Thursday, October 19, 1967
For The Beatles
Last updated on April 15, 2023
Recording the "Magical Mystery Tour" soundtrack
Apr 25 - May 3 and Aug 22 - Nov 17, 1967 • Songs recorded during this session appear on Magical Mystery Tour (US LP - Mono)
Recording studio: EMI Studios, Studio One, Abbey Road
Previous session Oct 12, 1967 • Mixing "It's All Too Much", "Blue Jay Way"
Article Oct 17, 1967 • The Beatles attends a memorial service for Brian Epstein
Article Oct 18, 1967 • The Beatles attend the premiere of “How I Won The War”
Session Oct 19, 1967 • Recording "Hello, Goodbye"
Session Oct 20, 1967 • Recording "The Fool On The Hill", "Hello, Goodbye"
Single Oct 20, 1967 • "Catcall" by The Chris Barber Band released in the UK
AlbumSome of the songs worked on during this session were first released on the "Magical Mystery Tour (US LP - Mono)" LP
On October 2, 1967, The Beatles began recording the basic track of “Hello, Goodbye“. The session continued from 7 pm to 3:30 am, during which they added overdubs onto Take 16, which already had all the previously recorded instruments on track one.
During this session, Paul McCartney recorded his double-tracked lead vocals on tracks two and three. Afterwards, Paul, John Lennon, and George Harrison added backing vocals, while John and George contributed two lead guitar parts. All of these additions were recorded onto track four.
This state of “Hello, Goodbye” was released in “Anthology 2” in 1996.
An early incarnation of Paul’s Hello, Goodbye, the master of which was issued as a single by the Beatles in November 1967 and was the Christmas number one – in Britain holding off composition from the Magical Mystery Tour double-EP set. This is Take 16 (a “reduction” of the best basic track, Take 14, from 2 October) with vocals and more guitars added on 19 October. From here the recording would be “bounced” three more times and given a number of further overdubs, so, although, there are similarities, there are also many differences between this take and the master.
From the “Anthology 2” liner notes
The session was concluded by creating a reduction mix of Take 16, combining the three tracks into one. This newly created track was named Take 17 and was intended to serve as a reference track for the addition of violas planned for the following day’s recording session.
Recording • SI onto take 16
AlbumOfficially released on Anthology 2
Tape copying • Tape reduction take 16 into take 17
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)
The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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