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Released in 1999

No Other Baby

Written by Dickie BishopBob Watson

Last updated on September 20, 2016


Album This song officially appears on the Run Devil Run Official album.

Timeline This song was officially released in 1999

Master album

Related sessions

This song was recorded during the following studio sessions:

Related interview

From Wikipedia:

No Other Baby” is a song written by Dickie Bishop and Bob Watson, originally recorded in 1957 by Dickie Bishop and The Sidekicks. Early cover versions were recorded by The Vipers (1958), Bobby Helms (1959) and Paul and Paula (1964).

Paul McCartney recorded “No Other Baby” for his 1999 cover album Run Devil Run and released it as the only single from the album. The song reached number 42 on the UK singles chart.

The Paul McCartney version was released as a 7″ single and two CD singles, one of which was mixed in mono.

From the liner notes of “Run Devil Run“:

The most obscure song on the album. It was released as a single in 1958 by a British skiffle group The Vipers. “I’ve no idea how this one got so embedded I my memory…I never had the record, still haven’t.”

From an interview with Laura Gross (promotional interview for “Run Devil Run” in 1999):

Paul McCartney: No Other Baby was a strange track, because I didn’t have a record of it. I didn’t know who’d recorded it or who’d written it. But I knew I loved the song from late ’50’s. And so that was one I pulled out my envelop, say, anyone know this. They said, no. They had really no idea. I’d barely knew it. But I just remembered it, and remembered the verses. It’s just a simple song. And I always wanted to do it. We used to do it at soundchecks actually on the, on the, on the tour we used to do it. I found out lately that it was recorded by an English group who were like a skiffle group. Was before rock ‘n’ roll for us here. And they were called the Vipers. They were like a favorite little skiffle group of ours. Funny though, I was talking to George Martin on the phone the other day and I said, I was telling him about No Other Baby, I said, do you know who this song is by. He said, I doubt we even did it. I’ve since found out, it was by the Vipers, you know. And I suddenly realized while I was talking to George, wait a minute George, you recorded the Vipers. He said, yes, I did. I said, well, this song’s called No Other Baby, how does it go. He said, I said, I don’t want no other, he said, oh yes, I remember it. So it turned out we talked about, coming full circle. George actually recorded the original thing.

It’s worth noticing that Paul recorded “No Other Baby” in 1987 during the Choba B CCCP sessions; the full recording has not surfaced yet, but a snippet figures on a medley which leaked online in April 2010, presumably from cassettes from the legacy of former Wings roadie Trevor Jones, auctioned off by Christie’s in 1998.


Lyrics

But I don't want no other baby but you

I don't want no other baby but you

Cause no other baby can thrill me like you do


Got a little woman, lives across the hall

Got a little woman, she lives across the hall

And most every evening she's asking me to call


But I don't want no other baby but you

I don't want no other baby but you

Cause no other baby can thrill me like you do


But lots of other women say be my daddy do

Yeah, lots of other women say be my daddy do

But I tell them I don't want no other baby but you


I said I don't want no other baby but you

No, I don't want no other baby but you

Cause no other baby thrill me like you do, ooh, ooh

Officially appears on

Bootlegs

See all bootlegs containing “No Other Baby

Related films

Videos

Live performances

No Other Baby” has been played in 5 concerts and 6 soundchecks.

Latest concerts where “No Other Baby” has been played


Going further

Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012

This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.

The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.

Read our exclusive interview with Luca Perasi

Buy on Amazon

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