- Album Songs recorded during this session officially appear on the Let It Be / You Know My Name (Look Up The Number) 7" Single.
- Studio:
- Olympic Sound Studios, London
Timeline
More from year 1970
The "Get Back" timeline
Some songs from this session appear on:
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About
On this day, in a session with engineer/producer Glyn Johns at Olympic Studios, George Harrison re-recorded his lead vocals for the song “For You Blue“.
He also recorded some ad-lib comments over the guitar and piano solos. In reference to Chuck Berry’s “Johnny B. Goode“, “Bop, cat, hop” and “Go, Johnny, go” were added over John Lennon’s guitar solos. “Elmore James got nothin’ on this, baby, heh” was added over Paul’s piano and is a reference to Elmore James, a bluesman known as the “King Of The Slide Guitar“.
Those new vocals by George appear on the 4th compilation of the “Get Back” LP, created by Glyn Johns. But there’s a bit of a mystery timing-wise. From beatlesource.com:
Also, probably sometime during early January 1970, George recorded a new vocal for “For You Blue”. Mark Lewisohn indicates that this was probably 8 January (and subsequently, John Winn does, too). However, a mix including both vocals is featured on this fourth compilation (see details below). The tape box for this compilation clearly dates it as 5 January. Either, Glyn spliced an 8 January mix onto the 5 January reel or, since the new vocal was recorded at Olympic Studios (for which documentation is more sketchy than E.M.I.), perhaps the vocal was recorded prior to 5 January.
In the accompanying book of the “Let It Be (50th anniversary boxset)” released in 2021, we can see a page of Paul’s diary, dated January 8, where it is noted Paul attended a mixing session at Olympic Studios for “Let It Be“, with a mention “great mix“.
It seems likely that the mix of the “Let It Be” version released as a single in March 1970 was done on this day by Glyn Johns, and not on January 4 as previously thought.
Glyn Johns however decided that he would not use this mix of “Let It Be” for his “Get Back” LP, likely because he considered the overdubs done on January 4 didn’t match the intended raw nature of the “Get Back” project.
This session was the last day Glyn Johns spent on the “Get Back” LP. Despite all the efforts he put into this project since January 1969, The Beatles remained unsatisfied.
We walked away from that LP. We didn’t really want to know. The best version of the album was before anyone got hold of it. Glyn Johns’s early mixes were great but they were very bare, very Spartan. It would be one of the hippest records going if they brought it out. That was one of the best Beatles albums because it was a bit avant-garde. I loved it. It was purely as we recorded it, down there in Apple or up on the roof. It had a good sound on it, from Glyn Johns, just a couple of mikes over the drums, it was very basic and I loved it.
Paul McCartney – From “The Beatles: Off the Record” by Keith Badman
Late January or early February 1970, American producer Phil Spector would be asked by Allen Klein to revisit the project and on March 23, 1970, he would start reworking the entire album, which would be released as “Let It Be” in May 1970.
(This session is not documented in ”The Complete Beatles Recording Sessions” by Mark Lewisohn, but is mentioned in “The Complete Beatles Chronicle” by the same author).
About Glyn Johns’ “Get Back” compilations
A few months after the end of the “Get Back” sessions, engineer/producer Glyn Johns was given the task of compiling an actual album. Glyn made four different variants of the album, two of them having been considered for release at some point.
| Compilation 1 – January 1969 | Compilation 2 – Early May 1969 | Compilation 3 – Late May 1969 | Compilation 4 – January 1970 |
| Mixed: Late January 1969 | Mixed: February 5, 1969 March-May, 1969 March 4, 1969 April 3, 1969 April 4, 1969 April 7, 1969 May 2, 1969 May 7, 1969 May 9, 1969 | Mixed: May 15, 1969 May 28, 1969 | Additional recording: January 3, 1970 January 8, 1970 Mixed: December 15, 1969 December 21, 1969 January 5, 1970 |
| Side one 1. Get Back 2. The Walk 3. Let It Be 4. Teddy Boy 5. Two Of Us Side two 6. Don’t Let Me Down 7. I’ve Got A Feeling 8. The Long And Winding Road 9. For You Blue 10. Dig A Pony 11. Get Back | Side one 1. One After 909 2. Rocker 3. Save the Last Dance for Me 4. Don’t Let Me Down 5. Dig a Pony 6. I’ve Got a Feeling 7. Get Back Side two 8. For You Blue 9. Teddy Boy 10. Two of Us 11. Maggie Mae 12. Dig It 13. Let It Be 14. The Long and Winding Road 15. Get Back (reprise) | Side one 1. One After 909 2. Rocker 3. Save the Last Dance for Me 4. Don’t Let Me Down 5. Dig a Pony 6. I’ve Got a Feeling 7. Get Back Side two 8. For You Blue 9. Teddy Boy 10. Two of Us 11. Maggie Mae 12. Dig It 13. Let It Be 14. The Long and Winding Road 15. Get Back (reprise) | Side one 1. One After 909 2. Rocker 3. Save the Last Dance for Me 4. Don’t Let Me Down 5. Dig a Pony 6. I’ve Got a Feeling 7. Get Back 8. Let It Be Side two 9. For You Blue 10. Two of Us 11. Maggie Mae 12. Dig It 13. The Long and Winding Road 14. I Me Mine 15. Across the Universe 16. Get Back (reprise) |
Last updated on January 4, 2022
Songs recorded
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Staff
Musicians on "For You Blue"
- George Harrison:
- Vocals
Production staff
- Glyn Johns:
- Producer, Engineer
Going further
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
Eight Arms to Hold You: The Solo Beatles Compendium
We owe a lot to Chip Madinger and Mark Easter for the creation of those session pages, but you really have to buy this book to get all the details!
Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.
As the paperback version is out of print, you can buy a PDF version on the authors' website
If we like to think, in all modesty, that the Paul McCartney Project is the best online ressource for everything Paul McCartney, The Beatles Bible is for sure the definitive online site focused on the Beatles. There are obviously some overlap in terms of content between the two sites, but also some major differences in terms of approach.
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