later appeared at auction, in 2003 and 2004.





From It’s Only Rock ‘N Roll, February 2004:
Category: The Audio, Records & Related Items
Product ID: 10382
Our Price: $ 18000.00The Beatles Unreleased Christmas Message Audio Tape 1965. This twenty-six minute late-night studio gathering of John, Paul, George, and Ringo to create their annual holiday fan club message is a veritable cornucopia of cut-up comedy and Christmas chorus cheer.
CLICK HERE TO DOWNLOAD MP3 SAMPLES
Here now, for the first time anywhere, are some brief excerpts…
Paul/John: “…remember wonderful ‘Radio Beatle People’ is Britain’s number one on-shore pirate radio station….the very special world round-up program presenting the very special voices of many people from far-flung outposts of this septic isle”
Of course, the Beatles portray those very special voices.
Paul: “…in the city of Liverpool… we stop the mighty roar of bathwater to bring you the voice of Ringo Starr – musician, philosopher, ‘televersionality’ and a personal father”
Ringo: “…They use this place for Wrestling on Wednesday…”
John/Paul/George/Ringo: “…the sound of gentle music…you will notice that the band is playing music which is out of copyright so that nobody has to pay any royalties. Waiting beside our live microphone in middle Woolton is John Lennon – sheep farmer, color consultant, chain gang foreman, fighter pilot and well-known table tennis wicket keeper”
John: “…bring back the cat and let’s get rid of these mice once and for all”
At one point, Ringo draws chuckles with: “C’mon, Tony’s getting annoyed, you know what he’s like when he’s annoyed”.
John, frustrated: “Look, I can’t read that straight, I mean if that’s what you’re waiting for I can’t do it man…I don’t dig it…”
Barrow suggests: “…make it stupid, but make it kind of good stupid”.
Paul follows with a prodding, playful: “…just read it out…you can do it, Johnny” followed by group laughter.
Paul:“…we take you over to a wind-making factory in the suburbs of Dingle Garden…here we’re going to listen to the undersecretary for the Amalgamated Wind-makers Union, George Harrison, member of the distinguished order of the bar and the former skiffle group’s darts champion.”
George: “…this has been a wonderful year for wind…the wind of change through our darkness continent of Wales”
John, loudly: “Hands off the Welsh!”
George: “Exactly, brother, you don’t know where they’ve been…”
Paul: “And now… we take you over to a rock and roll band where a Fan Club Christmas Record is being recorded…”This is followed by several minutes of each Beatle offering Christmas greetings to fan club members with lots of ad-libbing. After several more minutes of frivolous off the script banter, comes 5.5 minutes of Paul playing piano while Christmas carols are sung. “The Holly and the Mustard”, “Silent Bonfire Night”, “Christmas is Coming, The Goose is Getting Fat”, “Twelve Days of Christmas”, and “Jingle Bells”
A hilarious Ringo ad-lib causes uproarious laughter in the studio during “The Twelve Days of Christmas”:
Ringo: “On the third day of Christmas my true love sent to me one bird a hummin’, two sailors coming…”This is the first time one can hear that others are present in the studio besides the Beatles and Tony Barrow. A priceless moment!
A few minutes later, John’s parting comment: “I told you we’d be more lively about one o’clock”.
Paul: “That’s the thing, though. We’ve been having one or two of them beverage drinks you know”.
THE END.The exact recording date and location is open to speculation, but Beatles historian Mark Lewisohn’s studio logs reveal the following about the officially released version. Recording of their third annual Christmas fan club message was scheduled at the conclusion of a November 8th, 1965 (9pm-3am) “Think For Yourself” studio rehearsal and recording session. Working from a prepared script written by public relations chief Tony Barrow (incidentally, the man responsible for suggesting the Christmas message idea originally in 1963), the Beatles usual clever ad-libs and banter made the session bearable. George Martin edited and remixed the tape the following day, and fan club members received their flexi-discs the following month. On September 2nd, 2003, Lewisohn, after hearing a totally different unreleased twelve-minute Christmas tape currently circulating on the internet, responded that while he had no reason to believe that the tape was not recorded anywhere but at EMI’s Abbey Road Studios, he would reserve judgment to Tony Barrow, whose voice is heard on the twelve-minute just released tape. We have deduced that the recording offered here probably took place prior to this November 8th session and at a different location. Part of the reasoning lies in the facts that no part of the tape can be heard on the released flexi-disc; the script’s storyline is not consistent with any portion of the released message and, while Tony Barrow’s voice is heard, neither producer George Martin’s or engineer Norman Smith’s voices are detected.
For those not familiar with The Beatles Christmas records, from 1963 to 1969, the Beatles recorded short Christmas greetings for members of their fan club, which were sent out on flexi-disc (in 1970 a vinyl album with all seven recordings was sent to club members). Subsequently, the records were released on numerous bootlegs / counterfeits, along with a few outtakes.
The EMI “EMITAPE” open reel, tape box, and “EMITAPE” retrieval reel has been in the possession of the consignor since 1977. While this tape was used exclusively at EMI’s Abbey Road Studios, it was not unusual for such reels to be used for off-site recordings (eg. Dick James Studios). Any information that may have been included on the reverse of the tape box had been removed by the time the consignor received it. This fantastic piece originally came from Mal Evans. For your listening pleasure, brief snippets will be available on our website. In addition, arrangements can be made to hear the tape in its entirety. Now it can be yours, all yours!
ADDITION TO PRINTED CATALOG – Journalist Gillian Gaar informs us that some of the transcript of this recording can be read on page 15 of issue No. 29 of The Beatles Monthly Book from Dec. 1965. We are including a copy of the issue in this lot. We speculate that promo man Tony Barrow, not wanting to waste the material from this session, sent come of the copy to Beatle Monthly, who had close ties to the Fab Four organization.
From It’s Only Rock ‘N Roll, February 2004
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970. We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual - Volume 2 - Help! through Revolver (1965-1966)
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.