The Paul McCartney Project

I Me Mine

Written by George Harrison

Album This song officially appears on the Let It Be Official album.
Timeline This song has been officially released in 1970
Sessions This song has been recorded during the following sessions

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Song facts

From Wikipedia:

I Me Mine” is a song by the English rock band the Beatles from their 1970 album Let It Be. Written by George Harrison, it was the last new track recorded by the band before their split in April 1970. The song originated from the Get Back/Let It Be sessions in January 1969, and its lyrics serve as a comment from Harrison on the fractious situation within the group at that time. The song’s musical mood alternates between waltz-time verses, during which Harrison laments the ego problems afflicting the Beatles, and choruses played in the hard rock style.

The Beatles rehearsed “I Me Mine” at Twickenham Film Studios in January 1969. A year later, by which point John Lennon had privately left the group, the three remaining members formally recorded it at EMI’s Abbey Road Studios. When preparing the Let It Be album for release in 1970, producer Phil Spector extended the track by repeating the song’s chorus and second verse, in addition to adding lush orchestration. The original version of the track, at just 1:34 in duration and without the orchestral overdubs, appeared on the Beatles’ 1996 outtakes compilation Anthology 3, introduced by a mock announcement from Harrison referring to Lennon’s departure. Harrison titled his 1980 autobiography, I, Me, Mine, after the song.

Composition

“I Me Mine” is the ego problem. There are two “I”s: the little “i” when people say “I am this”; and the big “I” – is duality and ego. There is nothing that isn’t part of the complete whole. When the little “i” merges into the big “I” then you are really smiling! – George Harrison, The Beatles Anthology

The set of pronouns which forms the song’s title is a conventional way of referring to the ego in a Hindu context. For example, the Bhagavad Gita 2:71-72 can be translated as “They are forever free who renounce all selfish desires and break away from the ego-cage of ‘I’, ‘me’ and ‘mine’ to be united with the Lord. This is the supreme state. Attain to this, and pass from death to immortality.” Author Jonathan Gould claims that Harrison wrote “I Me Mine” “as a commentary on the selfishness” of his Beatles bandmates John Lennon and Paul McCartney and considers it poignant that the song was only properly recorded because, during the group’s filmed rehearsals at Twickenham Film Studios in January 1969, it had provided accompaniment to Lennon and his partner Yoko Ono dancing. Gould writes that Harrison was particularly upset at Twickenham “that his fellow Beatles could complain about the amount of time they had to spend learning the arrangement for ‘I Me Mine’ and then turn around and submit to a laborious rehearsal of a song like ‘Maxwell’s Silver Hammer‘ which struck George as a paragon of pop inanity.” Gould contends further that, if “friends like Bob Dylan and Eric Clapton heard something worthwhile in material like [Harrison’s] ‘All Things Must Pass‘” then only “sheer egotism could account for the air of complete indifference with which Lennon and McCartney first greeted” both that tune and “I Me Mine“.

After receiving his “eternal problem” inspiration when writing the song, Harrison played some chords to a 6/8 time signature. The melody was inspired by the incidental music for a BBC television program, Europa – The Titled and the Untitled, which aired on 7 January 1969. Harrison wrote “I Me Mine” that night and performed it for the other Beatles the following morning.

Musical structure

The verses of this song are in the key of A minor but the chorus is in A major. This technique of parallel minor/major contrast is also present in Beatles’ songs including “While My Guitar Gently Weeps“, “Savoy Truffle“, “The Fool on the Hill“, “Fixing a Hole“, “Michelle“, “Things We Said Today“, “Do You Want to Know a Secret” and “Norwegian Wood (This Bird Has Flown)“. The song begins in 6/8 time on “All through the day” with a shift from the I minor (Am) chord to a IV (D7) which Dominic Pedler of Total Guitar magazine considers emphasises the Dorian mode. The progression in 3/4 time beginning with an F melody note on “Now they’re frightened of leaving it” against minor iv (Dm) chord (the ♭3rd emphasising in Pedler’s view the Aeolian mode) shifts to an V7 (E7) on “comin’ on strong“, but here (at 0.27 secs) the hauntingly strong ♭9 (F natural) melody note results in the suitably “dark drama” of the very rare (in pop music) E7♭9 chord in the key of A minor. The song is also notable for concluding on an ♭VI (Fmaj7) chord in A minor key.

Recording

The Let It Be documentary film features a segment in which Harrison plays the song for Ringo Starr and describes it as “a heavy waltz“. Harrison, Starr and McCartney are then seen performing the tune while an uninterested Lennon dances with Ono. Close to a year later, by which time Lennon had privately announced he was leaving the band, director Michael Lindsay-Hogg chose to include the “I Me Mine” segment in the film. The Beatles therefore had to record the song for inclusion on the Let It Be album. On 3 January 1970, Harrison, McCartney and Starr met at EMI’s Abbey Road Studios to work on the track with George Martin. Lennon did not attend the session, since he and Ono were on holiday in Denmark at the time.

You all will have read that Dave Dee is no longer with us. But Mickey and Tich and I would just like to carry on the good work that’s always gone down in number two [EMI Studio 2]. – Harrison’s announcement before take 15 of “I Me Mine”, referring to Lennon’s departure from the Beatles

The group recorded 16 takes of the song, the last of which was deemed satisfactory. Before take 15, Harrison delivered a mock press statement in which he made a joking reference to Lennon’s absence by recasting the four Beatles as members of the British pop group Dave Dee, Dozy, Beaky, Mick & Tich. The statement, followed by take 16 of “I Me Mine“, was released on the Anthology 3 compilation in 1996. The song lasted just 1 minute 34 seconds, until Phil Spector – who had been invited by Lennon and Harrison to complete the Let It Be album – extended the length by copying the rock-style chorus in the middle of the song and the second verse, and repeating them at the end of the track. Spector also overdubbed a string and brass accompaniment. The final version, as “re-produced” by Spector, was included on Let It Be. A similar edit, without Spector’s orchestral overdubs but retaining the repeated section, was made available on the Let It Be… Naked album in 2003.

Although the sessions for “I Want You (She’s So Heavy)” and “The End” in August 1969 were the last where all four Beatles were present in the recording studio, “I Me Mine” was the last new song recorded by the Beatles (albeit without Lennon) until sessions for the band’s Anthology project in 1994. It was not their final recording session, however, since McCartney, Harrison and Starr continued to carry out various overdubs on the Let It Be tracks.

Release and reception

Let It Be was issued on 8 May 1970 with “I Me Mine” sequenced as the fourth track. The release followed a month after McCartney’s public announcement that he was leaving the Beatles, which had resulted in the group’s break-up.

Among contemporary reviews of the album, Alan Smith of the NME derided the release as “a cheapskate epitaph” and a “sad and tatty end” to the band’s career, but he admired the “Russian-flavoured ‘I Me Mine’” as “a strong ballad with a frantic centre“. In Melody Maker, Richard Williams wrote: “‘I Me Mine’ has a great organ/guitar intro, meditative verses and a tempo switch in and out of the rocking chorus, which has guitar riffs one step away from Chuck Berry. George put a lot of strength into this.” Reviewing for Rolling Stone, John Mendelsohn ridiculed Spector’s use of lush orchestration, particularly on McCartney’s “The Long and Winding Road“, adding: “‘I Me Mine,’ the waltz sections of which reminds one very definitely of something from one of The Al Jolson Story’s more maudlin moments, almost benefits from such treatment … As [Spector has] left it, though, it, like ‘Winding Road,’ is funny enough to find cloying but not funny enough to enjoy laughing at.

In 2002, David Fricke of Rolling Stone included “I Me Mine” in his list of the “25 Essential Harrison Performances“. Fricke said of the Beatles’ final recording: “Harrison signed off in style; his angry, grinding guitar is the honest sound of exhaustion and hard-won freedom.” In a 2003 review for Mojo, John Harris wrote that “[Harrison’s] vocal, frequently pitched just short of falsetto, is a delight” and admired the string arrangement for “manag[ing] to tease out the sense of camp” underlying the song. […]

From The Usenet Guide to Beatles Recording Variations:

  • [a] stereo 23 Mar, 2 Apr 1970.
    UK: Apple PXS 1 and PCS 7096 Let It Be 1970.
    US: Apple AR 34001 Let It Be 1970.
    CD: EMI CDP 7 46447 2 Let It Be 1987.
  • [b] stereo 1996.
    CD: Apple CDP 8 34451 2 Anthology 3 1996.

The March mix extended the song by repeating segments to build another bridge and verse as heard in [a]. The Anthology mix [b] was done to show the original length of the recording.

Last updated on July 2, 2017

Lyrics

All through the day
I me mine, I me mine, I me mine
All through the night
I me mine, I me mine, I me mine

Now they're frightened of leaving it
Everyone's weaving it
Coming on strong all the time
All through the day I me mine

I me me mine
I me me mine
I me me mine
I me me mine

All I can hear
I me mine, I me mine, I me mine
Even those tears
I me mine, I me mine, I me mine

No one's frightened of playing it
Everyone's saying it
Flowing more freely than wine
All through the day I me mine

I me me mine
I me me mine
I me me mine
I me me mine

All I can hear
I me mine, I me mine, I me mine
Even those tears
I me mine, I me mine, I me mine

No one's frightened of playing it
Everyone's saying it
Flowing more freely than wine
All through your life I me mine

Officially appears on


Let It Be

Official album • Released in 1970

2:26 • Studio versionA • Stereo

Paul McCartney:
Bass, Electric piano, Hammond organ, Harmony vocals
Ringo Starr:
Drums
George Harrison:
Acoustic guitars, Harmony vocals, Lead guitars, Vocals
George Martin:
Producer
Phil Spector:
Producer
Phil McDonald:
Engineer
Peter Bown:
Engineer

Session Recording:
Jan 03, 1970
Studio:
EMI Studios, Studio Two, Abbey Road

Session Mixing:
Mar 23, 1970
Studio:
EMI Studios, Room 4, Abbey Road

Session Overdubs:
Apr 01, 1970
Studio:
EMI Studios, Abbey Road

Session Mixing:
Apr 02, 1970
Studio:
EMI Studios, Room 4, Abbey Road


Anthology 3

Official album • Released in 1996

1:48 • OuttakeB • Stereo • Pre-take 15 and take 16. A quick run-through of George Harrison's I Me Mine (shot in early January 1969 during the Twickenham rehearsal period of the Get Back project) was set for inclusion in the Let It Be film, indicating that it also should feature on the accompanying album. But as the song had never been committed to tape with any serious endeavour the Beatles convened again in number two studio at EMI - some five months after completing final album Abbey Road - and recorded their last new piece together. (The word "new" is an important qualifier, for work polishing up previously recorded material for Let It Be continued through to April.) But not all of the Beatles participated: John Lennon was on holiday, his absence prompting a telling remark - like a mock press statement - from George during the session, which precedes this Anthology recording.

George Martin:
Producer
Phil McDonald:
Engineer

Session Recording:
Jan 03, 1970
Studio:
EMI Studios, Studio Two, Abbey Road


Let It Be... Naked

Official album • Released in 2003

2:22 • Studio version • A remixed, slightly different recreation of Spector's edit (copying the chorus in the middle of the song and adding it to the end) to lengthen the track recorded on 3 January 1970; guitar overdubs and organ parts mixed in and out to make the repeated verse sound different; orchestral and choral overdubs removed.

Bootlegs


Complete Acetate Collection 1961-1970

Unofficial album

1:46 • Studio version


Let It Be Sessions

Unofficial album

0:11 • Alternate take • Take unknown mono


Let It Be Sessions

Unofficial album

2:03 • Alternate take • Take 16 complete stereo


Let It Be Sessions

Unofficial album

1:43 • Alternate take • Take 16 stereo V1


Let It Be Sessions

Unofficial album

1:44 • Alternate take • Take 16 stereo V2


Live performances

Paul McCartney has never played this song in concert.


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nick gervasi 6 months ago

I heard an old interview with Paul on Serious XM the other day. Paul said during the recording of Maxwell Silver Hammer, George got pissed and didn't like the chord changes. Paul blurts out that it's his song and he'll decide how it's played. Between this and Yoko always there, George walks out. George could not handle the egos anymore. Everything was I Me Mine.


The PaulMcCartney Project 6 months ago

Thanks Nick ! Quite interesting note !


The Totally Selfish Reason You Should Help Your Coworkers 1 months ago

[…] me mine…” And, not much has changed since the song was released, almost 50 years ago, in 1970. Harrison’s message still rings true. Most people are way too consumed with thoughts of themselves. Not only does this […]