End of February 2004
For Paul McCartney
Last updated on October 20, 2023
Recording studio: EMI Studios, Abbey Road Studios • London • UK
Session Circa 2004-2006 • "Love" mixing
Interview 2004 • Paul McCartney interview for musicradar
Session End of February 2004 • "Memory Almost Full" first sessions
Session April 2004 • "Chaos And Creation In The Backyard" sessions #2
AlbumSome of the songs worked on during this session were first released on the "Memory Almost Full" Official album
Let’s talk about some of the Paul records you play on, starting with Memory Almost Full. What stands out in your mind about making that? What songs?
“Only Mama Knows” was cool. That was a fun song. That one had a medley. It was fun to put it together. David Kahne was producing. We were at Abbey Road. Geoff Emerick was engineering. That was the first time I had worked with Geoff. It was tricky since I was trying to get a guitar sound, but I had to play really quietly. At a certain point, we put the drums out. Studios have isolation rooms. At Abbey Road, they used to pull up soundproofed walls to minimize bleed-through.
There was still too much bleed, so we put the drums between the outer door and the inner door, creating this little space. Having space between two rooms soundproofs them. Abbey Road is in a residential/business area. That helped. I could now take my guitars and really get the amp to drive and sound great.
There was a lot of stuff like that, figuring out harmony parts. Paul would be like, “I want you to sing background on this.” And then we’d double it maybe. It was a really fun process.
Rusty Anderson – Interview with Rolling Stone – October 11, 2023
Written by Paul McCartney
Recording
Written by Paul McCartney
Recording
Written by Paul McCartney
Recording
Written by Paul McCartney
Recording
Written by Paul McCartney
Recording
Written by Paul McCartney
Recording
Written by Paul McCartney
Recording
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.Read our exclusive interview with Luca Perasi
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