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Released in 1969

Carry That Weight

Written by Lennon - McCartney

Last updated on December 31, 2021


Album This song officially appears on the Abbey Road LP.

Timeline This song was officially released in 1969

Timeline This song was written, or began to be written, in 1969, when Paul McCartney was 27 years old)

Master album

Related sessions

This song was recorded during the following studio sessions:

Related interviews

From Wikipedia:

“Carry That Weight” is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is the seventh and penultimate song in the album’s climactic side-two medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by “Golden Slumbers” and segues into “The End“.

The middle bridge, featuring brass instruments, electric guitar and vocals, and reprises the beginning of “You Never Give Me Your Money“, but with different lyrics. The ending also reprises the arpeggiated guitar motif from the end of that track, which is itself reminiscent of the figure featured prominently in the George Harrison–written track “Here Comes the Sun“, which opens side two of Abbey Road.

Interpretation

Music critic Ian MacDonald interpreted the lyric as an acknowledgement by the group that nothing they would do as individual artists would equal what they had achieved together, and they would always carry the weight of their Beatle past. McCartney said the song was about the Beatles’ business difficulties and the atmosphere at Apple at the time. In the film Imagine: John Lennon, Lennon says that McCartney was “singing about all of us”.

Recording

The Beatles began recording “Golden Slumbers”/”Carry That Weight” as one piece on 2 July 1969. McCartney, Harrison and Ringo Starr recorded 15 takes of the two songs while Lennon was in a hospital recovering from a car accident in Scotland.

The rhythm tracks featured McCartney on piano, Harrison on bass guitar and Starr on drums. The best were takes 13 and 15, which were edited together on 3 July. That day and the next, McCartney overdubbed his lead vocals and rhythm guitar, Harrison added lead guitar, and all three sang the chorus.

On 30 July, they added more vocals, including Lennon, who had rejoined the sessions on 9 July. More vocals, timpani and drums were overdubbed on 31 July. The orchestra that marked 30 musicians altogether was recorded on 15 August. […]


It’s like a story. A bit like ‘Act Naturally’, where a tag line keeps coming up, you know, ‘So and so and so and so,’ but all he said was ‘Act naturally’. It’s like your troubles, but it was like a comedy when I first heard it. There was a verse about a drunkard who got drunk, got in trouble with the wife, and, ‘I woke up the next morning with a weight upon my head and found it was my head.’ It’s like the normal kind of trouble that everyone has. It’s one of those songs where you’ve got everything and you’ve got everything going great but, you know, ‘This morning, one of my eggs broke.’ It’s just so trivial. ‘My bright shoes are a bit tight.’

Paul McCartney – From “The Beatles: Off the Record” by Keith Badman

I’m generally quite upbeat but at certain times things get to me so much that I just can’t be upbeat any more and that was one of the times. We were taking so much acid and doing so much drugs and all this Klein shit was going on and getting crazier and crazier and crazier. Carry that weight a long time: like for ever! That’s what I meant.

Paul McCartney – From “Many Years From Now” by Barry Miles, 1997

There was what my Aunty Jin would have called a bad atmosphere “Oh, I can feel the atmosphere in this house, love.” It wasn’t difficult, she wouldn’t have liked it there. It was “heavy”. “Heavy” was a very operative word at that time “Heavy, man” but now it actually felt heavy. That’s what “Carry That Weight” was about: not the light, rather easy-going heaviness, albeit witty and sometimes cruel, but with an edge you could exist within and which always had a place for you to be. In this heaviness there was no place to be. It was serious, paranoid heaviness and it was just very uncomfortable.

Paul McCartney – From “Many Years From Now” by Barry Miles, 1997

The whole period [of the business problems at Apple Record] weighted on me to such an extent that I even began to think it was all tied in with the idea of original sin. Even though my mum had christened me as a Catholic, we weren’t brought up Catholic, so I didn’t buy into the concept of original sin on a day-to-day basis. It’s really very depressing to think that you were born a loser.

The idea of carrying a weight may have been influenced by The Band’s song ‘The Weight’, which had appeared on Music From Big Pink in Juy 1968.

Paul McCartney – From “The Lyrics: 1956 to the Present” book (2021)

The business problems at Apple Records […] really were horrible. The business meetings were just soul-destroying. We’d sit around in an office, and it was a place you just didn’t want to be, with people you didn’t want to be with. There’s a great picture that Linda took of Allen Klein, in which he’s got a hammer like Maxwell’s silver hammer. It’s very symbolic. And that’s why we have the little nod and a wink in the middle section to “You Never Give Me Your Money”, in the lines “I never give you my pillow / I only send you my invitations”

Paul McCartney – From “The Lyrics: 1956 to the Present” book (2021)
From INACTIVE BLOG (tumblr.com) – Photo by Linda McCartney

From The Usenet Guide to Beatles Recording Variations:

[a] stereo 18 Aug 1969. crossfaded 19 Aug 1969.
UK: Apple PCS 7088 Abbey Road 1969.
US: Apple SO-383 Abbey Road 1969.
CD: EMI CDP 7 46446 2 Abbey Road 1987.

The 2d generation was an edit of two takes.

The crossfade joins this to the following song, The End; the join is in the guitar work after the last “carry that weight a long time”.


Lyrics

Once there was a way to get back homeward,

Once there was a way to get back home,

Sleep little darling, do not cry,

And I will sing a lullaby.


Golden slumbers fill your eyes,

Smiles awake when you rise,

Sleep little darling, do not cry,

And I will sing a lullaby.


Once there was a way to get back homeward.

Once there was a way to get back home,

Sleep little darling, do not cry,

And I will sing a lullaby.


Boy, you're gonna carry that weight,

Carry that weight a long time.

Boy, you're gonna carry that weight,

Carry that weight a long time.


I never give you my pillow,

I only send you my invitations.

And in the middle of the celebrations

I break down.


Boy, you're gonna carry that weight,

Carry that weight a long time.

Boy, you're gonna carry that weight,

Carry that weight a long time.


Oh yeah, alright,

Are you gonna be in my dreams tonight.

Love you, love you, love you, love you.

Love you, love you, love you, love you.


And in the end the love you take

Is equal to the love you make.


You never give me your money

You only give me your funny paper

And in the middle of negotiations

You break down


I never give you my number

I only give you my situation

And in the middle of investigation

I break down


Out of college, money spent

See no future, pay no rent

All the money's gone, nowhere to go

Any jobber got the sack

Monday morning turning back

Yellow lorry slow nowhere to go

But oh, that magic

Feeling, nowhere to go

Oh, that magic feeling

Nowhere to go


I never give you my pillow

I only send you my invitation

And in the middle of the celebrations

I break down


Boy, you gotta carry that weight

Carry that weight a long time

Boy, you gonna carry that weight

Carry that weight a long time


You never give me your money

You only give me your funny paper

And in the middle of negotiations

You break down

Variations

Officially appears on

Bootlegs

Live performances

Carry That Weight” has been played in 460 concerts and 4 soundchecks.

Latest concerts where “Carry That Weight” has been played


Going further

The Lyrics: 1956 to the Present

"Carry That Weight" is one of the songs featured in the book "The Lyrics: 1956 to the Present," published in 2021. The book explores Paul McCartney's early Liverpool days, his time with the Beatles, Wings, and his solo career. It pairs the lyrics of 154 of his songs with his first-person commentary on the circumstances of their creation, the inspirations behind them, and his current thoughts on them.

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Solid State: The Story of "Abbey Road" and the End of the Beatles

Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.

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Paul McCartney writing

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