Session with Andrew Watt

I am in Los Angeles. […] I just started doing a little bit of work. I met the producer, Andrew Watt. Have you heard of Andrew? […] I just met him. My manager said “you might like to go say hello and meet him”. So I went around for a cup of tea, and of course we ended up making a track.. So that’s, that’s great fun… […]

[This afternoon] I’m going over to a studio with Andrew Watt. And I said, we were working on a track. It’s exciting. I just met him and I wasn’t sure what we do. We just have a cup of tea or whatever. But we got talking and we got playing little guitar stuff. And I actually started off saying “sometimes it’s great to experiment with a chord you don’t even know”. I say, “a crazy chord like …” and I did this chord and I thought “Oh, that’s really crazy”. But I messed around with it a little bit. And it resolved itself into a less crazy one, and it’s just the opening sequence in a little thing. So then, we started and I said “well, should we put this down?” And that was fatal. And then, Yeah, how about some drums… It was very nice. And so I’m hoping to kind of finish that up today, or near enough finish it. So that’s quite nice. It’s the theme of the tune was… Sometimes an image will come into your mind. And I remember when I was a kid, where we used to live, there was blocks of flats where people lived, and I remember walking by this one (where) I knew this girl lived… And her light was on, so I could kind of see her silhouette in the window. So I always thought, wow… I mean, I suppose that makes me a voyeur. But there’s something kind of romantic about it. So I just started the song with that thought, like, ‘I walk by your house and I see your silhouette on the blind.’ And then try to develop it. ‘Do I ever cross your mind?’

Paul McCartney, in conversation with St. Vincent, April 15, 2021

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Staff

Production staff