Timeline Albums, EPs & singles Songs Films Concerts Sessions People Interviews Articles

Tuesday, June 14, 1966

Recording "Here, There And Everywhere"

For The Beatles

Last updated on October 22, 2022

This was the 30th day of the recording sessions for the “Revolver” album. From 7 pm to 2 am, The Beatles started recording Paul McCartney’s ballad “Here, There And Everywhere“.

“Here, There And Everywhere” — one of Paul’s favorite songs to this very day, and mine, too — was distinguished by the fact that we devoted three full days to it, which in that era was a lot of time. We also planned the track layout carefully so that there was a completely separate track that we could dedicate to bass, allowing Paul to focus on each and every note when he recorded the overdub. Later on, he would sometimes spend hours working out just how to get every note in his complex bass lines to “speak” correctly.

Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006

Four takes of the backing track were recorded on this day, with Paul McCartney on electric guitar and Ringo Starr on drums. Only take 4 was a complete take, and The Beatles decided to overdub it. Paul, John Lennon and George Harrison added backing vocals and finger clicks.

Two days later, on June 16, The Beatles decided to drop those efforts and restart “Here, There And Everywhere” from scratch.


Session activities

  1. Here, There And Everywhere

    Written by Lennon - McCartney

    Recording • Take 1

  2. Here, There And Everywhere

    Written by Lennon - McCartney

    Recording • Take 2

  3. Here, There And Everywhere

    Written by Lennon - McCartney

    Recording • Take 3

  4. Here, There And Everywhere

    Written by Lennon - McCartney

    Recording • Take 4

  5. Here, There And Everywhere

    Written by Lennon - McCartney

    Recording • SI onto Take 4


Staff

Musicians on "Here, There And Everywhere"

Production staff


Going further

The Complete Beatles Recording Sessions • Mark Lewisohn

The definitive guide for every Beatles recording sessions from 1962 to 1970.

We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!

Shop on Amazon

The Beatles Recording Reference Manual - Volume 2 - Help! through Revolver (1965-1966)

The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.

Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.

Shop on Amazon

If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.

Read more on The Beatles Bible

Paul McCartney writing

Talk more talk, chat more chat

Notice any inaccuracies on this page? Have additional insights or ideas for new content? Or just want to share your thoughts? We value your feedback! Please use the form below to get in touch with us.

Your email address will not be published. Required fields are marked *

2024 • Please note this site is strictly non-commercial. All pictures, videos & quoted texts remain the property of the respective copyright owner, and no implication of ownership by us is intended or should be inferred. Any copyright owner who wants something removed should contact us and we will do so immediately. Alternatively, we would be delighted to provide credits.