UK Release date : Friday, January 9, 1970
By Badfinger • LP • Part of the collection “Paul McCartney as producer, composer, or session musician in the 70s”
Last updated on January 7, 2022
Previous album Jan 01, 1970 • "Kum Back" by The Beatles released in the US
Session Jan 05, 1970 • Mixing "I Me Mine", "Across The Universe" for the "Get Back" album (4th compilation)
Session Jan 08, 1970 • Recording "For You Blue" for the Get Back album (4th compilation), Mixing "Let It Be"
Album Jan 09, 1970 • "Magic Christian Music" by Badfinger released in the UK
Single Jan 12, 1970 • "Come And Get It / Rock Of All Ages" by Badfinger released in the US
Article Jan 14, 1970 • Paul McCartney acquires Low Park Farm in Scotland
This album was recorded during the following studio sessions:
Aug 02, 1969
Recording "Carry On Till Tomorrow"
Aug 22, 1969
Recording "Carry On Till Tomorrow"
August 26-27, 1969
Sep 18, 1969
Written by Paul McCartney
2:21 • Studio version • A • Stereo
Paul McCartney : Producer, Tambourine Tony Clark : Recording engineer Pete Ham : Backing vocals, Piano Tom Evans : Lead vocals, Maracas Mike Gibbins : Drums Ron Griffiths : Backing vocals, Bass
Session Recording: Aug 02, 1969 • Studio EMI Studios, Abbey Road
Crimson Ship
3:42 • Studio version • Stereo
Dear Angie
2:39 • Studio version • Stereo
Fisherman
2:24 • Studio version • Stereo
Midnight Sun
2:46 • Studio version • Stereo
Beautiful and Blue
2:40 • Studio version • Stereo
Written by Pete Ham, Tom Evans, Mike Gibbins
3:16 • Studio version • A • Stereo
Paul McCartney : Piano, Producer Mal Evans : Producer
Session Recording: Sep 18, 1969 • Studio IBC Studios, London, UK
Written by Pete Ham, Tom Evans
4:47 • Studio version • A • Stereo
Paul McCartney : Producer
Session Recording: Aug 22, 1969 • Studio EMI Studios, Abbey Road
Session Overdubs: August 26-27, 1969 • Studio EMI Studios, Abbey Road
I'm in Love
2:26 • Studio version • Stereo
Walk Out in the Rain
3:27 • Studio version • Stereo
Angelique
2:28 • Studio version • Stereo
Knocking Down Our Home
3:40 • Studio version • Stereo
Give It a Try
2:31 • Studio version • Stereo
Maybe Tomorrow
2:51 • Studio version • Stereo
From Wikipedia:
Magic Christian Music is the debut studio album by the British rock band Badfinger, released in early 1970 on Apple Records. The band had previously released the album Maybe Tomorrow, in 1969, under the name The Iveys. Three tracks from the LP are featured in the film The Magic Christian, which also gives the album its title. However, Magic Christian Music is not an official soundtrack album for the film.
History
The film soundtrack for The Magic Christian featured three new songs by Badfinger that had been commissioned for the film, including their US/UK top-10 hit “Come and Get It“‘, which opened the film, and “Carry on Till Tomorrow”, the title theme. The soundtrack album, which also included incidental music by Ken Thorne, had originally been scheduled for release on Apple Records, but the addition of the Thunderclap Newman song “Something in the Air” to the movie prevented that. Instead, the soundtrack album was released on the little-known Commonwealth United Records label in the US and on Pye in the UK. As a result, it received little promotion in the US and remained mostly unknown to American record buyers.
To capitalize on this gap, Apple Records released its own “pseudo-soundtrack”. Apple combined the film’s three Badfinger songs with four unreleased songs and seven older tracks (released by the group when they were still known as the Iveys) on the album Maybe Tomorrow, which had been quickly pulled off the market in 1969 after having only been released in Germany, Japan and Italy. The previously released Iveys songs were specially re-mixed for this album, significantly improving their sound quality in the process. One of them, “Fisherman”, was also edited for this release.
The three Badfinger tracks used in the film — “Come and Get It”, “Rock of All Ages” and “Carry on Till Tomorrow”—bear the strongest “Beatle connection”. They were produced by Paul McCartney (the first was also composed by McCartney), and the strings on “Carry on Till Tomorrow” were arranged and conducted by Beatles producer George Martin. The other tracks on the album were produced by Tony Visconti (six songs, including both Iveys singles and the last recording made, “Crimson Ship”) and Mal Evans (five songs).
Badfinger’s line-up on these tracks includes bassist/vocalist Ron Griffiths, but Evans doubled on bass on “Midnight Sun”, “Crimson Ship” and “Rock of All Ages” after Griffiths fell ill during the sessions. Griffiths departed The Iveys at the end of the McCartney sessions in late 1969, prior to the name change from The Iveys to Badfinger, which led to his exclusion from the credits and pictures on the album (although Griffiths does appear on the picture sleeve for “Come and Get It”). Guitarist Joey Molland was eventually added as Griffiths’ replacement, causing Tom Evans to move from guitar to bass, but Molland’s addition came after the album art had been prepared, so only Pete Ham, Tom Evans and Mike Gibbins are pictured on the cover.
The album peaked at number 55 on the US charts.
From Magic Christian Music album by Badfinger (The Iveys) compiled by Tom Brennan (ipower.com):
“Magic Christian Music by Badfinger” was rush-released to tie-in with the release of the Peter Sellers/Ringo Starr film, “The Magic Christian”. To make matters worse, at the same time, The Iveys were transforming into Badfinger with Ron Griffiths departing while promotion for the Paul McCartney penned single “Come And Get It” was being distributed to the press.
For the album’s release, new member Joey Molland from Liverpool is only mentioned by name on the back sleeve of the album, and credited with playing guitar even though he hadn’t played on any of the recordings contained on the album. There was no time for his photo to be taken for the back of the album sleeve. As a result, most of the album’s promotion was done with three members pictured. The photos of Pete, Tom & Mike for the back of the album sleeve were taken on November 10, 1969. The first photos as the new band line-up (Badfinger) were taken on December 16, 1969 – too late for the album’s release.
Because of the rush job, the album’s credits are lacking details and contain errors in the production credits. The three soundtrack songs have no production credits and neither does “Crimson Ship”. This is due to the fact that McCartney didn’t want to be credited. The 1991 CD reissue doesn’t do much better. It correctly credits “Come And Get It as produced & arranged by Paul McCartney” but incorrectly credits Tony Visconti as producing & arranging both “Crimson Ship” and “Rock Of All Ages”. Tony departed in the middle of December, 1968 as The Iveys’ producer. Paul McCartney produced all three of the soundtrack songs at the request of the film company, Commonwealth United, plus “Crimson Ship” with leftover studio time that was remaining after his obligations were met for the film’s soundtrack.
Mal Evans produced the rest of the new recordings for the album (“Midnight Sun”, “Walk Out In The Rain”). Mal was also involved in rearranging and remixing some of the older tracks from The Iveys album, although it appears Paul was also involved since one page of his remixing notes have become available with his drawing of a Badfinger logo. “Fisherman” had its sound effects removed, and the final chorus cut. The other major change made was to re-record the vocals for “I’m In Love”, thereby removing the Ron Griffiths response voices that according to Tom Evans, was criticized by McCartney while observing an Iveys session in 1968. The other Iveys tracks were given fresh stereo remixes to improve their sound (“Dear Angie”, “Beautiful And Blue”, “Angelique”, “Knocking Down Our Home”, and “Maybe Tomorrow”), with Angelique losing its horn flourishes in the remixing process.
background information from Dan Matovina’s Badfinger biography, “Without You-The Tragic Story Of Badfinger” and the 1991 CD reissue of “Magic Christian Music” on Apple.
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