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Sunday, August 17, 1969

Recording "Que Sera Sera", "Fields of St. Etienne" #1

For Mary Hopkin

Last updated on April 27, 2025

On July 6 or July 13, 1969, Mary Hopkin started the recording of her new single, produced by Paul McCartney.

Mary’s first two Apple singles, “Those Were The Days” and “Goodbye,” had both been hits. For her third single, Paul McCartney — who had produced the previous singles as well as her first album — suggested she record the Doris Day classic “Que Sera, Sera (Whatever Will Be, Will Be).” Although Mary was not particularly enthusiastic about the choice, she agreed to record it.

For the B-side, she recorded “Fields of St. Etienne,” written by Graham Lyle and Benny Gallagher, two songwriters signed to Apple Publishing. It was the second song she recorded from the Lyle-Gallagher songwriting team that year, following “Sparrow.”

On this day, August 17, 1969, further work on the single took place at Abbey Road.

It remains unclear how the work on “Que Sera Sera” and “Fields of St. Etienne” was divided between the July 6 or 13 session and the August 17 session, or whether any additional sessions were required.


Session activities

  1. Que Sera, Sera (Whatever Will Be, Will Be)

    Written by Jay Livingston, Ray Evans

    Recording

  2. Fields Of St. Etienne

    Written by Graham Lyle, Benny Gallagher

    Recording


Staff

Musicians on "Que Sera, Sera (Whatever Will Be, Will Be)"

Musicians on "Fields Of St. Etienne"


Going further

If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.

Read more on The Beatles Bible

Paul McCartney writing

Talk more talk, chat more chat

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