Recording "Baby, You're A Rich Man"

Album Songs recorded during this session officially appear on the All You Need Is Love / Baby You're A Rich Man (UK) 7" Single.

Studio:

Olympic Sound Studios, London

Songs recorded

Staff

Musicians on "Baby, You're A Rich Man"

Paul McCartney:

Tambourine, Piano, Backing vocals, Rhythm guitar, Bass

Ringo Starr:

Drums, Handclaps ?, Backing vocals

John Lennon:

Piano, Handclaps ?, Lead vocals, Clavioline

George Harrison:

Handclaps ?, Lead guitar, Backing vocals, Maracas

Eddie Kramer:

Vibraphone

Mick Jagger:

Backing vocals ?, Handclaps ?

Production staff

George Martin:

Producer

Keith Grant:

Engineer

Eddie Kramer:

Second engineer

Visitors

Mick Jagger

About

On this day, The Beatles recorded and mixed the track “Baby, You’re A Rich Man” in a six-hour session at Olympic Sound Studios (from 9 pm to 3 am). This was unusual for the band at the time, as they often spent many hours and days perfecting each track. As a result, it was The Beatles’ first song to be recorded and mixed entirely away from Abbey Road.

This was their second UK session to take place outside EMI Studios, following their February 9, 1967, session at Regent Sound Studio. The balance engineer for the session was Olympic’s manager Keith Grant. The studio was frequently used by The Rolling Stones, and Mick Jagger happened to be in the studio for this Beatles session.

The Beatles couldn’t get into the studio for the next couple of nights, which forced them to record “Baby You’re A Rich Man” — a song which eventually served as a B-side and was used in the Yellow Submarine film — at Olympic Studios.

Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006

“Baby, You’re A Rich Man” was originally intended for the soundtrack of the animated film “Yellow Submarine”, with the project announced to the press in early June, but agreements had already been signed in early May. However, the track was eventually released as the B-side to the next Beatles single, “All You Need Is Love“, released in early July.

One tape reel was filled with rehearsal takes, before twelve formal takes were recorded. The backing track featured John Lennon on piano, Paul McCartney on tambourine, George Harrison on maracas and Ringo Starr on drums.

Take 12 was deemed the best, and received some overdubs. Paul added his bass part, while some other Beatles contributed handclaps. John then sang his double-tracked lead vocals. Some double-tracked backing vocals by Paul, John and George were also added. One of the session’s tape boxes indicates “The Beatles + Mick Jagger?“, suggesting Mick Jagger contributed to either handclaps or backing vocals.

Two tape reduction mixes, labelled take 1 and take 2, were then made, with additional overdubs added onto take 2. Ringo added some snare drums, Paul played rhythm guitar and George played lead guitar. For the final overdubs, John played a clavioline, an electronic keyboard instrument that was a forerunner to the analog synthesizer, and Paul played the piano recorded backwards. Eddie Kramer, the second engineer, reportedly played a single note of vibraphone.

The session ended with a single remix mono created from take 2, which was released on the “All You Need Is Love” single.

We recorded [Baby, You’re A Rich Man] at a rather exciting recording session at Olympic, in Barnes, where Keith Grant mixed it, instantly, right there. He stood up at the console as he mixed it, so it was a very exciting mix, we were really quite buzzed. I always liked that track.

Paul McCartney – From “Paul McCartney: Many Years from Now” by Barry Miles, 1997

I’m a terrible pusher on sessions. I do a lot of orchestral work and you naturally push people along. The Beatles said that this was the fastest record they’d ever made. They were used to a much more leisurely pace. We started the session at about 9pm and it was finished and mixed by about 3am, vocals and everything. They kept playing, version after version, then we spooled back to the one they liked and overdubbed the vocals

Keith Grant – From “The Complete Beatles Recording Sessions” by Mark Lewisohn, 1988

Whenever they did a track at an outside studio, I usually had to do a lot of repair work to the tapes because they simply couldn’t achieve the sound they were used to anywhere else. This time around, though, they actually got the entire song done — including the final mix — in a single session. It was a Lennon song, and a fairly simple one at that, but it had been a long time since they’d been so efficient. I had to admit that the results were pretty good — Olympic’s chief engineer, Keith Grant, did the session himself and he knew what he was doing. In addition, Olympic’s mixing console was a totally different design than ours and was capable of passing lower frequencies, so there was quite a smooth bass sound, which I thought was great.

Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006

MAL AND NEIL TELL YOU HOW ‘All You Need Is Love’ WAS RECORDED

[…] BABY YOU’RE A RICH MAN was originally intended for the soundtrack of the full-length Beatles cartoon film, which went into production a few weeks ago. You won’t see the film at your local cinema until spring of next year, but this was to have been one of the three new songs which The Beatles arranged to supply to the producers. The song started life under another title. It was “One Of The Beautiful People”.

FIRST OUTSIDE

The Beatles began recording BABY YOU’RE A RICH MAN on May 11 at the Olympic studios in Barnes. In fact this was the very first session they have ever had outside the EMI studios and all their amplifiers, instruments and session gear had to be moved from St. John’s Wood to Barnes. Incidentally Mick Jagger was one of several friends who dropped in that night to watch the recording work.

The instrument heard at the very beginning of BABY YOU’RE A RICH MAN is a Clavioline, which has a keyboard and an amplifier. Unlike a piano, it can’t play more than one note at once, and if you hit two keys the Clavioline always decides to play only the higher of the notes. That’s why it sounds a bit like some sort of pipe instrument and you might not guess it had a keyboard at all. So John plays Clavioline, John and Paul play pianos and a studio engineer at Olympic obliged by playing a bit of vibes! You know by now that the lead voice is John with George and Paul joining in. Paul does the very high falsetto voice bits. […]

From The Beatles Monthly Book, August 1967

Last updated on February 10, 2024