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- Release date:
- Nov 10, 2023
Timeline
More from year 2023
Related sessions
This album has been recorded during the following studio sessions
Recording "Strawberry Fields Forever" #3
Nov 29, 1966
Recording "Strawberry Fields Forever" #5
Dec 09, 1966
Recording "A Day In The Life" #1
Jan 19, 1967
Recording "A Day In The Life" #2
Jan 20, 1967
Recording "A Day In The Life" #3
Feb 03, 1967
Recording and mixing "A Day In The Life"
Feb 22, 1967
Recording "Within You Without You"
Mar 15, 1967
Recording and mixing "Within You Without You"
Mar 22, 1967
Recording "With A Little Help From My Friends"
Mar 30, 1967
Recording and mixing "Within You Without You"
Apr 03, 1967
Mixing "Within You Without You"
Apr 04, 1967
Recording "All You Need Is Love" #1
Jun 14, 1967
Recording "All You Need Is Love" #2
Jun 19, 1967
Oct 19, 1967
Feb 03, 1968
Recording "Across The Universe"
Feb 04, 1968
Recording "Blackbird", "Revolution 9"
Jun 11, 1968
Recording "Ob-La-Di, Ob-La-Da"
Jul 08, 1968
Recording "Ob-La-Di, Ob-La-Da"
Jul 09, 1968
Jul 31, 1968
Aug 01, 1968
Recording "Back In The U.S.S.R."
Aug 22, 1968
Recording and mixing "Back In The U.S.S.R."
Aug 23, 1968
Aug 28, 1968
Aug 29, 1968
Aug 30, 1968
Recording "While My Guitar Gently Weeps"
Sep 05, 1968
Recording "While My Guitar Gently Weeps"
Sep 06, 1968
Sep 11, 1968
Sep 12, 1968
Get Back sessions - January 26, 1969 - Day 15
Jan 26, 1969
Get Back sessions - January 27, 1969 - Day 16
Jan 27, 1969
Get Back sessions - January 28, 1969 - Day 17
Jan 28, 1969
Get Back sessions - January 31, 1969 - Day 20
Jan 31, 1969
Recording "I Want You (She's So Heavy)"
Feb 22, 1969
Mixing "Get Back", "Don't Let Me Down"
Apr 03, 1969
Apr 07, 1969
Recording "Oh! Darling", "Octopus's Garden"
Apr 26, 1969
Recording and mixing "Octopus's Garden"
Apr 29, 1969
May 02, 1969
May 05, 1969
Recording "Here Comes The Sun"
Jul 07, 1969
Recording and mixing "Here Comes The Sun"
Jul 08, 1969
Jul 21, 1969
Recording "Oh! Darling", "Come Together"
Jul 22, 1969
Mixing "Come Together", recording "The End"
Aug 07, 1969
Mixing "I Want You (She's So Heavy)"
Aug 20, 1969
Oct 02, 1969
Mixing "Lady Madonna", "Rain", "Octopus's Garden"
Dec 02, 1969
Mixing "Hey Jude", "Revolution"
Dec 05, 1969
Recording and mixing "Let It Be"
Jan 04, 1970
Mar 23, 1970
Overdubs for "Let It Be" album
Apr 01, 1970
Apr 02, 1970
Mar 20-21, 1995
Circa 2015
First half of 2018 ?
2022 ?
String overdubs for "Now And Then"
Apr 30, 2022
Related articles
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Hide track details
Track list
Side 1
1.
4:11 • Studio version • I • Stereo • 2015 stereo mix
- Paul McCartney :
- Bass, Bongos, Electric guitar, Mellotron, Timpani
- Ringo Starr :
- Drums, Percussion
- John Lennon :
- Acoustic guitar, Bongos, Mellotron, Piano, Vocals
- George Harrison :
- Electric guitar, Maracas, Svarmandal, Timpani
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Mixing engineer, Sound producer
- Mal Evans :
- Tambourine
- Derek Simpson :
- Cello
- Norman Jones :
- Cello
- Neil Aspinall :
- Guiro
- Terry Doran :
- Maracas
- Tony Fisher :
- Trumpet
- Greg Bowen :
- Trumpet
- Derek Watkins :
- Trumpet
- Stanley Roderick :
- Trumpet
- Joy Hall :
- Cello
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Session Recording Take 7:
- Nov 29, 1966
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording Take 26:
- Dec 08, 1966
- Studio :
- EMI Studios, Abbey Road
- Session Overdubs:
- Dec 09, 15 and 21, 1966
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Circa 2015
- Studio :
- EMI Studios, Abbey Road
2.
3:00 • Studio version • H • Stereo • 2017 stereo mix
- Paul McCartney :
- Bass, Harmonium, Percussion, Piano, Tambourine, Vocals
- Ringo Starr :
- Drums, Handbell
- John Lennon :
- Backing vocals, Congas, Guitar, Handclaps, Piano
- George Harrison :
- Backing vocals, Guitar
- George Martin :
- Piano, Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Mixing engineer, Sound producer
- David Mason :
- Flugelhorn, Trumpets
- Ray Swinfield :
- Flutes, Piccolos
- P Goody :
- Flutes, Piccolos
- Manny Winters :
- Flutes, Piccolos
- Dennis Walton :
- Flutes, Piccolos
- Leon Calvert :
- Flugelhorn, Trumpets
- Freddy Clayton :
- Flugelhorn, Trumpets
- Bert Courtley :
- Flugelhorn, Trumpets
- Duncan Campbell :
- Flugelhorn, Trumpets
- Dick Morgan :
- Cor anglais, Oboes
- Mike Winfield :
- Cor anglais, Oboes
- Frank Clarke :
- Double bass
- Session Recording:
- Dec 29, 1966
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 30 Dec 1966 and 4, 5, 6, 9, 10, 12 Jan 1967
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- 2017 ?
- Studio :
- EMI Studios, Abbey Road
3.
Sgt. Pepper's Lonely Hearts Club Band
2:03 • Studio version • D • Stereo • 2017 stereo mix
- Paul McCartney :
- Bass, Lead guitar, Vocals
- Ringo Starr :
- Drums
- John Lennon :
- Vocals
- George Harrison :
- Guitar, Vocals
- George Martin :
- Organ, Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Neil Sanders :
- French horn
- James W Buck :
- French horn
- Tony Randall :
- French horn
- John Burden :
- French horn
- Sam Okell :
- Mix engineer
- Miles Showell :
- Mastering engineer
- Sean Magee :
- Mastering engineer
- Matt Mysko :
- Mix assistant
- Greg McAllister :
- Mix assistant
- Matthew Cocker :
- Transfer engineer
- James Clark :
- Audio restoration
- Adam Sharp :
- Mix coordination
- Session Recording:
- Feb 01, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Feb 02, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Mar 03, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Mar 06, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
4.
With A Little Help From My Friends
2:44 • Studio version • D • Stereo • 2017 stereo mix
- Paul McCartney :
- Backing vocals, Bass, Piano
- Ringo Starr :
- Drums, Tambourine, Vocals
- John Lennon :
- Backing vocals, Cowbell
- George Harrison :
- Lead guitar
- George Martin :
- Hammond organ, Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Miles Showell :
- Mastering engineer
- Sean Magee :
- Mastering engineer
- Matt Mysko :
- Mix assistant
- Greg McAllister :
- Mix assistant
- Matthew Cocker :
- Transfer engineer
- James Clark :
- Audio restoration
- Adam Sharp :
- Mix coordination
- Session Recording:
- Mar 29, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Mar 30, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Mar 31, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
5.
3:29 • Studio version • F • Stereo • 2017 stereo mix
- Paul McCartney :
- Backing vocals, Bass, Lowrey organ
- Ringo Starr :
- Drums, Maracas
- John Lennon :
- Lead guitar, Vocals
- George Harrison :
- Acoustic guitar, Backing vocals, Lead guitar, Tambura
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Sam Okell :
- Mix engineer
- Miles Showell :
- Mastering engineer
- Sean Magee :
- Mastering engineer
- Matt Mysko :
- Mix assistant
- Greg McAllister :
- Mix assistant
- Matthew Cocker :
- Transfer engineer
- James Clark :
- Audio restoration
- Adam Sharp :
- Mix coordination
- Session Recording:
- Mar 01, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Mar 02, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Mar 03, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
6.
5:37 • Studio version • E • Stereo • 2017 stereo mix
- Paul McCartney :
- Bass, Piano, Vocals
- Ringo Starr :
- Bongos, Drums
- John Lennon :
- Acoustic guitar, Piano, Vocals
- George Harrison :
- Maracas
- George Martin :
- Harmonium, Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Jack Brymer :
- Clarinet
- Mal Evans :
- Alarm clock, Piano, Vocals
- Sidney Sax :
- Violin
- Francisco Gabarro :
- Cello
- Jürgen Hess :
- Violin
- John Underwood :
- Viola
- Alan Civil :
- French horn
- David Mason :
- Trumpet
- Neil Sanders :
- French horn
- Erich Gruenberg :
- Violin
- Granville Jones :
- Violin
- Bill Monro :
- Violin
- Hans Geiger :
- Violin
- D Bradley :
- Violin
- Lionel Bentley :
- Violin
- David McCallum :
- Violin
- Donald Weekes :
- Violin
- Henry Datyner :
- Violin
- Ernest Scott :
- Violin
- Gwynne Edwards :
- Viola
- Bernard Davis :
- Viola
- John Meek :
- Viola
- Dennis Vigay :
- Cello
- Alan Dalziel :
- Cello
- Alex Nifosi :
- Cello
- Cyril MacArthur :
- Double bass
- Gordon Pearce :
- Double bass
- John Marston :
- Harp
- Basil Tschaikov :
- Clarinet
- Roger Lord :
- Oboe
- N Fawcett :
- Bassoon
- Alfred Waters :
- Bassoon
- Clifford Seville :
- Flute
- David Sanderman :
- Flute
- Monty Montgomery :
- Trumpet
- Harold Jackson :
- Trumpet
- Raymond Brown :
- Trombone
- Raymond Premru :
- Trombone
- T Moore :
- Trombone
- Michael Barnes :
- Tubas
- Tristan Fry :
- Percussion, Timpani
- Marijke Koger :
- Tambourine
- Sam Okell :
- Mix engineer
- Miles Showell :
- Mastering engineer
- Sean Magee :
- Mastering engineer
- Matt Mysko :
- Mix assistant
- Greg McAllister :
- Mix assistant
- Matthew Cocker :
- Transfer engineer
- James Clark :
- Audio restoration
- Adam Sharp :
- Mix coordination
- Session Recording:
- Jan 19, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jan 20, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 3,10,22 Feb 1967
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Feb 22, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
7.
4:02 • Studio version • E • Stereo • 2015 stereo mix
- Paul McCartney :
- Backing vocals, Bass, Double bass
- Ringo Starr :
- Drums
- John Lennon :
- Banjo, Harpsichord, Vocals
- George Harrison :
- Backing vocals, Guitar, Violin
- George Martin :
- Piano, Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Mixing engineer, Sound producer
- Eric Clapton :
- Backing vocals, Handclaps
- Mike McCartney / McGear :
- Backing vocals, Handclaps
- Mal Evans :
- Backing vocals, Handclaps
- Sidney Sax :
- Violin
- Pattie Boyd / Harrison :
- Backing vocals, Handclaps
- Marianne Faithfull :
- Backing vocals, Handclaps
- David Mason :
- Trumpet
- Lionel Ross :
- Cello
- Eddie Kramer :
- Recording engineer
- Mick Jagger :
- Backing vocals, Handclaps
- Patrick Halling :
- Violin
- Eric Bowie :
- Violin
- John Ronayne :
- Violin
- Jack Holmes :
- Cello
- Rex Morris :
- Tenor saxophone
- Don Honeywill :
- Tenor saxophone
- Stanley Woods :
- Trumpet
- Evan Watkins :
- Trombone
- Harry Spain :
- Trombone
- Jack Emblow :
- Accordion
- Keith Richards :
- Backing vocals, Handclaps
- Jane Asher :
- Backing vocals, Handclaps
- Keith Moon :
- Backing vocals, Handclaps
- Hunter Davies :
- Backing vocals, Handclaps
- Gary Leeds :
- Backing vocals, Handclaps
- Mike Vickers :
- Conductor
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Rose Nash :
- Backing vocals, Handclaps
- Session Recording:
- Jun 14, 1967
- Studio :
- Olympic Sound Studios, London
- Session Overdubs:
- Jun 19, 23, 24, 1967
- Studio :
- EMI Studios, Abbey Road
- Session Overdubs:
- Jun 25, 1967
- Studio :
- EMI Studios, Studio One, Abbey Road
- Session Mixing:
- Circa 2015
- Studio :
- EMI Studios, Abbey Road
Side 2
1.
2.
3:29 • Studio version • D • Stereo • 2015 stereo mix
- Paul McCartney :
- Bass, Bongos, Conga, Piano, Vocals
- Ringo Starr :
- Drums, Maracas, Tambourine
- John Lennon :
- Backing vocals, Lead guitar, Organ
- George Harrison :
- Backing vocals, Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Mixing engineer, Sound producer
- Ken Scott :
- Recording engineer
- Kenneth Essex :
- Viola
- Leo Birnbaum :
- Viola
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Session Recording:
- Oct 02, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 2, 19, 20, 25 Oct, 2 Nov 1967
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Nov 06, 1967
- Studio :
- EMI Studios, Studio Three, Abbey Road
3.
4.
5.
2:19 • Studio version • E • Stereo • 2015 stereo mix
- Paul McCartney :
- Bass, Handclaps, Piano, Vocals
- Ringo Starr :
- Drums, Handclaps
- John Lennon :
- Backing vocals, Handclaps, Lead guitar
- George Harrison :
- Backing vocals, Handclaps, Lead guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Mixing engineer, Sound producer
- Ken Scott :
- Recording engineer
- Bill Povey :
- Tenor saxophone
- Harry Klein :
- Baritone saxophone
- Ronnie Scott :
- Tenor saxophone
- Bill Jackman :
- Baritone saxophone
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Session Recording:
- Feb 03, 1968
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs:
- Feb 06, 1968
- Studio :
- EMI Studios, Studio One, Abbey Road
- Session Mixing:
- Dec 02, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
6.
7:12 • Studio version • E • Stereo • 2015 stereo mix
- Paul McCartney :
- Bass, Piano, Vocals
- Ringo Starr :
- Backing vocals, Drums, Tambourine
- John Lennon :
- Acoustic guitar, Backing vocals
- George Harrison :
- Backing vocals, Electric guitar
- George Martin :
- Producer
- Giles Martin :
- Mixing engineer, Sound producer
- Ken Scott :
- Recording engineer
- Barry Sheffield :
- Recording engineer
- Bill Jackman :
- Flute
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Unknown musician(s) :
- Bassoon, Contrabass clarinet, Contrabassoon, Four trombones, Four trumpets, One flute, One percussionist, Ten violins, Three violas, Two cellos, Two clarinets, Two double basses, Two french horns
- Bobby Kok :
- Cello
- Session Recording & overdubs:
- Jul 31, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Aug 01, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- Dec 05, 1969
- Studio :
- EMI Studios, Room 4, Abbey Road
7.
Side 3
1.
2:44 • Studio version • D • Stereo • 2018 stereo mix
- Paul McCartney :
- Backing vocals, Bass guitar, Drums, Electric guitar, Handclaps, Percussion, Piano, Vocals
- John Lennon :
- Backing vocals, Bass, Drums, Electric guitar, Handclaps, Percussion
- George Harrison :
- Backing vocals, Drums, Electric guitar, Handclaps, Percussion, Six-string bass guitar
- George Martin :
- Producer
- Giles Martin :
- Producer
- Ken Scott :
- Recording engineer
- Sam Okell :
- Mixing engineer
- Session Recording:
- Aug 22, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Aug 23, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
2.
Written by George Harrison
4:45 • Studio version • E • Stereo • 2018 stereo mix
- Paul McCartney :
- Backing vocals, Bass guitar, Organ, Piano
- Ringo Starr :
- Drums, Maracas, Tambourine
- John Lennon :
- Bass guitar
- George Harrison :
- Acoustic guitar, Backing vocals, Hammond organ, Vocals
- George Martin :
- Producer
- Giles Martin :
- Producer
- Eric Clapton :
- Lead guitar
- Ken Scott :
- Recording engineer
- Sam Okell :
- Mixing engineer
- Session Recording:
- Sep 05, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Sep 06, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
3.
3:09 • Studio version • D • Stereo • 2018 stereo mix
- Paul McCartney :
- Bass, Handclaps, Vocals
- Ringo Starr :
- Bongos, Drums, Handclaps, Percussion
- John Lennon :
- Backing vocals, Handclaps, Piano
- George Harrison :
- Acoustic guitar, Backing vocals, Handclaps
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Sam Okell :
- Mixing engineer
- Session Recording:
- Jul 08, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Jul 09, 1968
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs:
- Jul 15, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
4.
3:14 • Studio version • E • Stereo • 2015 stereo mix
- Paul McCartney :
- Bass, Lead vocal
- Ringo Starr :
- Drums
- John Lennon :
- Backing vocal, Lead guitar
- George Harrison :
- Rhythm guitar
- George Martin :
- Producer
- Giles Martin :
- Mixing engineer, Sound producer
- Glyn Johns :
- Engineer
- Billy Preston :
- Electric piano
- Jerry Boys :
- Second engineer
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Session Recording:
- January 27, 1969
- Studio :
- Apple Studios, 3 Savile Row, London
- Session Recording:
- January 28, 1969
- Studio :
- Apple Studios, 3 Savile Row, London
- Session Mixing:
- April 7, 1969
- Studio :
- Olympic Sound Studios, London
5.
3:30 • Studio version • D • Mono • 2021 stereo mix
- Paul McCartney :
- Bass, Harmony vocals
- Ringo Starr :
- Drums
- John Lennon :
- Rhythm guitar, Vocals
- George Harrison :
- Harmony vocals, Lead guitar
- George Martin :
- Producer
- Glyn Johns :
- Recording engineer
- Billy Preston :
- Electric piano
- Session Recording:
- Jan 28, 1969
- Studio :
- Apple Studios, 3 Savile Row, London
- Session Mixing:
- Apr 03, 1969
- Studio :
- Olympic Sound Studios, London
6.
3:01 • Studio version • B • Stereo • 2015 stereo mix
- Paul McCartney :
- Bass, Drums, Harmony vocals, Maracas, Piano
- John Lennon :
- Acoustic guitar, Guitar-thumps percussion, Lead guitar, Vocals
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Mixing engineer, Sound producer
- Sam Okell :
- Mixing engineer
- Miles Showell :
- Mastering
- Session Recording & overdubs:
- Apr 14, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Mixing:
- Apr 14, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
7.
Side 4
1.
Written by George Harrison
3:06 • Studio version • C • Stereo • 2019 stereo mix
- Paul McCartney :
- Backing vocals, Bass, Handclaps
- Ringo Starr :
- Drums, Handclaps
- George Harrison :
- Acoustic guitar, Backing vocals, Handclaps, Harmonium, Moog synthesiser, Vocals
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 07, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- 7, 8, 16 Jul, 6, 11, 15, 19 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 19, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
2.
4:20 • Studio version • F • Stereo • 2019 stereo mix
- Paul McCartney :
- Bass, Electric piano, Harmony vocals
- Ringo Starr :
- Drums, Maracas
- John Lennon :
- Handclaps, Harmony vocals, Rhythm guitar, Tambourine, Vocals
- George Harrison :
- Lead guitar, Rhythm guitar
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Jul 21, 1969
- Studio :
- EMI Studios, Abbey Road
- Session Overdubs:
- 22, 23, 25, 29, 30 Jul 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 07, 1969
- Studio :
- EMI Studios, Abbey Road
3.
Written by George Harrison
3:02 • Studio version • E • Stereo • 2019 stereo mix
- Paul McCartney :
- Backing vocals, Bass
- Ringo Starr :
- Drums
- John Lennon :
- Piano
- George Harrison :
- Lead guitar, Rhythm guitar, Vocals
- George Martin :
- Producer, String arrangement
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Recording engineer
- Glyn Johns :
- Recording engineer
- Billy Preston :
- Hammond organ
- Sam Okell :
- Mix engineer
- Unknown musician(s) :
- Four cellos, Four violas, One double-bass, Twelve violins
- Session Recording:
- May 02, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs:
- May 05, 1969
- Studio :
- Olympic Sound Studios, London
- Session Overdubs:
- 11,16 Jul, 15 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 19, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
4.
Written by Ringo Starr
2:51 • Studio version • D • Stereo • 2019 stereo mix
- Paul McCartney :
- Backing vocals, Bass, Piano
- Ringo Starr :
- Drums, Effects, Percussion, Vocals
- John Lennon :
- Guitar
- George Harrison :
- Backing vocals, Lead guitar, Synthesiser
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Apr 26, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs & mixing:
- Apr 29, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs & mixing:
- Jul 18, 1969
- Studio :
- EMI Studios, Abbey Road
5.
3:52 • Studio version • F • Stereo • 2021 stereo mix of original single version
- Paul McCartney :
- Backing vocals, Bass guitar, Maracas, Piano, Vocals
- Linda McCartney :
- Backing vocals
- Ringo Starr :
- Drums
- George Harrison :
- Backing vocals, Lead guitar
- George Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Jeff Jarratt :
- Recording engineer
- Glyn Johns :
- Recording engineer
- Billy Preston :
- Electric piano, Organ
- Unknown musician(s) :
- Cellos, One baritone saxophone, Trombone, Two tenor saxophones, Two trumpets
- Session Recording:
- Jan 31, 1969
- Studio :
- Apple Studios, 3 Savile Row, London
- Session Overdubs:
- Apr 30, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Mixing:
- Jan 04, 1970
- Studio :
- EMI Studios, Studio Two, Abbey Road
6.
3:49 • Studio version • G • Stereo • 2021 stereo mix
- Paul McCartney :
- Backing vocals, Piano
- Ringo Starr :
- Drums, Percussion, Svaramandal
- John Lennon :
- Acoustic rhythm guitar, Backing vocals, Electric guitar, Vocals
- George Harrison :
- Backing vocals, Tambura
- George Martin :
- Producer
- Phil McDonald :
- Assistant recording engineer
- Ken Scott :
- Recording engineer
- Jeff Jarratt :
- Mixing engineer
- Martin Benge :
- Recording engineer
- Lizzie Bravo :
- Backing vocals
- Gayleen Pease :
- Backing vocals
- Richard Lush :
- Assistant recording engineer
- Alan Parsons :
- Assistant mixing engineer
- Session Recording:
- Feb 04, 1968
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Overdubs:
- Feb 08, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Oct 02, 1969
- Studio :
- EMI Studios, Room 4, Abbey Road
7.
3:38 • Studio version • F • Stereo • 2021 stereo mix
- Paul McCartney :
- Piano, Vocals
- Ringo Starr :
- Drums
- John Lennon :
- Bass
- George Harrison :
- Guitar
- George Martin :
- Producer
- Richard Hewson :
- Orchestra arrangement
- Phil Spector :
- Producer
- Peter Bown :
- Recording engineer
- Glyn Johns :
- Recording engineer
- Unknown musician(s) :
- Eighteen violins, Four cellos, Four violas, Fourteen vocalists, Harp, Three trombones, Three trumpets
- Session Recording:
- Jan 26, 1969
- Studio :
- Apple Studios, 3 Savile Row, London
- Session Orchestra overdubs:
- Apr 01, 1970
- Studio :
- EMI Studios, Studio One, Abbey Road
- Session Mixing:
- Apr 02, 1970
- Studio :
- EMI Studios, Room 4, Abbey Road
Side 5
1.
Written by John Lennon
4:08 • Studio version • A
- Paul McCartney :
- Backing vocals, Bass, Electric harpsichord, Guitars, Piano, Producer, Shaker, String arrangement, Vocals
- Ringo Starr :
- Backing vocals, Drums, Shaker, Tambourine
- John Lennon :
- Backing vocals, Vocals
- Jeff Lynne :
- Additional production
- George Harrison :
- Backing vocals, Guitars
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer, String arrangement
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Recording engineer
- Bruce Sugar :
- Recording engineer
- Ben Foster :
- String arrangement
- Miles Showell :
- Mastering
- Greg McAllister :
- Recording engineer
- Steve Orchard :
- Recording engineer
- Mark 'Spike' Stent :
- Mixing engineer
- Steve Genewick :
- Recording engineer
- Songa Lee :
- Violin
- Serena McKinney :
- Violin
- Charlie Bisharat :
- Violin
- Giovanna Clayton :
- Cello
- Mia Barcia-Colombo :
- Cello
- Niall Ferguson :
- Cello
- Mike Valerio :
- Double bass
- Caroline Buckman :
- Viola
- Drew Forde :
- Viola
- Linnea Powell :
- Viola
- Adrianne Pope :
- Violin
- Andrew Bulbrook :
- Violin
- Neel Hammond :
- Violin
- Recording :
- Circa 1977
- Studio :
- John Lennon's home, The Dakota, New York, USA
- Session Recording:
- Mar 20-21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Recording:
- 2022 ?
- Studio :
- Hog Hill Studio, Rye, UK & Ringo Starr's home studio, Los Angeles, USA
- Session String overdubs:
- Apr 30, 2022
- Studio :
- Capitol Records Building, Los Angeles, USA
2.
2:18 • Studio version • E • Stereo • 2018 stereo mix
- Paul McCartney :
- Acoustic guitar, Backing vocals, Foot taps, Lead vocals
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Sam Okell :
- Mixing engineer
- Session Recording:
- Jun 11, 1968
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
3.
3:56 • Studio version • D • Stereo • 2018 stereo mix
- Paul McCartney :
- Backing vocals, Bass, Drums, Flugelhorn, Handclaps, Piano
- John Lennon :
- Backing vocals, Guitar, Tambourine, Vocals
- George Harrison :
- Backing vocals, Handclaps, Lead guitar
- George Martin :
- Producer
- Giles Martin :
- Producer
- Mal Evans :
- Backing vocals, Handclaps, Tambourine
- Barry Sheffield :
- Recording engineer
- Jackie Lomax :
- Backing vocals, Handclaps
- John McCartney :
- Backing vocals, Handclaps
- Sam Okell :
- Mixing engineer
- Session Recording:
- Aug 28, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Aug 29, 1968
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Aug 30, 1968
- Studio :
- Trident Studios, London, UK
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
4.
2:18 • Studio version • F • Stereo • 2018 stereo mix
- Paul McCartney :
- Bass, Piano, Recorder
- Ringo Starr :
- Drums, Tambourine
- John Lennon :
- Acoustic guitar, Vocals
- George Harrison :
- Lead guitar
- George Martin :
- Producer
- Giles Martin :
- Producer
- Chris Thomas :
- Producer
- Ken Scott :
- Recording engineer
- John Underwood :
- Viola
- Eldon Fox :
- Cello
- Eric Bowie :
- Violin
- Henry Datyner :
- Violin
- Reginald Kilbey :
- Cello
- Norman Lederman :
- Violin
- Ronald Thomas :
- Violin
- Keith Cummings :
- Viola
- Sam Okell :
- Mixing engineer
- Session Recording:
- Sep 11, 1968
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Overdubs:
- Sep 12, 13, 16 - 1968
- Studio :
- EMI Studios, Abbey Road
- Session String overdubs:
- Oct 10, 1968
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- First half of 2018 ?
- Studio :
- EMI Studios, Abbey Road
5.
Written by George Harrison
5:05 • Studio version • C • Stereo • 2017 stereo mix
- George Harrison :
- Acoustic guitar, Sitar, Tambura, Vocals
- George Martin :
- Producer
- Geoff Emerick :
- Recording engineer
- Giles Martin :
- Producer
- Jack Rothstein :
- Violin
- Neil Aspinall :
- Tambura
- Ralph Elman :
- Violin
- Jack Greene :
- Violin
- Erich Gruenberg :
- Violin
- Alan Loveday :
- Violin
- Julien Gaillard :
- Violin
- Paul Scherman :
- Violin
- David Wolfsthal :
- Violin
- Reginald Kilbey :
- Cello
- Allen Ford :
- Cello
- Peter Beavan :
- Cello
- Sam Okell :
- Mix engineer
- Miles Showell :
- Mastering engineer
- Sean Magee :
- Mastering engineer
- Matt Mysko :
- Mix assistant
- Greg McAllister :
- Mix assistant
- Matthew Cocker :
- Transfer engineer
- James Clark :
- Audio restoration
- Adam Sharp :
- Mix coordination
- Session Recording:
- Mar 15, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Mar 22, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Recording:
- Apr 03, 1967
- Studio :
- EMI Studios, Studio One, Abbey Road
- Session Mixing:
- Apr 04, 1967
- Studio :
- EMI Studios, Studio Two, Abbey Road
Side 6
1.
2.
3:27 • Studio version • C • Stereo • 2019 stereo mix
- Paul McCartney :
- Backing vocals, Piano, Vocals
- Ringo Starr :
- Drums
- John Lennon :
- Backing vocals, Guitar
- George Harrison :
- Backing vocals, Bass
- George Martin :
- Producer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Jeff Jarratt :
- Recording engineer
- Sam Okell :
- Mix engineer
- Session Recording:
- Apr 20, 1969
- Studio :
- EMI Studios, Studio Three, Abbey Road
- Session Recording:
- 20, 26 Apr, 23 Jul, 8, 11 Aug 1969
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Aug 12, 1969
- Studio :
- EMI Studios, Studio Two, Abbey Road
3.
Written by George Harrison
2:26 • Studio version • G • Stereo • 2021 stereo mix
- Paul McCartney :
- Acoustic guitar, Bass, Electric piano, Hammond organ, Harmony vocals
- Ringo Starr :
- Drums
- George Harrison :
- Acoustic guitar, Electric guitar, Harmony vocals, Vocals
- George Martin :
- Producer
- Phil Spector :
- Producer
- Phil McDonald :
- Recording engineer
- Peter Bown :
- Recording engineer
- Unknown musician(s) :
- Eighteen violins, Four cellos, Four violas, Fourteen vocalists, Harp, Three trombones, Three trumpets
- Session Recording:
- Jan 03, 1970
- Studio :
- EMI Studios, Studio Two, Abbey Road
- Session Mixing:
- Mar 23, 1970
- Studio :
- EMI Studios, Room 4, Abbey Road
- Session Overdubs:
- Apr 01, 1970
- Studio :
- EMI Studios, Abbey Road
- Session Mixing:
- Apr 02, 1970
- Studio :
- EMI Studios, Room 4, Abbey Road
4.
7:47 • Studio version • C • Stereo • 2019 stereo mix
- Paul McCartney :
- Backing vocals, Bass
- Ringo Starr :
- Congas, Drums
- John Lennon :
- Lead guitar, Moog synthesiser, Organ, Vocals
- George Harrison :
- Backing vocals, Lead guitar
- George Martin :
- Producer
- Tony Clark :
- Recording engineer
- Giles Martin :
- Producer
- Phil McDonald :
- Recording engineer
- Chris Thomas :
- Producer
- Barry Sheffield :
- Recording engineer
- Jeff Jarratt :
- Recording engineer
- Glyn Johns :
- Producer
- Billy Preston :
- Hammond organ
- Sam Okell :
- Mix engineer
- Session Recording:
- Feb 22, 1969
- Studio :
- Trident Studios, London, UK
- Session Overdubs:
- Apr 18 and 20 and Aug 11, 1969
- Studio :
- Trident Studios, London, UK & EMI Studios, Abbey Road
- Session Mixing:
- Aug 20, 1969
- Studio :
- EMI Studios, Abbey Road
About
From TheBeatles.com, October 26, 2023:
THE BEATLES’ 1962-1966 (‘THE RED ALBUM’) AND 1967-1970 (‘THE BLUE ALBUM’) COLLECTIONS EXPANDED, MIXED IN STEREO & DOLBY ATMOS FOR 2023 EDITION RELEASES OUT NOVEMBER 10
On November 10, The Beatles’ 1962-1966 (‘The Red Album’) and 1967-1970 (‘The Blue Album’) collections will be released in 2023 Edition packages by Apple Corps Ltd./Capitol/UMe.
Since their first incarnations appeared 50 years ago, these albums have introduced successive generations to The Beatles’ music. Now, both collections’ tracklists have been expanded, with all the songs mixed in stereo and Dolby Atmos. New 4CD and 180-gram 6LP vinyl collections pair ‘Red’ and ‘Blue’ in slipcased sets. The UK single version of “Love Me Do” now kicks off 1962-1966 (2023 Edition) and “Now And Then” is featured on 1967-1970 (2023 Edition) to complete the career-spanning collections.
From The Beatles 1967–1970 (2023 Edition): 3LP Blue Album (Exclusive Blue V – The Beatles:
RELEASE DATE: 10 NOVEMBER, 2023
The Beatles: 1967-1970 (2023 Edition)- 3LP Limited Colour
Remixed and Expanded: ‘Blue’ has 9 additional tracks added chronologically, including “Blackbird”, “Glass Onion” and the last new Beatles song, “Now And Then”.
The 3LP collection now features 37 tracks, the set’s 9 newly added tracks are collected on its 3rd LP. With an insert containing new sleeve notes by journalist and author John Harris, the new 1967 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.
Half speed master. 180g pressing. Store Exclusive
What was the thinking behind the expansion of the Red and Blue albums?
That kind of stemmed from “Now and Then,” really. You know, we finished “Now and Then,” and then there was the thought about, OK, it can’t go on an album. What are we going to put it on?
There was a thought about trying to respect people’s listening tastes. And the fact that they’ve changed — and the No. 1s, for example, don’t really reflect the most popular Beatles songs that people are listening to.
Then, we realized it was the 50th anniversary of Red and Blue. For a whole generation — much older than you, my generation — the Red and Blue albums have this sort of gravitas behind them. I know all the tracklistings; even though I think I was 3, when they came out, we had them at home.
So, we decided to do the Red and Blue albums — which took quite a long time, because there was quite a lot of stuff to do on them.
Giles Martin – From GRAMMY.com, October 26, 2023
People weren’t expecting the Red and Blue collections necessarily to come out at this time. They — we — thought it might be a deluxe “Rubber Soul” next, working backward from what you last did with “Revolver.” And sometimes people disparage hits collections. Bbut I just know from my personal experience, when those albums came out in 1973 when I was a kid, I so immersed myself in them it was like a religious conversion, to the Beatles.
Yeah — for me, too. I think we’re that of generation. There’s certain generations where it’s like, “the Red and Blue albums, what are they?” And then there’s generations going, “Yeah, I know every song in the track listing on the Red and Blue albums.” There was a lot of thought behind the process of doing this, like obviously there’s going to be. But the conversations were, in essence, about this: the interesting thing about the Beatles’ catalog is that the tracks that are listened to by the new generations now aren’t necessarily the tracks that are on the No. 1s album (“1s,” a compilaton that came out in 2000), for example. The most streamed track is “Here Comes the Sun,” and that’s not on the No. 1s. So in a way, this compilation has a relevance to it (for younger people). But also, as stand-alone albums for people like you and me, us crusty blokes, who are of that generation… […]
With the tracks that were added for both “1962-66” and “1967-70,” whoever made those decisions, they’re interesting decisions. It’s not entirely just the biggest hits that weren’t on the original 1973 LPs. Also, on vinyl, it’s interesting that there is a sequence that’s adheres to the original vinyl sides, and puts all the added songs on additional discs, whereas the CD and digital versions place everything in chronological order — the original and newly added tracks.
Well, with the added tracks, where they come from, the original thought process was: “OK, how do we respect and honor what people listen to these days?” And a lot of the tracks you have as the added tracks are tracks that are really popular now, for whatever reason. But we sort of changed tack on that a little bit in the creation process. We were like: “Well, you can’t make a playlist” (of just the most-consumed songs). Do you know what I mean? That’s the world we’re in, but that doesn’t make any sense. It’s not very Beatles, as well. Even nowadays, we’re meant to be leading, as opposed to just going, “We looked at the (most played songs) and these are the greatest hits in the playlist.” It wouldn’t be very Beatles. So we ended up in the Red and Blue [instead of starting from scratch with an all-new, data-driven track list].
Giles Martin – From variety.com, November 2, 2023
I asked Giles Martin about de-mixing and remixing the early, pre-Revolver songs: What is the end goal of that method with those relatively simple recordings? What was gained in service of the song and performance?
[Let’s] talk about the intent. It’s like saying, ‘Black and white films were intended to be in black and white.’ That was only because color didn’t exist. To answer the question ‘Can you do this?’: Of course, and this is what we’re [doing], in a groundbreaking way … We are taking tracks that in some cases—for example, ‘She Loves You’—are purely mono, and managing to separate the source instruments from those tracks, and then creating a new [stereo] mix. You have to be careful that you’re being musical about this, as natural as possible, but if you were in the room with The Beatles at the studios, you wouldn’t be listening in mono, you’d be listening to a band in a room. And that’s essentially what we’re trying to create. That was the intent, honestly, in those days when my father and Norman Smith were recording The Beatles. They were trying to capture the live sound of a band. So I think that’s what we’re celebrating with these early mixes, [using] the [de-mixing] technology.
Given that perspective, I wondered why he had chosen to keep drums mostly or entirely in one speaker, guitars in the other, on many of the Rubber Soul-era songs.
If we were to mix with a set of written rules, the mixes probably wouldn’t be very musical. It’s really based on taste. In ‘Drive My Car,’ the drums are still left, but they’re not as hard left as they were on the original, I don’t think, and that’s to give room for the guitar and piano. In ‘Norwegian Wood,’ the voices are in the middle, the drums are coming I think on the right-hand side, which makes sense because you’ve got guitars going on.
The interesting thing is, The Beatles were so economical with what they played, compared to modern day recordings. You quite often have a guitar, bass, and drums, and a vocal, and so if you’re thinking about the sound field of the three instruments, if you put the drums in the middle, and the guitar on the right-hand side, and then the bass on the left-hand side, it’ll sound right-heavy because bass doesn’t have much direction. So therefore, you have to put the drums slightly off to one side in order to create a stereo field. And the voices, we always try to put the voice in the middle.
Giles Martin – From Stereophile.com, October 26, 2023
“The Beatles: 1967-1970 (2023 Edition)- 3LP Limited Colour” is also available as a bundle with “The Beatles: 1962-1966 (2023 Edition) – 3LP Limited Colour“.
Last updated on November 3, 2023
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