Album This song officially appears on the Unplugged (The Official Bootleg) Official live.
Timeline This song was officially released in 1991
This song was recorded during the following studio sessions:
Get Back sessions - January 29, 1969 - Day 18
Jan 29, 1969
Oct 30, 1980
“Singing The Blues” is a song from 1956, recorded and released by Paul McCartney on his 1991 Unplugged album. From Wikipedia:
“Singing the Blues” is a popular song written by Melvin Endsley and published in 1956. The song was first recorded and released by Marty Robbins in 1956. […]
Guy Mitchell
The best-known recording was released in October 1956 by Guy Mitchell and spent ten weeks at number 1 on the U.S. Billboard chart from December 8, 1956, to February 2, 1957. An example of the U.S. recording is on Columbia #40769, dated 1956, with the Ray Conniff Orchestra. Mitchell’s version was also number 1 in the UK Singles Chart for three (non-consecutive) weeks in early 1957, one of only four singles to rise to number 1 on three separate occasions, with the other three being “I Believe” by Frankie Laine, “Happy” by Pharrell Williams and “What Do You Mean?” by Justin Bieber.
Marty Robbins and Tommy Steele versions
Two other charting versions of the song were released almost simultaneously with Mitchell’s, one by the English singer Tommy Steele (with the Steelmen) and the other (recorded before Mitchell covered it) by US country singer Marty Robbins.
Tommy Steele’s version of “Singing the Blues” made number 1 in the UK Singles Chart for one week on 11 January 1957, sandwiched by two of the weeks that Guy Mitchell’s version of the same song topped the charts. Steele’s recording of the song was not a chart success in the US. […]
To me it’s Guy Mitchell and Tommy Steele, even though there’s been a more recent hit. It’s a very simple song to do, one of the ones I’d sing to the kids.
I recently met Jonathan Routh when I was on holiday in Jamaica – he used to be the Candid Camera man – and he paints now, lives in a place without electricity, and he takes in all the local kids, like an orphanage. We were sitting around his kitchen table and I was tuning his cook’s guitar, so – being left-handed – I turned it upside down. You have to play simple songs if it’s upside down, and I started playing ‘Singing The Blues’ and Jonathan said to all the little kids, ‘Now you listen to this! This is a good one!’, because it excited him from the Tommy Steele period. That really pleased me. I thought, yes, this is an important song in our lives.
Paul McCartney, from Club Sandwich 58, Summer 1991
In the days when the British media liked nothing more than to contrive “pop” rivalries, Guy Mitchell’s US recording and Tommy Steele and the Steelmen’s chirpy homegrown cover of “Singing The Blue” were pitched against each other in January 1957 and, ultimately, both took the song to number one. (In the US, the “battle” was between Mitchell and Marty Robbins, both correctly accentuating the tune’s country feel, as written by Melvin Endsley.) Other versions have followed, from Burl Ives to Johnny Burnette, the Mills Brothers to Jerry Lee Lewis, and Dave Edmunds (a 1980 UK hit) to this first release of the song by Paul McCartney.
From Unplugged liner notes
Well, I never felt more like singing the blues?
I never thought that I'd ever lose your love?
Why did you do me this way
Well, I never felt more like crying all night?
Everything's wrong?
But nothing is right without you?
You've got me singing the blues
?
Well, the moon and the stars no longer shine?
The dream is gone I thought was mine?
There's nothing left for me to do?
But cry over you?
Cry over you?
Well, I never felt more like running away?
And why shouldn't I go?
'Cause I couldn't stay without you?
You've got me singing the blues
Well, the moon and the stars no longer shine?
The dream is gone I thought was mine?
There's nothing left for me to do?
But cry over you?
Cry over you?
Well, I never felt more like running away?
And why shouldn't I go?
'Cause I couldn't stay without you?
You've got me singing the blues?
Well, the moon and the stars no longer shine?
The dream is gone I thought was mine?
There's nothing left for me to do?
But cry over you?
Cry over you?
Well, I never felt more like running away?
And why shouldn't I go?
'Cause I couldn't stay without you?
You've got me singing the blues?
You've got me singing the blues?
You've got me singing the blues
Unplugged (The Official Bootleg)
Official live • Released in 1991
3:47 • Live • L1
Paul McCartney : Acoustic guitar, Producer, Vocals Linda Eastman / McCartney : Shaker Robbie McIntosh : Acoustic guitar Hamish Stuart : Acoustic bass, Vocal harmonies Paul Wickens : Piano Blair Cunningham : Drums Geoff Emerick : Mixing engineer, Recording engineer Eddie Klein : Assistant engineer Gary Stewart : Assistant engineer Peter Craigie : Assistant engineer Gary Bradshaw : Monitor engineer
Concert From "MTV Unplugged" in Wembley, United Kingdom on Jan 25, 1991
Unofficial album
6:16 • Rehearsal • Tiger Rag-Michael Row The Boat Ashore-
A/B Road Complete Get Back Sessions - Jan 29th, 1969 - 1 & 2
Unofficial album • Released in 2004
7:56 • Rehearsal • Jan.29 - D1-04 - Singing The Blues 29.01
Performed by : Ringo Starr • John Lennon
Session Recording: Jan 29, 1969 • Studio Apple Studios, 3 Savile Row, London
“Singing The Blues” has been played in 2 concerts and 19 soundchecks.
Naples • Teatro Palapartenope • Italy
Jun 05, 1991 • Part of Unplugged 1991 Summer Tour
Jan 25, 1991 • United Kingdom • Wembley • Limehouse Television Studios • TV show
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 2) 1990-2012
This new book by Luca Perasi traces Paul McCartney's post-Beatles output from 1990 to 2012 in the form of 250 song entries, filled with details about the recordings, stories behind the sessions and musical analysis. His pop albums, his forays into classical and avant-garde music, his penchant for covering old standards: a complete book to discover how these languages cross-pollinate and influence each other.
The second volume in a series that has established itself as a unique guide to take the reader on a journey into the astonishing creativity of Paul McCartney.
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