Album This song officially appears on the Run Devil Run Official album.
Timeline This song was officially released in 1999
This song was recorded during the following studio sessions:
Get Back sessions - January 24, 1969 - Day 13
Jan 24, 1969
Rehearsals at The Scotch of St James club
January 17-28, 1972
Mar 05, 1999
Officially appears on Help! (Mono)
Officially appears on Long Tall Sally
Officially appears on Beatles VI (Mono)
Unreleased song
Oct 01, 1999
From Wikipedia:
[…] “She Said Yeah” was originally the B-side of the Larry Williams [Bad Boy] single, and has been covered by the Rolling Stones and the Animals, amongst others. The Beatles loved the song and almost certainly performed it on stage and fully intended to record it. Paul McCartney in the liner notes to his album Run Devil Run said “Me and John [Lennon] particularly loved Larry Williams…Bony Moronie…John did Slow Down…I was always going to do She Said Yeah“. Roy Young (who was invited to join The Beatles) recorded a cover version in 1959. Paul McCartney finally recorded it in 1999.
From an interview with Laura Gross (promotional interview for “Run Devil Run” in 1999):
Laura Gross: She Said Yeah, which I thought is a very sexy song.
Paul McCartney: Yeah. Sexy song. Yeah, man. She Said Yeah was a Larry Williams song. And it was really one of my favourites of his. In fact it was my favourite of Larry’s. He did some other good songs like Bony Moronie and stuff, which were big hits. But it was always a song I loved. And always wanted to get round to doing. In actual fact, I think, I remember turning Mick Jagger on to it. Remember distinctively having him up in to a little music room and the bit I love dum, dum, tiddely dum, baah. ?…? I was dancing away, showing Mick and he loved it. So, yeah, my main recollection of She Said Yeah is just as it being really one of my favourite Larry Williams tracks. And he’s just a great vocalist, Larry, you know, it’s a storming track, the original. So that’s kind of faithful to, we messed around with it a little bit, but that’s sort of like my memory of the original.
On January 24th 1969, The Beatles recorded “She Said Yeah” during the Get Back Sessions.
Dam deedle dee dam dam
Little girl, where did you come from
Try a little bit to make my mouth dribble
Come on baby, let's ride away in the rain
Baby you drive me crazy
Drive my poor heart hazy
Just a little bit
A little while with you
Come on baby, let's ride away in the rain
She said yeah, dam deedle dee dam dam
She said yeah, yeah yeah yeah
Come on baby I want to make love to you
Well you drive me crazy
Dam deedle dee dam dam
My love is lazy
Dam deedle dee dam dam
Little miss I want to kiss
Come on baby, won't you do what I wish
Well I got the feeling, dam deedle dee dam dam
In my soul, dam deedle dee dam dam
I'm going to love you, you know
One night or another
Come on baby, let me hear you say you love me
Official album • Released in 1999
2:07 • Studio version • A
Paul McCartney : Bass guitar, Producer, Vocal Geoff Emerick : Recording engineer Mick Green : Electric guitar David Gilmour : Electric guitar Ian Paice : Drums Pete Wingfield : Piano Chris Thomas : Producer Paul Hicks : Recording engineer
Session Recording: Mar 05, 1999 • Studio EMI Studios, Studio Two, Abbey Road
A/B Road Complete Get Back Sessions - Jan 24th, 1969 - 1 & 2
Unofficial album • Released in 2004
0:37 • Rehearsal • Jan.24 - D1-22 - She Said Yeah 24.21
Session Recording: Jan 24, 1969 • Studio Apple Studios, 3 Savile Row, London
Run Devil Run - Ultimate Archive Collection
Unofficial album • Released in 2015
2:07 • Studio version • A
Paul McCartney : Bass guitar, Producer, Vocal Geoff Emerick : Recording engineer Mick Green : Electric guitar David Gilmour : Electric guitar Ian Paice : Drums Pete Wingfield : Piano Chris Thomas : Producer Paul Hicks : Recording engineer
Session Recording: Mar 05, 1999 • Studio EMI Studios, Studio Two, Abbey Road
Paul McCartney has never played this song in concert.
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.
The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.
Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.