Rockestra Theme (song)

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Album This song officially appears on the Back To The Egg Official album.

Timeline This song has been officially released in 1979

Song facts

From Wikipedia:

“Rockestra Theme” is the fourth and final single on Wings’ final studio album Back to the Egg.
It was recorded on 3 October 1978 at Abbey Road Studios by an all-star collection of musicians dubbed “Rockestra”, although the song is technically credited to Wings. It was recorded as part of Wings’ 1979 album Back to the Egg and released as a single in France.
Musicians who performed on this song (and on “So Glad To See You Here”, also on Back to the Egg) included: Denny Laine, Laurence Juber, David Gilmour, Hank Marvin, Pete Townshend (guitars), Steve Holley, John Bonham, Kenney Jones (drums), Paul McCartney (piano), John Paul Jones, Ronnie Lane, Bruce Thomas (bass), Gary Brooker, Linda McCartney, Tony Ashton (keyboards), Speedy Acquaye, Tony Carr, Ray Cooper, Morris Pert (percussion), Howie Casey, Tony Dorsey, Steve Howard, Thaddeus Richard (horns).
One person taken out of the Rockestra Supergroup was Jeff Beck. After being asked to join by McCartney, Beck wanted to be able to have veto power over his own guitar parts, subsequently, McCartney withdrew his invitation.
In a 2001 interview on VH1, McCartney said Keith Moon was to have taken part in “Rockestra” but died one month before the recording sessions took place. Kenney Jones, who replaced Moon on drums within The Who, appeared instead. In the book Paul McCartney: Recording Sessions (1969-2013) Wings’ drummer Steve Holley recalled the session in an interview, saying “it was daunting”.
The song was performed again at the Concerts for the People of Kampuchea and released on the album and EP of the same name. This was a series of concerts featuring Queen, The Clash, the Pretenders, The Who, Elvis Costello, Wings, and many more artists which took place at the Hammersmith Odeon in London, England during December 1979 to raise money for the victims of war-torn Cambodia. The event was organized by McCartney and Kurt Waldheim, and it involved older artists such as McCartney and The Who as well as younger new wave acts like The Clash and the Pretenders. The last of the concerts was the last concert of Wings.
Most of the Rockestra wore silver suits for this performance. On the Concerts for Kampuchea home video, McCartney can be heard making a comment about Townshend before playing the song, making reference to Townshend being a “poof” (gay in British slang). “Thank you, Peter. Only lousy sod who wouldn’t wear the silver suit. Cuz he’s a poof.” Townshend made comment about it in several interviews following the performance.

Juber can be seen walking up behind Townshend after McCartney’s comment, and placing a silver top hat on his head. Townshend quickly grabs the hat and flings it into the audience.
“Rockestra Theme” won the first Grammy for Best Rock Instrumental Performance. The song was used as under the opening credits of the California Go! rad BMX sports show on ESPN.

Paul McCartney in "Conversations With McCartney", by Paul Du Noyer:

The ‘Rockestra Theme’ has good memories for me, of John Bonham in particular on drums, cos he’s the powerhouse behind the rhythm section. And all the great guys who showed up, (Pete) Townshend, Hank Marvin, a lot of really cool people. The idea was funny, but we were thinking recently of trying to revitalise it; every city has millions of people who play guitar, loads of drummers, and they only ever get together in really small units. Every city’s got millions of people who can play violin, viola and cello, and percussion, but they get together in large units. It was like an us-and-them thing. Why don’t we get together in large units?
That was the idea I was trying to float. I was hoping it would take off so much that people in Cleveland and people in Carlisle, kids would all get together and form rockestras, and do things like ‘Lucille’. Imagine twenty bass players — dum-dum-dum — ten drummers — bash bash bash — it would be a great scene, man, so someone’s still gotta do that. I may not get round to it but someone will, and I want inviting to it, please.

Conversations with McCartney • Paul du Noyer

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I got this little tune as an instrumental. I thought, it is a nice and easy melody line and it might be a good thing to try a lot of guitars on the melody line and, whereas most people use orchestra’s, normal orchestra’s, I thought the idea might be good to use rock instruments instead. And have what you would call a rockestra instead of on orchestra.
Paul McCartney

I’ve been thinking about it for a long time and talking about it with various people. And you meet people in the business and you find other people saying ‘yeah, I was thinking of doing something like that’. So by the time I heard other people saying, ‘yeah, I’m gonna do that’, I thought, I’d better gonna do it, if ever I’m gonna do it, and just try to get it together. (…) So I rang up a lot of people, I thought it might be good to do it. And some of them couldn’t make it, and some of them could come. I just decided, whoever shows up, if only three of them show up, then that will be the rockestra and we’ll just see what we could do.
Paul McCartney