- Album This song officially appears on the London Town Official album.
Related sessions
This song has been recorded during the following studio sessions
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Lyrics
Our love affair was over on the second day
You packed a bag and like a birdie flew away
Meanwhile I'm sitting here, I'm getting in a mess
If you want my love, leave your name and address.
I used to love you baby, when I was your man
But maybe loving you is something no one man can do.
Meanwhile I'm sitting here, I'm getting in a mess
If you want my love, leave your name and address.
Love to feel the tingle of your heavenly caresses
Love to intermingle, a lonely single without addresses
If you want my love, leave your name and address.
But if it's all over baby, you know I'll understand
Maybe I'll hate to think of you with another man
Meanwhile I'm sitting here, I'm getting in a mess
If you want my love, leave your name and address.
Officially appears on
Official album • Released in 1978
3:09 • Studio version • A
- Paul McCartney :
- Bass (?), Electric guitar, Percussion, Producer, Vocals
- Linda McCartney :
- Backing vocals, Organ
- Denny Laine :
- Backing vocals, Bass (?), Electric guitar (?)
- Jimmy McCulloch :
- Electric guitar
- Geoff Emerick :
- Recording engineer
- Joe English :
- Drums
- Mark Vigars :
- Assistant engineer
- Pete Henderson :
- Assistant engineer
- Steve Churchyard :
- Assistant engineer
- Session Recording:
- February 7 to March 31, 1977
- Studio :
- EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • Buy Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989 on Amazon
Official album • Released in 1993
3:09 • Studio version • A
- Paul McCartney :
- Bass (?), Electric guitar, Percussion, Producer, Vocals
- Linda McCartney :
- Backing vocals, Organ
- Denny Laine :
- Backing vocals, Bass (?), Electric guitar (?)
- Jimmy McCulloch :
- Electric guitar
- Geoff Emerick :
- Recording engineer
- Joe English :
- Drums
- Mark Vigars :
- Assistant engineer
- Pete Henderson :
- Assistant engineer
- Steve Churchyard :
- Assistant engineer
- Session Recording:
- February 7 to March 31, 1977
- Studio :
- EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • Buy Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989 on Amazon
Bootlegs
Unofficial album • Released in 1999
3:15 • Rough mix • From Stereo 1978 Test Pressing Acetate - With Rough Different Mix
London Town - Ultimate Archive Collection
Unofficial album • Released in 2015
3:08 • Studio version • A
- Paul McCartney :
- Bass (?), Electric guitar, Percussion, Producer, Vocals
- Linda McCartney :
- Backing vocals, Organ
- Denny Laine :
- Backing vocals, Bass (?), Electric guitar (?)
- Jimmy McCulloch :
- Electric guitar
- Geoff Emerick :
- Recording engineer
- Joe English :
- Drums
- Mark Vigars :
- Assistant engineer
- Pete Henderson :
- Assistant engineer
- Steve Churchyard :
- Assistant engineer
- Session Recording:
- February 7 to March 31, 1977
- Studio :
- EMI Studios, Abbey Road
Credits & recording details courtesy of Luca Perasi • Buy Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989 on Amazon
Unofficial album • Released in 2015
3:14 • Alternate take • Test Pressing Acetates 1978
Live performances
Paul McCartney has never played this song in concert.
Going further
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
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