Monday, January 5, 1970
Mixing "I Me Mine", "Across The Universe" for the "Get Back" album (4th compilation)
For The Beatles
Last updated on December 7, 2021
Monday, January 5, 1970
For The Beatles
Last updated on December 7, 2021
Recording studio: Olympic Sound Studios, London
Session Jan 03, 1970 • Recording "I Me Mine" for the "Get Back" album (4th compilation)
Session Jan 04, 1970 • Recording and mixing "Let It Be"
Session Jan 05, 1970 • Mixing "I Me Mine", "Across The Universe" for the "Get Back" album (4th compilation)
Session Jan 08, 1970 • Recording "For You Blue" for the Get Back album (4th compilation), Mixing "Let It Be"
Album Jan 09, 1970 • "Magic Christian Music" by Badfinger released in the UK
Some of the songs worked on during this session were first released on the "Let It Be (Limited Edition)" LP.
In December 1969 (on the 15th and on the 21st), Glyn Johns started working on a new version of the “Get Back” LP. His previous attempts had been rejected, but he was asked to give it another try and make sure the album was aligned with the content of the upcoming documentary by Michael Lindsay-Hogg, which was now near completion.
On this day, he continued this effort in a session that lasted from 7 pm to 11:30 pm. He started by mixing take 16 of “I Me Mine“, recorded by the Beatles (minus John Lennon) on January 3.
He likely also worked on a stereo mix of “Across The Universe” based on the February 1968 tapes. He left out the backing vocals from The Beatles and from Gayleen Pease and Lizzie Bravo, two fans invited to the session. This stripped-down mix was released on the “Let It Be (50th anniversary boxset)” released in 2021.
Another session on January 8 would be required for Glyn Johns to complete his work on the “Get Back” LP.
A few months after the end of the “Get Back” sessions, engineer/producer Glyn Johns was given the task of compiling an actual album. Glyn made four different variants of the album, two of them having been considered for release at some point.
| Compilation 1 – January 1969 | Compilation 2 – Early May 1969 | Compilation 3 – Late May 1969 | Compilation 4 – January 1970 |
| Mixed: Late January 1969 | Mixed: February 5, 1969 March-May, 1969 March 4, 1969 April 3, 1969 April 4, 1969 April 7, 1969 May 2, 1969 May 7, 1969 May 9, 1969 | Mixed: May 15, 1969 May 28, 1969 | Additional recording: January 3, 1970 January 8, 1970 Mixed: December 15, 1969 December 21, 1969 January 5, 1970 |
| Side one 1. Get Back 2. The Walk 3. Let It Be 4. Teddy Boy 5. Two Of Us Side two 6. Don’t Let Me Down 7. I’ve Got A Feeling 8. The Long And Winding Road 9. For You Blue 10. Dig A Pony 11. Get Back | Side one 1. One After 909 2. Rocker 3. Save the Last Dance for Me 4. Don’t Let Me Down 5. Dig a Pony 6. I’ve Got a Feeling 7. Get Back Side two 8. For You Blue 9. Teddy Boy 10. Two of Us 11. Maggie Mae 12. Dig It 13. Let It Be 14. The Long and Winding Road 15. Get Back (reprise) | Side one 1. One After 909 2. Rocker 3. Save the Last Dance for Me 4. Don’t Let Me Down 5. Dig a Pony 6. I’ve Got a Feeling 7. Get Back Side two 8. For You Blue 9. Teddy Boy 10. Two of Us 11. Maggie Mae 12. Dig It 13. Let It Be 14. The Long and Winding Road 15. Get Back (reprise) | Side one 1. One After 909 2. Rocker 3. Save the Last Dance for Me 4. Don’t Let Me Down 5. Dig a Pony 6. I’ve Got a Feeling 7. Get Back 8. Let It Be Side two 9. For You Blue 10. Two of Us 11. Maggie Mae 12. Dig It 13. The Long and Winding Road 14. I Me Mine 15. Across the Universe 16. Get Back (reprise) |
Written by George Harrison
Mixing • Stereo mixing - Remix 1 from take 16
Mixing • Stereo mixing - Remix 3 from take 8
AlbumOfficially released on Let It Be (50th anniversary boxset)
Master tape banding and compilation for GetBack LP
Mixing
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
Eight Arms to Hold You: The Solo Beatles Compendium
We owe a lot to Chip Madinger and Mark Easter for the creation of those session pages, but you really have to buy this book to get all the details!
Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.
As the paperback version is out of print, you can buy a PDF version on the authors' website
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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