UK Release date : Monday, June 9, 1969
By Bonzo Dog Doo Dah Band • LP • Part of the collection “Paul McCartney as producer, composer, or session musician in the 60s”
Last updated on September 28, 2021
Previous album Mar 21, 1969 • "Is This What You Want? (Mono)" by Jackie Lomax released in the UK
Article June - July 1969 • The "Get Back" LP rumours – June to July 1969
Album Jun 09, 1969 • "Tadpoles" by Bonzo Dog Doo Dah Band released in the UK
Album Jun 16, 1969 • "Brave New World" by The Steve Miller Band released in the US
Single Jun 27, 1969 • "Charity Bubbles / Goose" by The Scaffold released in the UK
This album was recorded during the following studio sessions:
Recording "I'm The Urban Spaceman"
March 1968 ?
Hunting Tigers Out in 'Indiah'
3:06 • Studio version
Shirt
4:27 • Studio version
Tubas in the Moonlight
2:23 • Studio version
Dr. Jazz
2:40 • Studio version
Monster Mash
2:59 • Studio version
Written by Neil Innes
2:24 • Studio version • A
Paul McCartney : ProducerPerformed by : Neil Innes • Vivian Stanshall • Rodney Slater • Roger Ruskin Spear • Larry Smith Apollo C. Vermouth : Producer Gus Dudgeon : Producer
Session Recording: March 1968 ? • Studio Chappell Recording Studios, London UK
Ali-Baba's Camel
3:31 • Studio version
Laughing Blues
3:44 • Studio version
By a Waterfall
3:09 • Studio version
Mr. Apollo
4:20 • Studio version
Canyons of Your Mind
3:04 • Studio version
From Wikipedia:
Tadpoles is the third album by the Bonzo Dog Band. It is largely a compilation of their work from the television show Do Not Adjust Your Set, on which they were the house band. The US version of the album had a track list slightly different from that of the UK version: the US version removed “I’m the Urban Spaceman” and added “Readymades” the B-side of their follow-up single “Mr. Apollo”.
The UK version was reissued on vinyl by Sunset Records in the early 1970s, re-titled “I’m the Urban Spaceman”.
In 2007 the album was reissued on CD with its original title and artwork, by EMI with five bonus tracks.
Sleeve notes
The original LP sleeve had seven holes cut out of the front cover, and multiple images printed on an insert card (or inner sleeve of the US version) helped listeners to visualize what band members were thinking by moving the card back and forth. […]
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