She's A Woman

From Wikipedia:

“She’s a Woman” is a song by the English rock band the Beatles, written mainly by Paul McCartney and credited to Lennon–McCartney. John Lennon contributed to the lyrics and middle eight (the bridge). The song was finished in the studio the morning of the session. It was released as the B-side to “I Feel Fine” in 1964, their last single release that year. It reached number 4 on the Billboard Hot 100 from frequent airplay. In New Zealand, the song reached number one for one week.

The song’s chorus was briefly heard in the movie Help! (1965).

Composition and recording

“She’s a Woman” has been described as an example of the rock and roll, rhythm and blues and pop rock genres. The song, penned mainly by Paul McCartney (Lennon helped with the lyric and bridge) was his attempt at imitating the vocal style of Little Richard. This is why the song is in such a high register, even for McCartney’s tenor range. Some takes of the song (especially recordings of live concerts) feature an extended outro. “She’s a Woman” is the first Beatles song that is longer than three minutes.

The structure of the song is fairly simple, with the melody carried mostly by McCartney’s voice. His bass and a backing piano produce a countermelody, with Lennon’s guitar playing chords on the backbeat. After the first verse, the piano also plays chords on the upbeats. George Harrison plays a bright guitar solo during the middle eight.

Author Ian MacDonald noted in his book Revolution in the Head that the final mix of “She’s a Woman” at the time of its original release was unusual of the time, with the bass kick on Starr’s drum kit being barely audible due to it being compressed in the mixing process. MacDonald suggested that McCartney’s bass part might be responsible for the rearrangement of the mixing as its more prominent volume was in sacrifice of the drums’ usual mixing due to limiting problems.

Releases

In the United States, the song was released on the Capitol album Beatles ’65 with considerable reverb added by executive Dave Dexter Jr. Both mono and stereo versions were released, the stereo version presented in a duophonic (mock stereo) mix. These were released on CD in 2004 as part of The Capitol Albums, Volume 1 boxed set compilation.

A genuine stereo version of the song was released in 1987 on the Past Masters, Volume 1 CD; the true mono version was not made available in CD format until 2009 as part of The Beatles in Mono boxed set compilation.

There is also another stereo version that sounds the same but with McCartney’s count-in which appears on the CD EP box set. This stereo version with the count-in also appeared on a bonus stereo vinyl EP included with an earlier vinyl EP box set. The song is heard being played on a tape recorder underground during the Salisbury Plain scene in the movie Help!. In the UK, the first album release was on the 1978 compilation LP Rarities in mono in the box set The Beatles Collection and later released separately.

The band started including the song in their live shows in 1965. It is characterised by the classic percussive “honk” of Lennon’s Rickenbacker 325. One of the versions of the song can also be found on the Beatles’ live albums, Live at the Hollywood Bowl and Live at the BBC, while a version from the first of two shows at Nippon Budokan in Tokyo in 1966 appears on Anthology 2.

On the US charts, the song was the final of 11 top ten hits in the calendar year 1964, giving the Beatles an all-time record for most top ten hits in a calendar year on the Billboard Hot 100 charts by one artist/group (surpassed by rapper Drake in 2018). It was also the twelfth top 10 hit written by Lennon–McCartney, an all-time record for most top 10 hits in a calendar year on the Billboard Hot 100 by a songwriter.

Paul McCartney performed the song on Unplugged in 1991, and during his 2004 summer tour.

“This song reminds me of Abbey Road Studios. I love the simplicity of the Beatles’ recording: John’s off-beat guitar going with the snare. It was the first time we ever did that, a very effective trick, because the bass is then completely free. And it has strange little lyrics, ‘she ain’t no peasant’… don’t give me presents’. Weird.

“I suppose it was my first attempt at a blues song. Good blues songs are the hardest things to write, really. It was great fun, having loved all the black stuff, to suddenly be able to do things like ‘She’s A Woman’ and ‘I’m Down’. We were the white boys but we felt like we were almost in there. Then, when Wilson Pickett or Ray Charles would cover something, it was like the ultimate accolade, because that’s where we got it from. We loved the black guys so much. Still do.

For Unplugged, we did ‘She’s A Woman’ in a lower key, so it’s a more laid-back, country version. The Beatles’ version was more wiry.”

Paul McCartney – From Club Sandwich 58, Summer 1991

From The Usenet Guide to Beatles Recording Variations:

[a] mono 12 Oct 1964.
UK: Parlophone R5200 single 1965, Parlophone PSLP 261 and PCM 1001 Rarities 1978-79.
CD: EMI single 1989.

[b] stereo 12 Oct 1964.
Australia: Parlophone PCSO 7534 Greatest Hits 2 1967.
CD: EMI CDP 7 90043 2 Past Masters 1 1988.

[b1] stereo, untrimmed.
UK: Parlophone SGE 1 (EP) 1981.
CD: EP box set 1991.

[c] mono 21 Oct 1964.
US: Capitol 5327 single 1964, Capitol T 2228 Beatles ’65 1964.

[c1] mock stereo made from [c] 1964, by Capitol.
US: Capitol ST 2228 Beatles ’65 1964.

UK mono [a] and stereo [b] have a slightly longer fade, “she’s a woman” 5 times, against 3 on US mono [c]. UK mono [a] has no echo on the vocal, while US mono [c] has echo on everything that was probably added by Capitol. US mono [c] also seems to have less piano than [a] but the echo may just be drowning it. The mock stereo conversion from it [c1] is muddy.

Stereo [b], also without the echo, seems to have gone missing in the vaults for a while after being copied for Australia in 1967, as it was not used for the Parlophone Rarities LP, but it was found for the CD release. [b1] “untrimmed” is the same mix with a countdown at the start, from a master reel.

Lyrics

Officially appears on

Bootlegs

Videos

Live performances

“She's A Woman” has been played in 160 concerts.

Latest concerts where “She's A Woman” has been played

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