Recording the "Magical Mystery Tour" soundtrack
Apr 25 - May 3 and Aug 22 - Nov 17, 1967 • Songs recorded during this session appear on Magical Mystery Tour (US LP - Mono)
Recording studio: EMI Studios, Studio Two, Abbey Road
Session Circa October / November 1967 • Home recording of "Step Inside Love"
Session Oct 02, 1967 • Mixing "Your Mother Should Know", recording "Hello, Goodbye"
Session Oct 06, 1967 • Recording "Blue Jay Way"
Article Oct 07, 1967 • The Beatles refuse $1 million for two concerts in the US
Session Oct 12, 1967 • Mixing "It's All Too Much", "Blue Jay Way"
Some of the songs worked on during this session were first released on the "Magical Mystery Tour (US LP - Mono)" LP.
On September 6, 1967, The Beatles recorded the basic track of “Blue Jay Way,” which was George Harrison’s contribution to the “Magical Mystery Tour” soundtrack. The following day, on September 7, the band overdubbed lead vocals and backing vocals.
On this day, during a session that started at 7 pm and ended at midnight, they completed the recording of the track.
There was a free track available on the four-track tape of Take 3 at the end of the September 7 session, which was then filled with a cello and tambourine overdub. Ringo Starr played the tambourine part, while Peter Willison played the cello and received a payment of £27 for his contribution.
The fixer who arranged string players for lots of Beatles sessions was Sid Sax. He died in 2005. [… Peter Willison, a cellist my dad shared a flat with in St John’s Wood in the mid-to-late 1960s, remembers returning home at about 10 p.m. on 6 October 1967 after a concert at the Albert Hall and getting a call from Sax, telling him to drive to Studio Two at Abbey Road, immediately, for an all-night recording of what turned out to be ‘Blue Jay Way’. Peter arrived at the studio still wearing tails. At 27, he was about the same age as the Beatles. ‘They didn’t really have a clue what they were doing,’ Peter told me. ‘There were no other musicians. There was no music stand and no music. George Martin asked me to listen to the track and just play along. We experimented a bit. Finally at 4 a.m. we were finished.’ Could he remember my dad playing on any Beatles tracks? He couldn’t.
From Adam Smyth | A Day in the Life · LRB 24 December 2020
I was playing at the Albert Hall beforehand and arrived at the studio after 10. As I was in tails Ringo said I didn’t have to dress for them. There were no other musicians there, no music stand and no music. George Martin asked me to listen to the track and just play along. We experimented a bit and finally at 4 am we were finished.
Peter Willison – From 6 October 1967 – UK, Studio Two, EMI Studios, Abbey Road – Blue Jay Way – Beatles and Solo Photos Forum (tapatalk.com)
Following the recording sessions, “Blue Jay Way” was mixed in mono on October 12 and November 7, 1967, and in stereo on November 7, 1967.
Written by George Harrison
Recording • SI onto take 3
The Complete Beatles Recording Sessions • Mark Lewisohn
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)
The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967)" captures the band's most innovative era in its entirety. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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