The Dog Presides

Locked into a low-paying contract that forced him to release below-par singles wholly unrepresentative of his undoubted talent or preferred musical direction, and with a band now on the verge of desertion, Beck continued to prop up his income with the odd session. The most notable of these was an inspired contribution to the B-side of ex-Manfred Mann singer Paul Jones’ single ‘And The Sun Will Shine’, cut in the early spring of 1968. Written by the Gibb Brothers – aka the Bee Gees – ‘And The Sun…’ was a fairly innocuous example of late-sixties pop balladry. But its flip side, ‘The Dog Presides’, was much more rewarding to the ear. Cut at Abbey Road’s famous Studio II, ‘The Dog Presides’, featured an all-star cast of musicians and fashionable London faces. Making his debut as a producer was Pete Asher of Peter & Gordon, a singing duo that had already achieved considerable notoriety with four million-selling singles, the best known of which was ‘A World Without Love’. The brother of Jane Asher – then dating Beatle Paul McCartney – Pete had asked McCartney to attend the session at which he ended up playing drums. Also along for the ride was Jeff’s former bandmate and now producer in his own right, Paul Samwell-Smith, who added bass guitar. To give things an extra helping of top-end sheen, Nicky Hopkins brought along his keyboard, leaving Beck to provide some typical fiery runes from the neck of his Gibson Les Paul. The result of all this superstar jamming was a cracking little tune, sung beautifully by Jones, whose panicky harmonica fills were a perfect complement to Jeff’s growling lead lines. For Beck, who reportedly earned a week’s rent from ‘The Dog Presides’, there was only one regret: “Well, all I remember [about it] was hoping Paul McCartney would sing“.