Wednesday, February 25, 1970
For Paul McCartney
Last updated on August 14, 2025
December 23, 1969 - March 1970 • Songs recorded during this session appear on McCartney
Recording studio: EMI Studios, Studio Two, Abbey Road • London • UK
Article Feb 24, 1970 • Paul McCartney lodges a complaint against fans
Session Feb 24, 1970 • Mixing "Hot As Sun", "Every Night", "Don't Cry Baby"
Session Feb 25, 1970 • Recording and mixing "Man We Was Lonely"
Session Feb 26, 1970 • Mixing "Junk", "Teddy Boy", "Kreen Akrore"
Album Feb 26, 1970 • "Hey Jude" by The Beatles released in the US
AlbumSome of the songs worked on during this session were first released on the "McCartney" LP
In late December 1969 and on January 17, 1970, Paul McCartney began recording new material using a Studer J37 4-track tape recorder that had recently been installed at his home in London. Believing these experiments could evolve into his first solo album, he moved to EMI Studios, Abbey Road, to continue the work. He spent time there on January 24, February 7 and 8 and again on February 15.
From February 16 to February 20, Paul relocated to Morgan Studios, where he continued recording the album. On February 21, 22 and 24, he returned to EMI Studios.
On this day, February 25, Paul McCartney arrived at EMI Studios at 10:45 a.m. for a 45-minute playback session of the tracks recorded so far for the “McCartney” album. He then turned his attention to a new song, “Man He Was Lonely,” which would later be renamed to “Man We Was Lonely“
The basic track — featuring vocals and acoustic guitar — was recorded between 11:30 a.m. and 2:15 p.m. over 12 takes. Only Takes 10 and 12 were complete, with Take 12 chosen as the master.
Overdubs began at 3:15 p.m. and continued until 9 p.m., including bass drum, bass guitar, a second acoustic guitar, electric slide guitar, and harmony vocals by Paul and Linda.
The song was mixed in a single attempt from 9 p.m. to 11 p.m., with engineer Phil McDonald applying Artificial Double Tracking (ADT) to the electric guitar and the second acoustic guitar. The finished mix was then added to the album’s master reel.
The chorus (“Man We Was Lonely”) was written in bed at home, shortly before we finished recording the album. The middle (“I used to ride…”) was done one lunchtime in a great hurry, as we were due to record the song that afternoon. Linda sings harmony on this song, which is our first duet together. The steel-guitar sound is my Telecaster played with a drum peg.
Paul McCartney – From the press release of “McCartney”, April 1970
Written by Paul McCartney
Recording • Take 1
Written by Paul McCartney
Recording • Take 2
Written by Paul McCartney
Recording • Take 3
Written by Paul McCartney
Recording • Take 4
Written by Paul McCartney
Recording • Take 5
Written by Paul McCartney
Recording • Take 6
Written by Paul McCartney
Recording • Take 7
Written by Paul McCartney
Recording • Take 8
Written by Paul McCartney
Recording • Take 9
Written by Paul McCartney
Recording • Take 10
Written by Paul McCartney
Recording • Take 11
Written by Paul McCartney
Recording • Take 12
Written by Paul McCartney
Recording • SI onto take 12
Written by Paul McCartney
Mixing
AlbumOfficially released on McCartney
Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989
With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.
The McCartney Legacy: Volume 1: 1969 – 73
In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.
Eight Arms to Hold You: The Solo Beatles Compendium
Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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