- Album Songs recorded during this session officially appear on the Ram LP.
- A&R Studios, New York City
More from year 1971
Some songs from this session appear on:
Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project.
I was a setup man in those days. Phil Ramone was the king of large orchestral recordings in New York at the time. He didn’t have that many guys around who had gone to music school and could read scores, which I was able to do. So I had some value to Phil, who asked me to work with him on the Ram sessions. […]
Paul came over to A&R to track the orchestra, vocals and some other overdubs with Phil. But Phil had a scheduling conflict one day and Paul asked me to take over. Things went well, and then Paul asked me if I’d finish the record with him.
Security was tight, and each day Paul and Linda would come up the back elevator with their kids and a playpen, which we set up in the front of the control room. I was a part-time nanny since Mary would often be crawling around the console and sitting on my lap! The interplay between Paul and Linda was sweet, especially when they were on-mic. Linda actually came up with some parts on her own — the entire backing vocals on ‘Uncle Albert/Admiral Halsey’ consists of the two of them — but when she needed a hand, Paul was great with her. […]Dixon Van Winkle, from MixOnline, August 1, 2004
What a ball I had! Paul felt comfortable with me. Each day he and Linda, along with their baby, Mary, would be led up to Studio A in a back elevator. We’d set up a playpen for Mary and go to work. I also worked on Red Rose Speedway. Paul is such a pro! And he’s a one-taker. Paul liked to develop ideas in the studio, and he encouraged me to throw different sounds at him to inspire him. For example, he’d play his guitar, and I’d put different loop and echo effects on it and feed the processed sound out through his cans. He liked that spontaneity. One day he was standing around strumming on a ukulele, rocking from side to side, singing `Ram On.’ I ran out and put a mic on the ukulele, one on his face and a pair of mics down by his feet. The tapping you hear comes from the mics on his feet. We were recording to an Ampex MM1000 16-track machine that looked like something you should be making ice cream with. Once word got out that I’d done a lot of work on Ram, the dates flew at me,” he continues. “People started to realize that I could handle most any kind of session, since I could read charts and had played lots of different styles of music and many instruments.” […]Dixon Van Winkle, from MixOnline, October 1, 2000
Last updated on June 7, 2020
Jan 11, 1971 • Songs recorded during this session appear on Ram
'Ram On' And Sheep Noises
Feb 22, 1971 • Recording "Ram On"
Please Don't Bring My Banjo Back
Feb 22, 1971 • Recording "Ram On"
We owe a lot to Chip Madinger and Mark Easter for the creation of those session pages, but you really have to buy this book to get all the details!
Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.
As the paperback version is out of print, you can buy a PDF version on the authors' website
This very special RAM special is the first in a series. This is a Timeline for 1970 – 1971 when McCartney started writing and planning RAM in the summer of 1970 and ending with the release of the first Wings album WILD LIFE in December 1971. [...] One thing I noted when exploring the material inside the deluxe RAM remaster is that the book contains many mistakes. A couple of dates are completely inaccurate and the story is far from complete. For this reason, I started to compile a Timeline for the 1970/1971 period filling the gaps and correcting the mistakes. The result is this Maccazine special. As the Timeline was way too long for one special, we decided to do a double issue (issue 3, 2012 and issue 1, 2013).