Album This song officially appears on the Abbey Road LP.
Timeline This song was officially released in 1969
Timeline This song was recorded in 1969
Timeline This song was written, or began to be written, in 1968, when Paul McCartney was 26 years old)
This song was recorded during the following studio sessions:
The "Get Back / Let It Be" sessions • Day 6
Jan 09, 1969
The "Get Back / Let It Be" sessions • Day 15
Jan 24, 1969
Circa 2019
Following their kerb drill in Abbey Road
Sep 20, 1969 • From Evening Standard
May 27, 1997 • From USA Today
Flaming Pie - Digging Around The Back
Summer 1997 • From Club Sandwich
Paul McCartney spends time with Linda Eastman in Scotland
November 5 - Mid-November?, 1968
Officially appears on Strawberry Fields Forever / Penny Lane
Officially appears on Abbey Road
I only had a few lines, so I decided to make it just that long. No more.
Paul McCartney – From interview with The Evening Standard, September 1969
From Wikipedia:
“Her Majesty” is a song by the English rock band the Beatles, from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is a brief tongue-in-cheek music hall song. On the album, “Her Majesty” appears 14 seconds after the previous song “The End“, but was not listed on the original sleeve. Some observers consider it the first example of a hidden track.
Recording
On 2 July 1969, Paul McCartney performed a 23-second snippet of a song called “Her Majesty” that he had first previewed in the sessions for Get Back, the album that eventually became Let It Be.
McCartney sang and simultaneously played a fingerstyle acoustic guitar accompaniment. Three takes of the song were recorded on 2 July 1969, with the last one being chosen as the best of the three. These took place just prior to beginning work on “Golden Slumbers/Carry That Weight“. These three takes can be heard in their entirety on the 50th Anniversary Super Deluxe edition. The album version is missing the final chord, an error from the Abbey Road medley editing process. Originally positioned after “Mean Mr. Mustard”, the decision to exclude it from the medley was made on 30 July.[better source needed]
Structure and placement
McCartney had wanted to throw away the recording tape. However, tape operator John Kurlander had been explicitly instructed by his superiors to not throw away any Beatles material. In accordance with McCartney’s wishes, Kurlander cut the track, but accidentally left out the last note. After McCartney had left, Kurlander picked up the recording from the floor, placed about 20 seconds of red tape before it, and placed it at the end of the editing tape, so that the song was positioned after a 14-second silence after the end of “The End“. After this change, McCartney liked it and approved the track for inclusion on the album. The song wasn’t listed on the original vinyl cover, because it had already been printed; on the reprinted versions, however, it is listed. The CD edition corrected it.
With 23 seconds, “Her Majesty” is the shortest Beatles’ song. In The Beatles Anthology, McCartney classified the situation as “typical Beatles – an accident”. The high chord that occurs in the beginning is the final, as recorded, of “Mean Mr. Mustard“.
Alternative positions
In October 2009, the MTV Networks released a download version of the song (just as the full album) for the video game The Beatles: Rock Band, that gave to the players the capacity to play the last chord that missed. The Apple Corps granted rights to this and other changes to Harmonix Music Systems, which developed the game. The change generated controversy among some fans who preferred the unresolved ending of the recorded version. The 50th anniversary “Super Deluxe Edition” of Abbey Road includes a bonus track, “The Long One”, which consists of an experimental edit and mix of the medley, with “Her Majesty” placed between “Mean Mr. Mustard” and “Polythene Pam“.
Lyrics
Some parts of the lyrics are interpreted as insults to the Queen Elizabeth II. The song is about a man who dreams of a romance with the Queen, but has some reservations about it: “Her Majesty is a pretty nice girl/But she doesn’t have a lot to say/Her Majesty is a pretty nice girl/But she changes from day to day“. Despite the criticism, McCartney prefers monarchy to republic and has praised the Queen for being “smart, fabulous and glamorous”, in addition to understanding the figure of the Queen as a unifying force in British society.
Live performances and covers
McCartney performed the song in front of Queen Elizabeth II at the Palace Party on 3 June 2002, part of the Golden Jubilee celebrations. The American band Pearl Jam performed a cover of the song in tribute to the Queen’s death, hours after her death was announced by Buckingham Palace, during a performance at the Scotiabank Arena in Toronto, Canada.
The song is one of the least re-recorded in the Beatles’ entire catalogue, having been covered by bands such as Pearl Jam, Art Brut and Chumbawamba (who extended it into a full length version adding three new verses and two bridges). […]
Before writing “Her Majesty“, Paul McCartney had previously written about the Queen when he was 10 years old and won a school essay contest ahead of Queen Elizabeth II’s coronation in 1953.
In “Paul McCartney: Many Years from Now” by Barry Miles (1997), it is stated that Paul wrote “Her Majesty” in Scotland. Tony Macarthur, Radio Luxembourg disc jockey, said Paul played him “Her Majesty” when he interviewed him on November 20, 1968. So it’s likely the song was written during the time he spent at High Park Farm, Scotland, with his future wife Linda Eastman in early November 1968.
It was quite funny because it’s basically monarchist, with a mildly disrespectful tone, but it’s very tongue in cheek. It’s almost like a love song to the Queen.
Paul McCartney – From “Paul McCartney: Many Years from Now” by Barry Miles, 1997
You’re sitting around with an acoustic guitar, just for your own fun, and then you get a little idea, and sometimes it’s enough to finish up as a ‘big’ song. ‘Her Majesty’ was just a little fragment really, and I didn’t know what to do with it.
Paul McCartney – From “The Lyrics: 1956 to the Present“, 2021
That was very much how things happened. Really, you know, the whole of our career was like that so it’s a fitting end.
Paul McCartney – Commenting about the unplanned position of “Her Majesty” at the end of Abbey Road – From “Solid State: The Story of Abbey Road and the End of the Beatles” by Kenneth Womack, 2019
I didn’t want to end the [Flaming Pie] album on a big note. It was a trick similar to what we did on the end of Abbey Road with “Her Majesty”, a surprise to deflate any pomposity.
Paul McCartney – Interview for USA Today, May 1997
When “The Beatles” double album was released [November 1968], at the time I did a programme with Paul, and he played [“Her Majesty”] to me at that time. In fact, it was on that [“White Album”] tape, when we were just getting levels and things...
Tony Macarthur, Radio Luxembourg disc jockey – From “The Beatles: Off the Record” by Keith Badman, 2008
Paul sang that knowing the Queen would enjoy it. We are monarchists.
Derek Taylor – Apple publicist – From “The Beatles: Off the Record” by Keith Badman, 2008
Paul performed the song live at the Party at the Palace concert from the Garden at Buckingham Palace in 2002, as part of the celebrations of the Golden Jubilee of Elizabeth II. “I had to do it“, he joked.
I did once perform this song for the queen. I don’t know how to break this to you, but she didn’t have a lot to say.
Paul McCartney – From “The Lyrics: 1956 to the Present“, 2021

From The Usenet Guide to Beatles Recording Variations:
[a] stereo 30 Jul 1969.
UK: Apple PCS 7088 Abbey Road 1969.
US: Apple SO-383 Abbey Road 1969.
CD: EMI CDP 7 46446 2 Abbey Road 1987.A rough edit of the medley was done Jul 30, and the piece of tape containing this song was cut out of it, from its position between Mean Mr Mustard and Polythene Pam. The piece of tape was then rescued and used for the album. The cutting, not originally intended for release, was just slightly early at both ends: the last note of Her Majesty was lost, and the crash at the beginning is the last note of Mean Mr Mustard.
Her Majesty's a pretty nice girl
But she doesn't have a lot to say
Her Majesty's a pretty nice girl
But she changes from day to day
I wanna tell her that I love her a lot
But I gotta get a bellyfull of wine
Her Majesty's a pretty nice girl
Someday I'm gonna make her mine
Oh, yeah, someday I'm gonna make her mine
LP • Released in 1969
0:26 • Studio version • A • Stereo
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Phil McDonald : Recording engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : Jul 30, 1969 • Studio : EMI Studios, Abbey Road
Abbey Road (Stereo - 2009 remaster)
Official album • Released in 2009
0:26 • Studio version • A2009 • Stereo • 2009 stereo remaster
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Phil McDonald : Recording engineer Guy Massey : Remastering Steve Rooke : Remastering Allan Rouse : Project co-ordinator
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : Jul 30, 1969 • Studio : EMI Studios, Abbey Road
Abbey Road (Picture Disc - Limited Edition - 2019)
LP • Released in 2019
0:26 • Studio version • B • Stereo • 2019 Stereo Mix
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Giles Martin : Producer Phil McDonald : Recording engineer Sam Okell : Mix engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : 2019 ? • Studio : EMI Studios, Abbey Road Studios • London • UK
Abbey Road (50th anniversary boxset)
Official album • Released in 2019
0:26 • Studio version • B • Stereo • 2019 Stereo Mix
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Giles Martin : Producer Phil McDonald : Recording engineer Sam Okell : Mix engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : 2019 ? • Studio : EMI Studios, Abbey Road Studios • London • UK
Abbey Road (50th anniversary boxset)
Official album • Released in 2019
1:34 • Alternate take • C • Takes 1–3
Paul McCartney : Acoustic guitar, Vocals Giles Martin : Producer Sam Okell : Mix engineer Chris Sheldon : Mix engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
Abbey Road (50th anniversary boxset)
Official album • Released in 2019
0:26 • Studio version • A • Stereo • From the original mix of "The Long One", the cut of "Her Majesty" made out of it was released on "Abbey Road"
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Phil McDonald : Recording engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : Jul 30, 1969 • Studio : EMI Studios, Abbey Road
Abbey Road (50th anniversary boxset)
Official album • Released in 2019
0:26 • Studio version • D • Dolby Atmos • 2019 Dolby Atmos Mix
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Phil McDonald : Recording engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : 2019 ? • Studio : EMI Studios, Abbey Road Studios • London • UK
Abbey Road (Green Vinyl - 2025)
LP • Released in 2025
0:26 • Studio version • B • Stereo • 2019 Stereo Mix
Paul McCartney : Acoustic guitar, Vocals George Martin : Producer Giles Martin : Producer Phil McDonald : Recording engineer Sam Okell : Mix engineer
SessionRecording : Jul 02, 1969 • Studio : EMI Studios, Studio Two, Abbey Road
SessionMixing : 2019 ? • Studio : EMI Studios, Abbey Road Studios • London • UK
Driving Rain... In The New Century
Bootleg • Released in 2002
1:01 • Live • "Party At The Palace", London, Buckingham Palace Garden (BBC 1 TV and BBC Radio). Paul solely on acoustic guitar.
Concert From "Party At The Palace" in London, UK on Jun 03, 2002
For Freedom, Peace And Her Majesty
Live bootleg • Released in 2002
0:40 • Live
Concert From "Party At The Palace" in London, UK on Jun 03, 2002
A/B Road Complete Get Back Sessions - Jan 9th, 1969 - 1 & 2
Bootleg • Released in 2004
2:04 • Rehearsal • Jan.09 - D1-12 - Her Majesty 9.09
SessionRecording : Jan 09, 1969 • Studio : Twickenham Film Studios, London, UK
“Her Majesty” has been played in 1 concerts.
Jun 03, 2002 • UK • London • Buckingham Palace Gardens
The Lyrics: 1956 to the Present
"Her Majesty" is one of the songs featured in the book "The Lyrics: 1956 to the Present," published in 2021. The book explores Paul McCartney's early Liverpool days, his time with the Beatles, Wings, and his solo career. It pairs the lyrics of 154 of his songs with his first-person commentary on the circumstances of their creation, the inspirations behind them, and his current thoughts on them.
Solid State: The Story of "Abbey Road" and the End of the Beatles
Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.
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