Ken Scott

The Beatles circle

Born:
Apr 20, 1947

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About

From Wikipedia:

Ken Scott (born 20 April 1947) is a British record producer and engineer known for being one of the five main engineers for the Beatles, as well as engineering Elton John, Pink Floyd, Procol Harum, Mahavishnu Orchestra, Duran Duran, the Jeff Beck Group and many more. As a producer, Scott is noted for his work with David Bowie, Supertramp, Devo, Kansas, the Tubes, Ronnie Montrose, Level 42, among others.

Scott was also influential in the evolution of jazz rock, pioneering a harder rock sound through his work with Mahavishnu Orchestra, Stanley Clarke, Billy Cobham, Dixie Dregs, and Jeff Beck.

Early years

Scott was born in South London, and grew up listening to 78 rpm records of artists like Elvis Presley, Bill Haley, and Eddie Cochran on a wind-up gramophone. In 1959 at the age of 12, he received a tape recorder which he used to record material from the BBC Light Programme Pick of the Pops, but it was an episode of Here Come the Girls, an Alan Freeman-hosted TV show about British female pop artists in recording studios, that first focused Scott’s career aspirations as a recording engineer when it featured Carol Deene singing in a recording session from the point of view of Studio Two at Abbey Road Studios, where Malcolm Addey was behind the recording console.

The Abbey Road years

On Saturday, 18 January 1964, Scott wrote letters inquiring about recording engineer job openings and mailed them to several London recording studios. Three days later he was contacted by Abbey Road Studios and subsequently interviewed and offered a position the following day. Scott began working the following Monday at the age of just 16. He received the traditional Abbey Road studio training under engineers like Malcolm Addey and Norman Smith. His first job was in the tape library, and within six months he was promoted to 2nd engineer (known then as a “button pusher”), where his first session was on side two of the Beatles’ album A Hard Days Night.

Among the other artists he worked with as a button pusher were Manfred Mann (“Do Wah Diddy Diddy” was the first English number 1 hit he worked on), Peter and Gordon, the Hollies, Judy Garland, Johnny Mathis, Cliff Richard and the Shadows, and Peter Sellers.

After a short time as an assistant engineer, Scott was promoted to “cutting” (known as mastering today), where he spent approximately two years cutting not only acetates for artists, but the masters for many of the hits that EMI also distributed at the time, including the American Motown catalogue.

In September 1967, Scott was promoted to engineer, where his first session was with the Beatles on their song “Your Mother Should Know“. His first orchestral recording session came a few days later when he recorded the strings, brass and choir for the band’s song “I Am the Walrus“. During his time with the Beatles, Scott also worked on the songs “Lady Madonna“, “Hello Goodbye” and “Hey Jude“, as well as The Beatles and Magical Mystery Tour albums. Among the notable songs from those albums that he worked on are “The Fool on the Hill“, “Glass Onion“, “Helter Skelter“, “Birthday“, “Back in the U.S.S.R.“, “While My Guitar Gently Weeps” and “Not Guilty“, the last of which was recorded for the White Album, but not included on it.

As an engineer at Abbey Road, Scott also worked with numerous other artists including the Jeff Beck Group, Pink Floyd, the Pretty Things, Scaffold and Mary Hopkin. In late 1969, shortly after completion of the Procol Harum album A Salty Dog, he left Abbey Road for Trident Studios, at the suggestion of Elton John and producer Gus Dudgeon.

The Trident years

Scott soon found himself working with the Beatles again on their various solo projects, including John Lennon’s “Give Peace a Chance” and “Cold Turkey”, Ringo Starr’s “It Don’t Come Easy” and George Harrison’s All Things Must Pass. […]

About the recording of the White Album in 1968:

An awful lot has been written about the Beatles being at odds with each other the entire time they were recording the White Album, but that to me is completely false. Most certainly, they acted as backing musicians for each other up to a point, but there were also times when they were closer than they’d been in ages. After Ringo quit the band and then returned, suddenly they were a band again. They were so close, it was amazing, and we got more work done during that period than they’d previously done in months.

You’ve got to take into consideration, they were working on that album for close to six months, and there isn’t a project I have worked on — even a two-week project — where at some point someone hasn’t lost their temper. So, spread that over six months and it’s going to happen a few times. But I repeat, it wasn’t that bad. And there were also outside influences that people don’t take into consideration. We were working on ‘Hey Jude’, and the first night, when everyone was up and the Beatles were still sorting out the arrangement, a couple of guys came by the studio because the next night there was going to be a film crew coming in for a documentary [Music!] being made by the National Music Council of Great Britain. ‘Don’t worry,’ they told us. ‘We’ll be in tomorrow but you won’t know we’re here.’ Yeah, right.

Ken Scott – From The Beatles ‘While My Guitar Gently Weeps’ (soundonsound.com)

Here I was, at the age of 21, working with the greatest band in the world. How could it not be exciting for me? To my mind, one of the most brilliant things about the Beatles was their ability to make decisions on the fly. There could be a mistake somewhere along the line and instantaneously we’d hear, ‘Hang on, I like that, let’s keep it.’ I witnessed that several times and their instincts were flawless. They didn’t have any rules because they weren’t technically trained. They just did what sounded good to them and what felt right to them and they came up with absolutely incredible things, even when a lot of it was by accident. Many of their musical ideas and technical demands caused difficulties for us in the control room, but they’d push us to sort those things out and I’m so glad they did.

Ken Scott – From The Beatles ‘While My Guitar Gently Weeps’ (soundonsound.com)
1969 Ken Scott and Paul McCartney working in the studio
From The Beatles ‘While My Guitar Gently Weeps’ (soundonsound.com) – A young Ken Scott operating a cutting lathe at Abbey Road. Mastering formed a part of his apprenticeship at the studio.Photo: EMI Records

Last updated on September 5, 2021

Sessions


"A Hard Day's Night" session #10

Jun 01, 1964 • Songs recorded during this session appear on A Hard Day's Night (Mono)


"A Hard Day's Night" session #11

Jun 02, 1964 • Songs recorded during this session appear on A Hard Day's Night (Mono)


"A Hard Day's Night" session #13

Jun 09, 1964 • Songs recorded during this session appear on A Hard Day's Night (Mono)


"Beatles for Sale" Session #3

Sep 29, 1964 • Songs recorded during this session appear on Beatles For Sale (Mono)


"Beatles for Sale" Session #4

Sep 30, 1964 • Songs recorded during this session appear on Beatles For Sale (Mono)


"Beatles for Sale" Session #5

Oct 06, 1964 • Songs recorded during this session appear on Beatles For Sale (Mono)


"I Feel Fine / She's A Woman" Session #1

Oct 08, 1964 • Songs recorded during this session appear on I Feel Fine / She's A Woman


"I Feel Fine / She's A Woman" Session #2

Oct 12, 1964 • Songs recorded during this session appear on I Feel Fine / She's A Woman


"Beatles for Sale" Session #11

Oct 27, 1964 • Songs recorded during this session appear on Beatles For Sale (Mono)


"Help!" Session #3

Feb 17, 1965 • Songs recorded during this session appear on Help! (Mono)


"Help!" Session #4

Feb 18, 1965 • Songs recorded during this session appear on Help! (Mono)


"Help!" Session #5

Feb 19, 1965 • Songs recorded during this session appear on Help! (Mono)


"Help!" Session #6

Feb 20, 1965 • Songs recorded during this session appear on Help! (Mono)


"Help!" Session #11

Apr 13, 1965 • Songs recorded during this session appear on Help! (Mono)


"Help!" Session #13

May 10, 1965 • Songs recorded during this session appear on Help! (Mono)

Albums, EPs & singles which Ken Scott contributed to


Magical Mystery Tour (Stereo)

By The Beatles • Official album

Contribution: Recording engineer • 5 songs


The Beatles Third Christmas Record

By The Beatles • 7" Single

Contribution: Second engineer • 1 songs


Magical Mystery Tour (Mono)

By The Beatles • Official album

Contribution: Recording engineer • 5 songs


Magical Mystery Tour (Mono)

By The Beatles • EP

Contribution: Recording engineer • 4 songs


Magical Mystery Tour (Stereo)

By The Beatles • EP

Contribution: Recording engineer • 4 songs


Hello Goodbye / I Am The Walrus

By The Beatles • 7" Single

Contribution: Recording engineer • 2 songs


Lady Madonna / The Inner Light

By The Beatles • 7" Single

Contribution: Recording engineer • 1 songs


Hey Jude / Revolution

By The Beatles • 7" Single

Contribution: Recording engineer • 1 songs


The Beatles (Mono)

By The Beatles • LP

Contribution: Recording engineer • 22 songs


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