Shake, Rattle And Roll

From Wikipedia:

“Shake, Rattle and Roll” is a twelve bar blues-form rock and roll song, written in 1954 by Jesse Stone under his assumed songwriting name Charles E. Calhoun. It was originally recorded by Big Joe Turner, and most successfully by Bill Haley & His Comets. The song as sung by Big Joe Turner is ranked #127 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time. […]

Original recording by Joe Turner

Turner’s version was recorded in New York on February 15, 1954. The shouting chorus on his version consisted of Jesse Stone, and record label executives Jerry Wexler and Ahmet Ertegün. The saxophone solo was by Sam “The Man” Taylor. Turner’s recording was released in April 1954, reached #1 on the US Billboard R&B chart on June 12, did not move for three weeks, and peaked at #22, nearly at the same time, on the Billboard pop chart (subsequently billed as the Billboard Hot 100).

The song, in its original incarnation, is highly sexual. Perhaps its most salacious lyric, which was absent from the later Bill Haley rendition, is “I’ve been holdin’ it in, way down underneath / You make me roll my eyes, baby, make me grit my teeth”. [It may actually be “Over the hill, way down underneath.] On the recording, Turner slurred the lyric “holdin’ it in”, since this line may have been considered too risqué for publication. The chorus uses “shake, rattle and roll” to refer to boisterous intercourse, in the same way that the words “rock and roll” were first used by numerous rhythm and blues singers, starting with Trixie Smith’s “My Man Rocks Me (With One Steady Roll)” in 1922, and continuing on prominently through the 1940s and 1950s. Stone stated that the line about “a one-eyed cat peepin’ in a seafood store” was suggested to him by Atlantic session drummer Sam “Baby” Lovett, which is also a sly sexual reference, the “one-eyed cat” being the male organ and the more traditional “seafood” reference being the female organ.

Bill Haley’s version

Bill Haley & His Comets’ cover version of the song, recorded on June 7, 1954 (the same week Turner’s version first topped the R&B charts), featured the following members of the Comets: Johnny Grande (piano), Billy Williamson (steel guitar), Marshall Lytle (bass), and Joey Ambrose (saxophone). It is known that Danny Cedrone, a session musician who frequently worked for Haley, played lead guitar, but there is controversy over who played drums. Music reference books indicate that it was Panama Francis, a noted jazz drummer who worked with Haley’s producer, Milt Gabler, however in a letter written in the early 1980s, Gabler denied this and said the drummer was Billy Gussak. Bill Haley’s own stage drummer, Dick Richards, did not play on this record but may have provided backing vocals since he participated in the recording of the song’s B-side, “A.B.C. Boogie”. This was Cedrone’s final recording session as he died only ten days later.

Haley’s version was released in August and reached #7 on the Billboard pop chart, spending a total of twenty-seven weeks in the Top 40 It was used as the theme song for the Springfield Indians of the American Hockey League for many years, and is now used as the victory song for the current franchise in Springfield, Mass., the Springfield Falcons.

Gabler has explained that he would “clean up” lyrics because, “I didn’t want any censor with the radio station to bar the record from being played on the air. With NBC a lot of race records wouldn’t get played because of the lyrics. So I had to watch that closely” […]

On January 26, 1969, during the Beatles’ “Get Back” sessions, The Beatles recorded a version of “Shake, Rattle And Roll,“ which was later released as part of a medley with “Rip It Up” and “Blue Suede Shoes” on “Anthology 3” in 1996. However, the three tracks were not recorded as one. They were among a number of rock ‘n’ roll songs played by The Beatles on this day, January 26.

Paul McCartney played a version of “Shake, Rattle And Roll“ live at the 17th Buddy Holly Week in September 1992.

Variations