- Album Songs recorded during this session officially appear on the A Collection of Beatles Oldies (Mono) LP.
- EMI Studios, Room 53, Abbey Road
More from year 1966
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This session was the third of four mixing sessions to create missing stereo versions of some Beatles’ songs, for inclusion on the compilation “A Collection of Beatles Oldies” (released in December 1966). The three other sessions were held on October 31, November 7 and November 10. None of those sessions was attended by The Beatles.
George Martin was absent from this session, so engineer Geoff Emerick oversaw the mixing of “She Loves You“. As the original two-track tapes had been destroyed after the song was recorded, he had to create a mock stereo version during this 90-minute session, from 4 pm to 5:30 pm.
Emerick spent 90 minutes fabricating a mock stereo’ version of the song — remix two was the best’ — merely by slashing all of the top frequencies from the left channel to give a bassy sound and slashing all bass from the right channel, giving a trebly, tinny sound. Together they formed the best `stereo’ that could be achieved.From “The Complete Beatles Recording Sessions” by Mark Lewisohn
BEST COLLECTION EVER
Parlophone are to release a special Beatles album in time for the Christmas rush. Titled “Oldies”, it must contain the most fantastic collection of hit tunes ever to be gathered together in two long grooves. The only title which has not been released before in this country is “Bad Boy”, an up-tempo number written by Larry Williams. It was recorded at E.M.I., St. John’s Wood, on May 10th, 1965, and was released on Capitol Record’s album, “Beatles Six”. Full list of titles and original release dates: “She Loves You” (August 1963), “From Me To You” (April 1963), “We Can Work It out” (December 1965), “Help” (July 1965), “Michelle” (From “Rubber Soul”, L.P. December 1965), “Yesterday” (From “Help”, L.P. August 1965), “I Feel Fine” (November 1964), “Yellow Submarine” (August 1966), “Can’t Buy Me Love” (March 1964), “Bad Boy” (December 1966), “Day Tripper” (December 1965), “A Hard Day’s Night” (July 1964), “Ticket To Ride” (April 1965), “Paperback Writer” (June 1966), “Eleanor Rigby” (August 1966), “I Want To Hold Your Hand” (November 1963).From Beatles Monthly Book – December 1966
Last updated on January 27, 2023
- Geoff Emerick:
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we like to think, in all modesty, that the Paul McCartney Project is the best online ressource for everything Paul McCartney, The Beatles Bible is for sure the definitive online site focused on the Beatles. There are obviously some overlap in terms of content between the two sites, but also some major differences in terms of approach.