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Wednesday, July 3, 1968

Recording "Ob-La-Di, Ob-La-Da"

For The Beatles

Last updated on September 4, 2021


Master session

Location

  • Recording studio: EMI Studios, Studio Two, Abbey Road

Timeline

Master release

Album

Some of the songs worked on during this session were first released on the "The Beatles (Mono)" LP.

Some of the songs from this session also appear on:

On this day, The Beatles started working on “Ob-La-Di, Ob-La-Da“. The recording of it would prove quite difficult and would create tension within the band. Three versions were worked on:

  • Version 1 was recorded July 3, 4, 5.
  • Version 2 was recorded July 8, 9, 11, 15.
  • Version 3 was recorded July 9.

The session lasted from 8 pm to 3:15 am the following morning. George Martin was mentioned as the producer for this session on EMI sheets, but it might have been Chris Thomas acting as producer on this day, according to engineer Geoff Emerick:

George happened to be absent on the first night The Beatles started running down ‘Ob-La-Di, Ob-La-Da,’ so Chris was the de facto producer. Initially, we all enjoyed doing the track because of its lighthearted up-tempo feel.

Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006 – Quoted in beatlesebooks.com

Seven takes of “Ob-La-Di, Ob-La-Da” were recorded with Paul McCartney on acoustic guitar and guide vocals, John Lennon and George Harrison on acoustic guitars, and Ringo Starr on drums. In between takes, George announced, “I’m standing up this time,” then adding, in reference to a Duane Eddy instrumental hit, “I’m ‘Movin’ ‘n’ Groovin’!“. Sometime during the recording, they apparently also played “Bye Bye Love“, an early Everly Brothers’ hit.

Take 7 was considered the best one, and overdubs of a proper lead vocal and another acoustic guitar were added. But McCartney had a change of mind and considered the basic rhythm of take 4 to be superior. An acoustic guitar was then added to take 4. Vocals would be worked on the day after.


Session activities

  1. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 1

  2. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 2

  3. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 3

    AlbumOfficially released on The Beatles (50th anniversary boxset)

  4. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 4

  5. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 5

    AlbumReleased on bootleg White Album Sessions Volume 1

  6. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 6

  7. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • Take 7

  8. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • SI onto take 3

  9. Ob-La-Di, Ob-La-Da

    Written by Lennon - McCartney

    Recording • SI onto take 7

  10. Bye Bye Love

    Written by Felice Bryant, Diadorius Boudleaux Bryant

    Recording


Staff

Musicians on "Ob-La-Di, Ob-La-Da"

Production staff


Going further

The Complete Beatles Recording Sessions • Mark Lewisohn

The definitive guide for every Beatles recording sessions from 1962 to 1970.

We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!

Shop on Amazon

The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)

The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.

Shop on Amazon

If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.

Read more on The Beatles Bible

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