- Release date:
- Sep 27, 2019
Timeline
More from year 2019
Related sessions
This album has been recorded during the following studio sessions
February 1969
Recording "I Want You (She's So Heavy)"
Feb 22, 1969
Recording "Oh! Darling", "Octopus's Garden"
Apr 26, 1969
Recording and mixing "Octopus's Garden"
Apr 29, 1969
May 02, 1969
May 05, 1969
Recording "You Never Give Me Your Money"
May 06, 1969
Recording "You Never Give Me Your Money"
Jul 01, 1969
Recording "Golden Slumbers / Carry That Weight"
Jul 03, 1969
Recording "Golden Slumbers / Carry That Weight"
Jul 04, 1969
Recording "Here Comes The Sun"
Jul 07, 1969
Recording and mixing "Here Comes The Sun"
Jul 08, 1969
Recording "Maxwell's Silver Hammer"
Jul 09, 1969
Recording and mixing "Maxwell's Silver Hammer"
Jul 10, 1969
Jul 21, 1969
Recording "Oh! Darling", "Come Together"
Jul 22, 1969
Aug 01, 1969
Mixing "Come Together", recording "The End"
Aug 07, 1969
Mixing "You Never Give Me Your Money"
Aug 13, 1969
Mixing the "Abbey Road" medley
Aug 14, 1969
Mixing "I Want You (She's So Heavy)"
Aug 20, 1969
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Track list
Disc 1
1.
2019 Stereo Mix
1.
4:20 • Studio version • F • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Bass, Electric piano, Harmony vocals
- Ringo Starr :
- Drums, Maracas
- John Lennon :
- Handclaps, Harmony vocals, Rhythm guitar, Tambourine, Vocals
- George Harrison :
- Lead guitar, Rhythm guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 21, 1969
- Studio :
- EMI Studios, Abbey Road
- Session Overdubs:
- 22, 23, 25, 29, 30 Jul 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 07, 1969
- Studio :
- EMI Studios, Abbey Road
2.
Written by George Harrison
3:02 • Studio version • E • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass
- Ringo Starr :
- Drums
- John Lennon :
- Piano
- George Harrison :
- Lead guitar, Rhythm guitar, Vocals
- George Martin :
- Producer, String arrangement
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Recording engineer
- Glyn Johns :
- Recording engineer
- Billy Preston :
- Hammond organ
- Sam Okell :
- Mix engineer
- Unknown musician(s) :
- Four cellos, Four violas, One double-bass, Twelve violins
- Session Recording:
- May 02, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs:
- May 05, 1969
- Studio :
- Olympic Sound Studios, London
- Session Overdubs:
- 11,16 Jul, 15 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 19, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
3.
3:28 • Studio version • C • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Guitar, Moog synthesiser, Piano, Vocals
- Ringo Starr :
- Anvil, Backing vocals, Drums
- George Harrison :
- Backing vocals, Bass, Lead guitar
- George Martin :
- Hammond organ, Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 09, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 9, 10, 11 Jul, 6 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 12, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Aug 14, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
4.
3:27 • Studio version • C • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Piano, Vocals
- Ringo Starr :
- Drums
- John Lennon :
- Backing vocals, Guitar
- George Harrison :
- Backing vocals, Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Apr 20, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Recording:
- 20, 26 Apr, 23 Jul, 8, 11 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 12, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
5.
Written by Ringo Starr
2:51 • Studio version • D • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass, Piano
- Ringo Starr :
- Drums, Effects, Percussion, Vocals
- John Lennon :
- Guitar
- George Harrison :
- Backing vocals, Lead guitar, Synthesiser
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Apr 26, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs & mixing:
- Apr 29, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs & mixing:
- Jul 18, 1969
- Studio :
- EMI Studios, Abbey Road
6.
7:47 • Studio version • C • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass
- Ringo Starr :
- Congas, Drums
- John Lennon :
- Lead guitar, Moog synthesiser, Organ, Vocals
- George Harrison :
- Backing vocals, Lead guitar
- George Martin :
- Producer
- Tony Clark :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Barry Sheffield :
- Recording engineer
- Jeff Jarratt :
- Recording engineer
- Glyn Johns :
- Producer
- Billy Preston :
- Hammond organ
- Sam Okell :
- Mix engineer
- Session Recording:
- Feb 22, 1969
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Apr 18 and 20 and Aug 11, 1969
- Studio :
- Trident Studios, London, UK & EMI Studios, Abbey Road
- Session Mixing:
- Aug 20, 1969
- Studio :
- EMI Studios, Abbey Road
7.
Written by George Harrison
3:06 • Studio version • C • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass, Handclaps
- Ringo Starr :
- Drums, Handclaps
- George Harrison :
- Acoustic guitar, Backing vocals, Handclaps, Harmonium, Moog synthesiser, Vocals
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 07, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 7, 8, 16 Jul, 6, 11, 15, 19 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 19, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
8.
2:46 • Studio version • D • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Bass, Vocals
- John Lennon :
- Lead guitar, Vocals
- George Harrison :
- Moog synthesiser, Vocals
- George Martin :
- Electric spinet baldwin harpsichord, Producer
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Session Recording:
- Aug 01, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Aug 04, 1969
- Studio :
- EMI Studios, Abbey Road
- Session Overdubs:
- Aug 05, 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 12, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
9.
4:03 • Studio version • B • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass, Chimes, Guitar, Piano, Tape loops, Vocals
- Ringo Starr :
- Drums, Tambourine
- John Lennon :
- Backing vocals, Guitar
- George Harrison :
- Backing vocals, Guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Glyn Johns :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- May 06, 1969
- Studio :
- Olympic Sound Studios, London
- Session Overdubs:
- 1,15,31 Jul, 5 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 13, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
10.
2:26 • Studio version • B • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Bass, Harmonium, Harmony vocals, Piano, Tape loops
- Ringo Starr :
- Bongos, Drums, Tambourine
- John Lennon :
- Guitar, Maracas, Vocals
- George Harrison :
- Harmony vocals, Lead guitar
- George Martin :
- Lowrey organ, Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 24, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 25, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 29, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Mixing:
- Jul 30, 1969
- Studio :
- EMI Studios, Abbey Road
11.
1:07 • Studio version • C • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Fuzz bass, Harmony vocals, Piano
- Ringo Starr :
- Drums, Tambourine
- John Lennon :
- Guitar, Maracas, Vocals
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 24, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 25, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 29, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Mixing:
- Jul 30, 1969
- Studio :
- EMI Studios, Abbey Road
12.
1:13 • Studio version • D • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass, Electric piano, Lead guitar, Piano
- Ringo Starr :
- Cowbell, Drums, Maracas, Tambourine
- John Lennon :
- 12-string acoustic guitar, Handclaps, Rhythm guitar, Vocals
- George Harrison :
- Backing vocals, Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Recording & overdubs
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Overdubs
- Studio :
- EMI Studios, Abbey Road
- Session Recording:
- Overdubs & mixing
- Studio :
- EMI Studios, Abbey Road
13.
She Came In Through The Bathroom Window
1:59 • Studio version • D • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Bass, Electric piano, Lead guitar, Piano, Vocals
- Ringo Starr :
- Cowbell, Drums, Maracas, Tambourine
- John Lennon :
- 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar
- George Harrison :
- Backing vocals, Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording & overdubs:
- Jul 25, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 28, 1969
- Studio :
- EMI Studios, Abbey Road
- Session Overdubs & mixing:
- Jul 30, 1969
- Studio :
- EMI Studios, Abbey Road
14.
1:32 • Studio version • B • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Bass
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 3, 4, 30, 31 Jul, 15 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Recording:
- Aug 18, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
15.
1:37 • Studio version • B • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Harmony vocal, Lead vocal, Piano, Rhythm guitar
- Ringo Starr :
- Chorus vocal, Drums, Timpani
- George Harrison :
- Bass, Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Unknown musician(s) :
- Bass trombone, Cellos, Double bass, Horns, Trombone, Trumpets, Violas, Violins
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 3, 4, 30, 31 Jul, 15 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 18, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
16.
2:22 • Studio version • C • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Backing vocals, Bass, Lead guitar, Piano, Vocals
- Ringo Starr :
- Drums, Tambourine
- John Lennon :
- Lead guitar, Rhythm guitar
- George Harrison :
- Lead guitar, Rhythm guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Unknown musician(s) :
- 1 bass trombone, 1 double-bass, 1 trombone, 12 violins, 3 trumpets, 4 horns, 4 violas
- Session Recording:
- Jul 23, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs:
- 5, 7, 8, 15, 18 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 19, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
17.
0:26 • Studio version • B • Stereo • 2019 Stereo Mix
- Paul McCartney :
- Acoustic guitar, Vocals
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Jul 30, 1969
- Studio :
- EMI Studios, Abbey Road
Disc 2
1.
Sessions
1.
7:00 • Alternate take • D • Trident Recording Session & Reduction Mix. For an overnight session on February 22, 1969, The Beatles were joined at London’s Trident Studios by producer George Martin and engineer Glyn Johns to record “I Want You (She’s So Heavy).” Abbey Road’s new edition combines a take from that session with the concluding part of the Trident master’s eight-track reduction mix made later at the EMI studios, revealing for the first time Billy Preston’s thrilling overdubbed organ solo.
- Session Recording:
- Feb 22, 1969
- Studio :
- Trident Studios, London, UK
2.
Written by Paul McCartney
2:24 • Demo • C • Home Demo
- Paul McCartney :
- Guitar, Lead vocal
- Giles Martin :
- Mix engineer, Producer
- Sam Okell :
- Mix engineer
- Chris Sheldon :
- Mix engineer
- Session Recording:
- February 1969
- Studio :
- Home studio, Cavendish Avenue, St.John's Wood
3.
Written by George Harrison
3:37 • Demo • F • Studio Demo. Although previously released on Anthology 3 in a version featuring guitar and vocal, the new anniversary mix of George’s “Something” demo features for the first time vocal, guitar and piano.
- Session Recording:
- Feb 25, 1969
- Studio :
- EMI Studios, Abbey Road
4.
3:38 • Alternate take • C • Take 7
- Paul McCartney :
- Drums
- John Lennon :
- Acoustic guitar, Vocals
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Chris Sheldon :
- Mix engineer
- Session Recording:
- Apr 14, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
5.
Written by George Harrison
3:16 • Alternate take • C • Take 2
- Paul McCartney :
- Backing vocals, Bass, Drums (?), Piano (?)
- Ringo Starr :
- Drums (?)
- John Lennon :
- Backing vocals, Piano (?)
- George Harrison :
- Guitars, Lead vocal
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Chris Sheldon :
- Mix engineer
- Session Recording:
- Apr 16, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
6.
3:31 • Alternate take • D • Take 4
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- John Lennon :
- Guitar
- George Harrison :
- Bass
- Giles Martin :
- Producer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Engineer
- Billy Preston :
- Hammond organ
- Sam Okell :
- Mix engineer
- Session Recording:
- Apr 20, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
7.
Written by Ringo Starr
1:43 • Alternate take • E • Take 9
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Session Recording:
- Apr 26, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
8.
5:18 • Alternate take • C • Take 36
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Session Recording:
- May 06, 1969
- Studio :
- Olympic Sound Studios, London
9.
1:34 • Alternate take • C • Takes 1–3
- Paul McCartney :
- Acoustic guitar, Vocals
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Chris Sheldon :
- Mix engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
2.
Sessions - Medley
1.
3:21 • Alternate take • C • Takes 1-3 - Medley with "Carry That Weight"
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
2.
3:21 • Alternate take • C • Takes 1-3 - Medley with "Golden Slumbers"
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
3.
Sessions
1.
Written by George Harrison
3:41 • Alternate take • D • Take 9
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- George Harrison :
- Acoustic guitar, Vocals
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 07, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
2.
4:44 • Alternate take • D • Take 12
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 09, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
3.
3:30 • Alternate take • G • Take 5
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- John Lennon :
- Handclaps, Lead vocal, Tambourine
- George Harrison :
- Guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 21, 1969
- Studio :
- Abbey Road Studios, London, UK
4.
2:11 • Alternate take • D • Take 3
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- John Lennon :
- Lead guitar
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 23, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
5.
Written by Paul McCartney
2:43 • Demo • B1 • Studio Demo. The version issued on Anthology 3 in 1996 had been remixed from the multi-track tape 12 years earlier for a completed - but never released - album of previously unissued tracks. [This track] is the original mix made, with John and Paul present in the control room, immediately after 'Come And Get It' had been completed.
- Paul McCartney :
- Bass, Drums, Maracas, Piano, Vocals
- Giles Martin :
- Mix engineer, Producer
- Sam Okell :
- Mix engineer
- Chris Sheldon :
- Mix engineer
- Session Recording:
- Jul 24, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
6.
3:14 • Alternate take • Take 20
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- John Lennon :
- Rhythm guitar, Vocals
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 24, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
7.
1:34 • Alternate take • Take 20
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- John Lennon :
- Rhythm guitar, Vocals
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 24, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
8.
1:39 • Alternate take • E • Take 27
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- John Lennon :
- Acoustic guitar, Vocals
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 25, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
9.
She Came In Through The Bathroom Window
2:06 • Alternate take • E • Take 27
- Paul McCartney :
- Bass, Vocals
- Ringo Starr :
- Drums
- John Lennon :
- Acoustic guitar
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 25, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
10.
3:08 • Alternate take • E • Take 1 – Instrumental
- Paul McCartney :
- Bass
- Ringo Starr :
- Handclaps
- John Lennon :
- Guitar
- George Martin :
- Electric harpsichord, Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Aug 01, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
Disc 3
1.
The Long One
Trial edit & Mix - 30 July 1969
1.
16:10 • Alternate take
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Session Mixing:
- Jul 30, 1969
2.
16:10 • Alternate take • From the original mix of "The Long One"
- Session Mixing:
- Jul 30, 1969
3.
16:10 • Alternate take • From the original mix of "The Long One"
- Session Mixing:
- Jul 30, 1969
4.
0:26 • Studio version • A • Stereo • From the original mix of "The Long One", the cut of "Her Majesty" made out of it was released on "Abbey Road"
- Paul McCartney :
- Acoustic guitar, Vocals
- George Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Jul 30, 1969
- Studio :
- EMI Studios, Abbey Road
5.
16:10 • Alternate take • F • From the original mix of "The Long One"
- Session Mixing:
- Jul 30, 1969
6.
She Came In Through The Bathroom Window
16:10 • Alternate take • F • From the original mix of "The Long One"
- Session Recording:
- Jul 30, 1969
7.
16:10 • Alternate take • D • From the original mix of "The Long One"
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 03, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 04, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Jul 30, 1969
8.
Alternate take • D • From the original mix of "The Long One"
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- George Harrison :
- Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Session Recording:
- Jul 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 03, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 04, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Jul 30, 1969
9.
2:11 • Alternate take • E • Part of the first version of the "Long One"
- Paul McCartney :
- Bass
- Ringo Starr :
- Drums
- John Lennon :
- Lead guitar
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 23, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Mixing:
- Jul 30, 1969
2.
Sessions
1.
Written by George Harrison
2:42 • Alternate take • G • Take 39 – Instrumental – Strings Only
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Unknown musician(s) :
- Four cellos, Four violas, One double-bass, Twelve violins
- Session Recording:
- Aug 15, 1969
3.
Medley
1.
3:17 • Alternate take • E • Take 17 - Instrumental - Strings & Brass only - Medley with "Carry That Weight"
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Unknown musician(s) :
- Four cellos, Four horns, Four violas, One bass trombone, One double-bass, One trombone, Three trumpets, Twelve violins
- Session Recording:
- Aug 15, 1969
- Studio :
- EMI Studios, Studio One, Abbey Road
2.
3:17 • Alternate take • E • Take 17 - Instrumental - Strings & Brass only - Medley with "Golden Slumbers"
- Unknown musician(s) :
- Four cellos, Four horns, Four violas, One bass trombone, One double-bass, One trombone, Three trumpets, Twelve violins
- Session Recording:
- Aug 15, 1969
- Studio :
- EMI Studios, Studio One, Abbey Road
About
I think before the Abbey Road sessions it was like we should put down the boxing gloves and try and just get it together and really make a very special album.
Paul McCartney
From TheBeatles.com, August 8, 2019:
It was 50 years ago today, on August 8, 1969, that the world’s most famous band stepped out from London’s EMI Recording Studios to stride, single-file, across the black and white stripes of Abbey Road’s nearby zebra crossing. With photographer Iain Macmillan balanced on a stepladder and one policeman stopping the street’s light traffic, The Beatles crossed back and forth three times, led by John Lennon, followed by Ringo Starr, Paul McCartney, and George Harrison. Just six photos were taken, with the fifth selected as the cover shot for The Beatles’ penultimate studio album, Abbey Road, named after the tree-lined street in which the studios are located. Released September 26, 1969, Abbey Road was not The Beatles’ final album, as Let It Be followed in 1970, but it was the last one John, Paul, George, and Ringo recorded together as a band. The Beatles will celebrate Abbey Road’s anniversary with a suite of beautifully presented packages to be released worldwide on September 27 by Apple Corps Ltd./Capitol/UMe. Now available for preorder, the album’s 17 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo, high res stereo, 5.1 surround, and Dolby Atmos, accompanied by 23 session recordings and demos, most of which are previously unreleased.
“The Beatles recording journey had gone through many twists and turns, learning curves and thrilling rides. Here we were – still wondering at the magic of it all,” McCartney recalls in his written foreword for Abbey Road’s anniversary edition packages.
This is the first time Abbey Road has been remixed and presented with additional session recordings and demos. The album’s sweeping new edition follows the universally acclaimed remixed and expanded anniversary editions of Sgt. Pepper’s Lonely Hearts Club Band and The BEATLES (‘White Album’) released in 2017 and 2018, respectively. To create Abbey Road’s new stereo, 5.1 surround, and Dolby Atmos mixes, Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios. All the new Abbey Road releases feature the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles was guided by the album’s original stereo mix supervised by his father, George Martin.
“The magic comes from the hands playing the instruments, the blend of The Beatles’ voices, the beauty of the arrangements,” Giles Martin explains in his written introduction for the new edition. “Our quest is simply to ensure everything sounds as fresh and hits you as hard as it would have on the day it was recorded.”
Abbey Road’s Super Deluxe box set presents 40 tracks – including “The Long One” Trial Edit & Mix for the album’s epic Side 2 medley – on three CDs (stereo) and one Blu-ray disc (Dolby Atmos, 96kHz/24 bit high resolution stereo, and 96 kHz/24 bit DTS-HD Master Audio 5.1). The four discs are housed in a slip-sleeved 12” by 12” 100-page hardbound book with McCartney’s foreword; Martin’s introduction; insightful, in-depth chapters written by Beatles historian, author, and radio producer Kevin Howlett covering the months preceding The Beatles’ Abbey Road sessions, track-by-track details and session notes, the cover art and photo shoot, and the album’s reception upon its release; plus an essay by music journalist and author David Hepworth looking at the album’s influence through 50 years. The gorgeous book is illustrated with rare and previously unpublished photographs, including many taken by Linda McCartney; never before published images of handwritten lyrics, sketches, and a George Martin score; Beatles correspondence, recording sheets, and tape boxes; and reproduced original print ads. The Super Deluxe digital audio collection presents all 40 tracks for download purchase and streaming in standard and MFiT formats, as well as in high resolution audio (96kHz/24 bit) for download.
Abbey Road’s limited edition Deluxe vinyl box set features all 40 tracks from the Super Deluxe collection on three 180-gram vinyl LPs. The album’s new stereo mix LP is packaged in a faithfully replicated sleeve, with the two Sessions LPs paired in their own jacket, presented with a four-page insert in a lift-top box. The Deluxe 2CD set pairs the new stereo mix with versions taken from the session takes and demo recordings of its 17 songs, sequenced to match the album’s running order. The two discs are presented in a digipak with a 40-page booklet abridged from the Super Deluxe book. The album’s new stereo mix is also available in 1CD and 180-gram 1LP vinyl packages, for digital download in standard and MFiT audio, and on a limited edition picture disc vinyl LP illustrated by the album’s front and back cover art images.
Abbey Road’s Super Deluxe and Deluxe vinyl box sets’ 23 session and demo recordings are presented in chronological order of their first recording dates. “I Want You (She’s So Heavy)” leads the charge:
For an overnight session on February 22, 1969, The Beatles were joined at London’s Trident Studios by producer George Martin and engineer Glyn Johns to record “I Want You (She’s So Heavy).” Abbey Road’s new edition combines a take from that session with the concluding part of the Trident master’s eight-track reduction mix made later at the EMI studios, revealing for the first time Billy Preston’s thrilling overdubbed organ solo. With their amps turned up high, The Beatles received a noise complaint from one of the studio’s neighbors in the Soho area of the city. The take starts with Lennon exclaiming, “My boys are ready to go!,” before the band is told about the complaint. Lennon replies, “What are they doing here at this time of night?,” then lays it down: “Well, we’ll try it once more very loud. And then if we don’t get it, we’ll try it quiet, like it might do it the other way. OK. The loud one, last go. Last chance to be loud!”
In the same month that the raucous Trident session took place, McCartney recorded a home demo of “Goodbye” for the Apple-signed singer Mary Hopkin and Harrison recorded a solo demo of “Something” at EMI Recording Studios. Both demos are featured on Abbey Road’s new edition. “Goodbye” makes its release debut. Although previously released on Anthology 3 in a version featuring guitar and vocal, the new anniversary mix of George’s “Something” demo features for the first time vocal, guitar and piano.
The Beatles reconvened at EMI’s studios and Olympic Sound Studios for sessions spanning mid-April to early May. On April 14, Lennon and McCartney recorded the single “The Ballad Of John And Yoko” in EMI’s Studio Three, with Geoff Emerick as the balance engineer. Two days later, the single’s B-side, “Old Brown Shoe” was recorded. Session recordings for these tracks, as well as three more songs started during this period, “Oh! Darling,” “Octopus’s Garden,” and “You Never Give Me Your Money,” are featured in Abbey Road’s anniversary edition.
The remainder of Abbey Road’s sessions took place in July and in August with George Martin producing, and with principal engineers Geoff Emerick and Phil McDonald taking turns at EMI’s groundbreaking new mixing console, the TG12345. On July 2, 3, and 4, McCartney, Harrison, and Starr recorded “Golden Slumbers”/“Carry That Weight” as a medley (Lennon was hospitalized in Scotland, recuperating after a car accident). A sequence of Takes 1-3 from the first day’s session is featured in the anniversary edition. Take 9 from McCartney, Harrison, and Starr’s backing track session for “Here Comes The Sun” on Starr’s July 7 birthday is also included.
On July 21, 22, and 23, The Beatles were in-studio to record “Come Together,” followed by additional sessions on July 25, 29, and 30. The anniversary edition features Take 5. On July 23, The Beatles began recording “The End,” which, along with McCartney’s timeless couplet – “And in the end, the love you take / Is equal to the love you make” – features Starr’s only drum solo on a Beatles recording. Take 3 is included in Abbey Road’s new edition. The next day, just before the band’s 34-take session for “Sun King” and “Mean Mr Mustard,” McCartney cut a quick studio demo for “Come And Get It” – later a hit for the Apple-signed band Badfinger. The demo’s original 1969 stereo mix, made with McCartney and Lennon present in the control room, is released for the first time in the new edition, as is Take 20 from The Beatles’ “Sun King” and “Mean Mr Mustard” session. On July 25, two more songs, “Polythene Pam” and “She Came In Through The Bathroom Window,” were recorded as one for inclusion in the album’s epic medley. Take 27 from that session is featured on the new edition.
After Harrison had transported his rare and cumbersome Moog synthesizer to the studios, four songs received Beatle-played synthesizer parts: “I Want You (She’s So Heavy)” (Lennon), “Maxwell’s Silver Hammer” (McCartney), and “Here Comes The Sun” and “Because” (Harrison). This was a very early use of the newly-invented instrument on a pop record. George Martin wrote arrangements for several tracks that were recorded in Studio One toward the end of the sessions in August 1969. The original overdubbed recordings of Martin’s scores for “Something” and “Golden Slumbers”/“Carry That Weight” are included in Abbey Road’s anniversary edition.
August 20, 1969 was the last time The Beatles were together as a band at the EMI studios, for an evening session to compile Abbey Road’s master tapes. The album’s sides were sequenced, with “Come Together” opening Side 1, and with the medley of “You Never Give Me Your Money,” “Sun King,” “Mean Mr Mustard,” “Polythene Pam,” “She Came In Through The Bathroom Window,” “Golden Slumbers,” “Carry That Weight,” and “The End” placed on Side 2. “The Long One,” a different trial edit and mix of the medley, including “Her Majesty” (ultimately placed 14 seconds after “The End” as an unlisted, hidden track) is included in Abbey Road’s new edition.
A few weeks before Abbey Road’s release on September 26, 1969, Apple’s press officer Derek Taylor revealed that the album was “recorded at nice, workmanlike sessions which usually began at 2pm and continued until the end of the evening.” Millions of Abbey Road LPs were pressed at manufacturing plants around the world. The album was another blockbuster release for The Beatles, holding the No. 1 spot on the U.K. albums chart for a total of 17 weeks and topping Billboard’s U.S. albums chart for 11 weeks. For their work on Abbey Road, Geoff Emerick and Phil McDonald won the year’s GRAMMY Award® for Best Engineered Recording, Non-Classical. In 1995, Abbey Road was inducted into the Recording Academy’s GRAMMY Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.” The Beatles’ best-selling studio album, Abbey Road’s universal popularity and influence have continued to grow since its debut.
Since Abbey Road’s release, the street’s zebra crossing has been one of the most celebrated and photographed sites in the world, protected as an historic landmark and visited by thousands of Beatles fans each year. Due to the success of The Beatles’ album, EMI Recording Studios was renamed Abbey Road Studios. Owned and operated by Universal Music Group, Abbey Road Studios is the most famous recording studio in the world and a global music icon.

Last updated on August 26, 2021
Going further
Solid State: The Story of "Abbey Road" and the End of the Beatles
Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.
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