- Timeline More from year 2012
- US release date:
- Oct 30, 2012
- Hear Music / Concord Music Group
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3:38 • Studio version
2:25 • Studio version
Baby, It's Cold Outside
4:15 • Studio version
3:55 • Studio version
(Everybody's Waitin' for) The Man with the Bag
3:34 • Studio version
I Heard the Bells on Christmas Day
2:35 • Studio version
Green Grows the Holly
4:07 • Studio version
We Need A Little Christmas
3:16 • Studio version
That's What I Want for Christmas
2:28 • Studio version
May Ev'ry Day be Christmas
2:32 • Studio version
2:10 • Studio version
Santa, Bring My Baby Back to Me
5:29 • Studio version
It's Beginning to Look Like Christmas
3:02 • Studio version
3:10 • Studio version
O come, O come, Emmanuel
4:06 • Studio version
What Are You Doing New Year's Eve?
4:30 • Studio version
Auld Lang Syne
4:31 • Studio version
From the press release:
HOLIDAYS RULE OFFERS SURPRISING SEASONAL MUSIC FEAST
Adventurous Holiday Music Collection features fun., The Shins, Paul McCartney, The Civil Wars, Rufus Wainwright, Punch Brothers, Irma Thomas with Preservation Hall Jazz Band, Calexico, Andrew Bird
And Many More – Due October 30th, 2012 (U.S)
HOLIDAYS RULE, a deliciously diverse collection of seasonal music featuring an array of glittering contributions from across the musical spectrum, will be released by Hear Music/Concord Music Group on October 30th, 2012
The set boasts 17 all-new recordings, including pop phenoms fun., the legendary Paul McCartney, indie-pop luminaries The Shins, Americana favorites The Civil Wars, adored singer-songwriter Rufus Wainwright (with Sharon Van Etten), playful popsters Fruit Bats, bluegrass revisionists Punch Brothers, soul icon Irma Thomas (with The Preservation Hall Jazz Band), cinematic rockers Calexico, eclectic troubadour Andrew Bird, Latin neo-traditionalists Y La Bamba, Texas twang-rock troupe Heartless Bastards, alterna-folk standard-bearer Holly Golightly, roots quintet Black Prairie (featuring Sallie Ford), choral revival collective AgesandAges, Fiery Furnaces alumna Eleanor Friedberger and Seattle Americana outfit The Head and the Heart.
Holidays Rule delves into an unusually rich assemblage of Americana, alt-pop, folk, electronica, country, American standards, singer-songwriter, New Orleans gospel, garage rock and more. Producers Sara Matarazzo, Chris Funk and executive producer Randall Poster of bi-coastal music-supervision company Search Party – along with executive producer Nancy Jeffries of MPL – strove to give the project the feel of a cohesive album, rather than a holiday hodgepodge.
“We’ve had great success working with Nancy and the MPL team on a number of projects,” explained Poster. ” We thought it would be a lot of fun to record some holiday songs together!”
“I love holiday music,” Matarazzo volunteers. “But every year I find myself going back to the standards. I wondered, where’s the holiday record for this generation? This was a chance to create something that gave today’s artists a chance to put their mark on the tradition.”
Matarazzo particularly credits Funk, avid multi-instrumentalist, house producer at Search Party and guitarist for The Decemberists, for the cohesion and community vibe of the project.
Funk oversaw several of the Holidays Rule sessions, notably the very first: “We brought in Y La Bamba to do ‘Señor Santa,’ which was one of the more challenging songs, and we were really excited by the result,” Funk recalls, adding that the band’s dreamy, accordion-accented spin on the whimsical tune (a yuletide variation on “Mr. Sandman”) helped set the tone for the entire set.
Some of the numerous highlights include fun. whipping up a distinctly postmodern take on the rollicking “Sleigh Ride,” adding a frosty techno swirl to the winter perennial.
Paul McCartney continues in the velvety mode of his recent pop standard outing, effortlessly conjuring the warmth of the fireside with “The Christmas Song.” “Having him on this record is unbelievable,” enthused Matarazzo. “As far as I’m concerned, I could walk on the moon and it wouldn’t surpass this.” Adds Funk, “Paul nailed it, of course. And the track is so masterfully recorded that you feel like you’re in the room with him.”
The Shins, meanwhile, take McCartney’s own “Wonderful Christmastime” in a cheekily retro direction, turning the track into a musical homage to the Beach Boys. Wainwright and Van Etten deliver a fittingly seductive “Baby, It’s Cold Outside.”
Funk journeyed to New Orleans to co-produce the Preservation Hall Jazz Band’s gorgeous collaboration with Irma Thomas. Grammy-winning duo The Civil Wars, work their intimate magic on “I Heard the Bells on Christmas Day,” with only acoustic guitar and their spellbinding vocal blend. Calexico’s “Green Grows the Holly” works similarly spooky-rural terrain (with their trademark border-town brass for expressive contrast). Punch Brothers’ mandolin-spiced rendition of the hymn “O Come, O Come, Emmanuel” is the most overtly religious track but offers, as Funk notes, “some unexpected twists and turns.” On the disc’s final track, Andrew Bird harkens back to his Bowl of Fire days with the violin charge of “Auld Lang Syne.”
“Either you love the holiday season or you don’t,” Matarazzo reflects. “But if you do, you’re going to sing passionately about it. That was the one constant in all these different recordings – that warmth, intimacy and conviviality – those qualities that bring us all a little closer.”