Album This song officially appears on the Live At The BBC Official live.
Timeline This song was officially released in 1994
This song was recorded during the following studio sessions:
Jan 14, 1969
Oct 30, 1980
Ex-Wings guitarist, Laurence Juber, talks about attending "Paul McCartney University"
Aug 09, 2010 • From Daytrippin' Beatles Magazine
Sir Paul McCartney on Lennon, Kanye and his own musical legacy
Mar 23, 2017 • From BBC News
From Wikipedia:
“Johnny B. Goode” is a 1958 rock-and-roll song written and first recorded by Chuck Berry. The song was a major hit among both black and white audiences, peaking at number 2 on Billboard magazine’s Hot R&B Sides chart and number 8 on its Hot 100 chart.
The song is one of Berry’s most famous. It has been covered by many artists and has received several honors and accolades. It is also considered one of the most recognizable songs in music history. The song is ranked as number seven on Rolling Stone’s list of the “500 Greatest Songs of All Time“.
Composition and recording
Written by Berry in 1955, the song is about a “country boy” who plays a guitar “just like ringing a bell,” and who might one day have his “name in lights.” Berry has acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a “colored boy“, but he changed it to “country boy” to ensure radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis. The song was initially inspired by Johnnie Johnson, the regular piano player in Berry’s band, but developed into a song mainly about Berry himself. Johnson played on many other recordings by Berry, but Lafayette Leake played the piano on this song.
The opening guitar riff of “Johnny B. Goode” is essentially a note-for-note copy of the opening single-note solo on Louis Jordan’s “Ain’t That Just Like a Woman” (1946), played by guitarist Carl Hogan. Neither the guitar intro nor the solo are played at once. Berry played the introductory parts together with the rhythm guitar and later overdubbed the solo runs.
Berry has written three more songs involving the character Johnny B. Goode, “Bye Bye Johnny“, “Go Go Go“, and “Johnny B. Blues“; and titled an album, and the nearly 19 min instrumental title track from it, as “Concerto in B. Goode“. […]
The Beatles recorded a version of “Johnny B. Goode” on January 7, 1964, at the Playhouse Theatre in London for the BBC radio show “Saturday Club”. This version was released on “Live at the BBC” in 1994.
On January 14, 1969, during the Beatles’ “Get Back” sessions, John Lennon led Paul McCartney and Ringo Starr to play a version of “Johnny B. Goode“.
Wings played “Johnny B. Goode” during a rehearsal session in 1980, one of the latest sessions before the end of the group.
Chuck Berry was another massive influence with Johnny B Goode. We’d go up to John’s bedroom with his little record player and listen to Chuck Berry records, trying to learn them.
Paul McCartney – From “The Beatles Anthology” book, 2000
Deep down in Louisianna
close to New Orleans,
way back up in the woods
among the evergreens,
there stand a country cabin
made of clay and wood,
where lives a young country boy
named Johnny B.Goode,
he never ever learned
to read or write a book so well,
but he could play his guitar
just like a-ringing a bell.
Go go, go Johnny go go go!
Go Johnny go go go!
Go Johnny go go go!
Go Johnny go go go!
aah Johnny B.Goode!
He used to carry his guitar
in a gunny sack,
sit beneath the trees
by the railroad track.
Oh sitting and a-playing
in the shade,
drumming to the rhythm
that the drivers made.
People passing by
used to stop and say:
my oh my,
that country boy can play.
Go go, go Johnny go go go!
Go Johnny go go go!
Go Johnny go go go!
Go Johnny go go go!
Aah Johnny B.Goode!
Well his mama told him:
someday you will be a man.
And you will be the leader
of a big old band.
Many people coming
from miles around,
to hear you play your music
till the sun goes down.
Maybe some day
your name will be in light,
saying: Johnny
B. Goode tonight!
Go go, go Johnny go go go!
Go Johnny go go go!
Go Johnny go go go!
Go Johnny go go go!
aah Johnny B.Goode!
Official live • Released in 1994
2:51 • Radio show • L1 • Not a British hit for Chuck Berry in 1958, but a song that was hammered out by almost every British beat group of the sixties and one of the most frequently performed tunes on Saturday Club.
Paul McCartney : Bass Ringo Starr : Drums John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar
Concert From "Saturday Club" in London, United Kingdom on Feb 15, 1964
Live At The BBC (2013 remaster)
Official live • Released in 2013
2:51 • Radio show • L1.2013 • Not a British hit for Chuck Berry in 1958, but a song that was hammered out by almost every British beat group of the sixties and one of the most frequently performed tunes on Saturday Club.
Paul McCartney : Bass Ringo Starr : Drums John Lennon : Rhythm guitar, Vocals George Harrison : Lead guitar Guy Massey : Remastering Alex Wharton : Remastering
Concert From "Saturday Club" in London, United Kingdom on Feb 15, 1964
The Beatles At The Beeb - Volume 8
Unofficial live • Released in 2003
3:12 • Live
Concert From "Saturday Club" in London, United Kingdom on Feb 15, 1964
A/B Road Complete Get Back Sessions - Jan 14th, 1969 - 3 & 4
Unofficial album • Released in 2004
1:46 • Rehearsal • Jan.14 - D3-09 - Johnny B. Goode 14.39
Session Recording: Jan 14, 1969 • Studio Twickenham Film Studios, London, UK
A/B Road Complete Get Back Sessions - Jan 14th, 1969 - 3 & 4
Unofficial album • Released in 2004
1:31 • Rehearsal • Jan.14 - D3-10 - Johnny B. Goode 14.40
Session Recording: Jan 14, 1969 • Studio Twickenham Film Studios, London, UK
Unofficial album • Released in 2011
Rehearsal
Session Recording: Oct 30, 1980 • Studio Pugin Hall, Tenterden, Kent, UK
“Johnny B. Goode” has been played in 1 concerts.
Feb 15, 1964 • Part of BBC Sessions
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.
The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.
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