Friday, July 11, 1969
For The Beatles
Last updated on April 5, 2025
Feb 22 - Aug 25, 1969 • Songs recorded during this session appear on Abbey Road
Recording studio: EMI Studios, Studio Two, Abbey Road • London • UK
Session Jul 09, 1969 • Recording "Maxwell's Silver Hammer"
Session Jul 10, 1969 • Recording and mixing "Maxwell's Silver Hammer"
Session Jul 11, 1969 • Recording and mixing "Maxwell's Silver Hammer", "Something", "You Never Give Me Your Money"
Session July 6 or 13, 1969 ? • Recording "Que Sera Sera", "Fields of St. Etienne" #2
Article Jul 14, 1969 • Paul and Linda McCartney at the UK premiere of “Alfred The Great”
AlbumSome of the songs worked on during this session were first released on the "Abbey Road" LP
During this 2:30 pm to midnight session, overdubs were added to “Maxwell’s Silver Hammer“, “Something” and “You Never Give Me Your Money“.
“Maxwell’s Silver Hammer” had been worked on over the past two days. On this third day, Paul McCartney replaced the lead vocal for the third verse, and George Harrison added a final electric guitar part. Those overdubs were added onto Take 21.
The track would receive one final overdub on August 6.
They got annoyed because Maxwell’s Silver Hammer took three days to record. Big deal.
Paul McCartney – From “The Beatles Anthology” book, 2000
“Something” had been initially started in May 1969. On this day, overdubs were added onto Take 36. George Harrison recorded his first lead vocals for the track, and Paul McCartney contributed backing vocals.
According to Kevin Howlett in the “Abbey Road” Super Deluxe edition book (2019), Billy Preston was also present in the studio, recording an organ part. However, Jerry Hammack, in his book “The Beatles Recording Reference Manual: Volume 5“, states that Preston’s organ contribution was recorded earlier, on May 2.
Following the overdubs, four stereo mixes were prepared, along with a tape reduction — labelled Take 37 — to free up additional tracks for further overdubs. At this stage, the track was edited from 7’48” down to 5’32”, with the instrumental coda shortened from 4’48” to 2’32” (this coda would eventually be removed entirely).
Work on “Something” would resume on July 16.
“You Never Give Me Your Money” had last been worked on, on July 1. On this day, Paul added a bass guitar overdub onto track seven of take 30. Work on the track would continue on July 15.
Recording • SI onto take 21
Written by George Harrison
Recording • SI onto take 36
Written by George Harrison
Mixing • Stereo mixing - Remix 1 from take 36
Written by George Harrison
Mixing • Stereo mixing - Remix 2 from take 36
Written by George Harrison
Mixing • Stereo mixing - Remix 3 from take 36
Written by George Harrison
Mixing • Stereo mixing - Remix 4 from take 36
Written by George Harrison
Tape copying • Tape reduction take 36 into take 37
Recording • SI onto take 30
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970. We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 5: Let It Be through Abbey Road (1969 - 1970)
The fifth and final book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 5: Let It Be through Abbey Road (1969 - 1970)" follows The Beatles as they "get back to where they once belonged...". Not once, but twice. With "Let It Be", they attempted to recapture the spontaneity of their early years and recordings, while "Abbey Road" was a different kind of return - to the complexity, finish and polish that they had applied to their work beginning with "Revolver" and through to "The Beatles".
Solid State: The Story of "Abbey Road" and the End of the Beatles
Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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