Saturday, February 22, 1969
Recording "I Want You (She's So Heavy)"
For The Beatles
Last updated on January 1, 2022
Saturday, February 22, 1969
For The Beatles
Last updated on January 1, 2022
Feb 22 - Aug 25, 1969 • Songs recorded during this session appear on Abbey Road
Recording studio: Trident Studios, London, UK
Previous session February 18 or 19 or 20 or 21, 1969 • Recording "Don't Let Me Down" ?
Single Feb 21, 1969 • "Rosetta / Just Like Before" by The Fourmost released in the UK
Album Feb 21, 1969 • "Post Card (UK version - Stereo)" by Mary Hopkin released in the UK
Session Feb 22, 1969 • Recording "I Want You (She's So Heavy)"
Session Feb 22 - Aug 25, 1969 • "Abbey Road" sessions
Session Feb 23, 1969 • Editing "I Want You (She's So Heavy)"
AlbumSome of the songs worked on during this session were first released on the "Abbey Road" LP
The Beatles had rehearsed “I Want You (She’s So Heavy)” during the “Get Back” sessions on January 28, January 29 and January 31, 1969.
On this day, February 22, 1969, The Beatles were joined at London’s Trident Studios by producer George Martin and engineer Glyn Johns to start the recording of “I Want You (She’s So Heavy)”. They felt that they needed more material recorded to release an LP from those “Get Back” sessions. But, retrospectively, this session turned out to be the first session for their “Abbey Road” album.
The three-week break between the last day of the “Get Back” sessions (January 31) and this day is explained by the unavailability of Ringo Starr, who was filming “The Magic Christian“, George Harrison being hospitalized and engineer Glyn Johns being in Los Angeles to record the Steve Miller Band.
While the second half of the “Get Back” sessions were held in The Beatles’ own Apple Studio, they couldn’t return to it for this session, as the EMI equipment they had borrowed had been returned, and EMI Studios were unavailable at that time, hence why this session was held at Trident.
The Beatles arrived at 8 pm for this session and recorded 35 takes of “I Want You (She’s So Heavy)”, even if a limited number were complete takes. John Lennon was on guitar (track one) and vocals (track seven), Paul McCartney on bass (track five), George Harrison on guitar (track four) and Ringo Starr on drums (tracks two and three). From Abbey Road Anniversary Editions OUT NOW! – The BEATLES:
With their amps turned up high, The Beatles received a noise complaint from one of the studio’s neighbors in the Soho area of the city. The take starts with Lennon exclaiming, “My boys are ready to go!,” before the band is told about the complaint. Lennon replies, “What are they doing here at this time of night?,” then lays it down: “Well, we’ll try it once more very loud. And then if we don’t get it, we’ll try it quiet, like it might do it the other way. OK. The loud one, last go. Last chance to be loud!”
Glyn Johns: John?
John Lennon: Yes, what?
Glyn Johns: John, is it possible without affecting yourselves too much to turn down a little? Apparently, there’s been a complaint
John Lennon: From who?
Glyn Johns: From somebody outside the building.
John Lennon: What are they doing here at this time of night? What guy?
Paul McCartney: It’s his own fault for getting a house in such a lousy district.
John Lennon: Well, we’ll try it once more very loud, and then if we don’t get it, we’ll try it quiet, like it might do it the other way. Ok. The loud one, last go. Last chance to be loud.
The day after, a master take would be assembled from takes 9, 20 and 32 recorded on this day.
Recording • Take 1
Recording • Take 2
Recording • Take 3
Recording • Take 4
Recording • Take 5
Recording • Take 6
Recording • Take 7
Recording • Take 8
Recording • Take 9
Recording • Take 10
Recording • Take 11
Recording • Take 12
Recording • Take 13
Recording • Take 14
Recording • Take 15
Recording • Take 16
Recording • Take 17
Recording • Take 18
Recording • Take 19
Recording • Take 20
Recording • Take 21
Recording • Take 22
Recording • Take 23
Recording • Take 24
Recording • Take 25
Recording • Take 26
Recording • Take 27
Recording • Take 28
Recording • Take 29
Recording • Take 30
Recording • Take 31
Recording • Take 32
Recording • Take 33
Recording • Take 34
Recording • Take 35
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
Solid State: The Story of "Abbey Road" and the End of the Beatles
Acclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road. In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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