She Came In Through The Bathroom Window

1:59 • Studio version • A • Stereo

Paul McCartney : Bass, Electric piano, Lead guitar, Piano, Vocals Ringo Starr : Cowbell, Drums, Maracas, Tambourine John Lennon : 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar George Harrison : Lead guitar George Martin : Producer Geoff Emerick : Recording engineer Phil McDonald : Recording engineer

SessionRecording & overdubs : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

SessionOverdubs : Jul 28, 1969 • Studio : EMI Studios, Abbey Road

SessionOverdubs & mixing : Jul 30, 1969 • Studio : EMI Studios, Abbey Road

1:59 • Studio version • D • Stereo • 2019 Stereo Mix

Paul McCartney : Bass, Electric piano, Lead guitar, Piano, Vocals Ringo Starr : Cowbell, Drums, Maracas, Tambourine John Lennon : 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar George Harrison : Backing vocals, Lead guitar George Martin : Producer Geoff Emerick : Recording engineer Giles Martin : Producer Phil McDonald : Recording engineer Sam Okell : Mix engineer

SessionRecording & overdubs : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

SessionOverdubs : Jul 28, 1969 • Studio : EMI Studios, Abbey Road

SessionOverdubs : Jul 30, 1969 • Studio : EMI Studios, Abbey Road

SessionMixing : Circa 2019 • Studio : EMI Studios, Abbey Road Studios • London • UK

2:06 • Alternate take • E • Take 27

Paul McCartney : Bass, Vocals Ringo Starr : Drums John Lennon : Acoustic guitar George Harrison : Lead guitar George Martin : Producer Geoff Emerick : Engineer Giles Martin : Producer Phil McDonald : Engineer Sam Okell : Mix engineer

SessionRecording : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

16:10 • Alternate take • F • From the original mix of "The Long One"

Paul McCartney : Backing vocals Ringo Starr : Congas John Lennon : Backing vocals George Harrison : Backing vocals, Guitar

SessionRecording : Jul 30, 1969

1:59 • Studio version • H • Dolby Atmos • 2019 Dolby Atmos Mix

Paul McCartney : Bass, Electric piano, Lead guitar, Piano, Vocals Ringo Starr : Cowbell, Drums, Maracas, Tambourine John Lennon : 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar George Harrison : Lead guitar George Martin : Producer Geoff Emerick : Recording engineer Phil McDonald : Recording engineer

SessionRecording & overdubs : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

SessionOverdubs : Jul 28, 1969 • Studio : EMI Studios, Abbey Road

SessionOverdubs : Jul 30, 1969 • Studio : EMI Studios, Abbey Road

SessionMixing : Circa 2019 • Studio : EMI Studios, Abbey Road Studios • London • UK

1:59 • Studio version • D • Stereo • 2019 Stereo Mix

Paul McCartney : Bass, Electric piano, Lead guitar, Piano, Vocals Ringo Starr : Cowbell, Drums, Maracas, Tambourine John Lennon : 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar George Harrison : Backing vocals, Lead guitar George Martin : Producer Geoff Emerick : Recording engineer Giles Martin : Producer Phil McDonald : Recording engineer Sam Okell : Mix engineer

SessionRecording & overdubs : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

SessionOverdubs : Jul 28, 1969 • Studio : EMI Studios, Abbey Road

SessionOverdubs : Jul 30, 1969 • Studio : EMI Studios, Abbey Road

SessionMixing : Circa 2019 • Studio : EMI Studios, Abbey Road Studios • London • UK

1:59 • Studio version • D • Stereo • 2019 Stereo Mix

Paul McCartney : Bass, Electric piano, Lead guitar, Piano, Vocals Ringo Starr : Cowbell, Drums, Maracas, Tambourine John Lennon : 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar George Harrison : Backing vocals, Lead guitar George Martin : Producer Geoff Emerick : Recording engineer Giles Martin : Producer Phil McDonald : Recording engineer Sam Okell : Mix engineer

SessionRecording & overdubs : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

SessionOverdubs : Jul 28, 1969 • Studio : EMI Studios, Abbey Road

SessionOverdubs : Jul 30, 1969 • Studio : EMI Studios, Abbey Road

SessionMixing : Circa 2019 • Studio : EMI Studios, Abbey Road Studios • London • UK

1:59 • Studio version • A2009 • Stereo • 2009 stereo remaster

Paul McCartney : Bass, Electric piano, Lead guitar, Piano, Vocals Ringo Starr : Cowbell, Drums, Maracas, Tambourine John Lennon : 12-string acoustic guitar, Backing vocals, Handclaps, Rhythm guitar George Harrison : Backing vocals, Lead guitar George Martin : Producer Geoff Emerick : Recording engineer Phil McDonald : Recording engineer Guy Massey : Remastering Steve Rooke : Remastering Allan Rouse : Project co-ordinator

SessionRecording & overdubs : Jul 25, 1969 • Studio : EMI Studios, Studio Two, Abbey Road

SessionOverdubs : Jul 28, 1969 • Studio : EMI Studios, Abbey Road

SessionOverdubs & mixing : Jul 30, 1969 • Studio : EMI Studios, Abbey Road

DDSI.21.79 • 3:37 • Outtake • B • Stereo • Recording from the first day of the Savile Row sessions. The performance of She Came In Through The Bathroom Window is a rehearsal, Paul running the Beatles through one of his latest compositions. The song did not surface again in these Get Back sessions but, uptempo, would become a part of the Abbey Road medley, for which it was recorded in July 1969.

Performed by : Paul McCartney Glyn Johns : Recording engineer

SessionRecording : Jan 21, 1969 • Studio : Apple Studios, 3 Savile Row, London

DDSI.21.79 • 3:37 • Outtake • B2016 • Stereo • Recording from the first day of the Savile Row sessions. The performance of She Came In Through The Bathroom Window is a rehearsal, Paul running the Beatles through one of his latest compositions. The song did not surface again in these Get Back sessions but, uptempo, would become a part of the Abbey Road medley, for which it was recorded in July 1969.

Performed by : Paul McCartney Glyn Johns : Recording engineer

SessionRecording : Jan 21, 1969 • Studio : Apple Studios, 3 Savile Row, London

DDSI.21.79 • 2:48 • Studio rehearsal • G • Jan 21, 1969 (EMI Tape E90489-8T) previously available in full on ‘Anthology 3’ (at a slightly faster speed, possibly adjusted on this new 2021 mix to try and match the edit at 0:59); only a fragment of the end of this sequence was recorded by the NAGRA Roll 411 A, so it is difficult to compare the edits and cuts made in the official releases. Drastically edited compared to ‘Anthology 3’, only the first 58 seconds have been left here (including Paul’s count-in that appears for the first time). Still, there is an edit at 0:59 with different electric guitar chords and slower speed with what appears to be the end of another short rehearsal edited perfectly right after the phrase “Tuesday’s on the phone to me” (in ‘Anthology 3’ the track continues from the phrase “She said she’d always been a dancer” and until the end of the rehearsal, two minutes and five seconds later); so now we have a previously unavailable 32-second segment (0:59-1:31) before there is another edit on this track at 1:32. It is possible that this insert was recorded even before the full rehearsal, but without the NAGRA tape available in this short sequence it is difficult to know and not even if we put the two official sources (‘Anthology 3’ and ‘Let it Be 50th’) together will we be able to get the whole segment. ‘Anthology 3’ includes 10 seconds at the end that were omitted here, with Paul’s dialogue suggesting playing some notes as classical music (they only left John’s reply “What’s that?” here); the rest of the track (1:32-2:48) is available on the NAGRA Roll 411 A that began recording again precisely from these words of McCartney.

Performed by : Paul McCartney Glyn Johns : Recording engineer

SessionRecording : Jan 21, 1969 • Studio : Apple Studios, 3 Savile Row, London

Details & description coming from Mike Carrera - published on The Daily Beatle

DDSI.21.79 • 2:48 • Studio rehearsal • G • Jan 21, 1969 (EMI Tape E90489-8T) previously available in full on ‘Anthology 3’ (at a slightly faster speed, possibly adjusted on this new 2021 mix to try and match the edit at 0:59); only a fragment of the end of this sequence was recorded by the NAGRA Roll 411 A, so it is difficult to compare the edits and cuts made in the official releases. Drastically edited compared to ‘Anthology 3’, only the first 58 seconds have been left here (including Paul’s count-in that appears for the first time). Still, there is an edit at 0:59 with different electric guitar chords and slower speed with what appears to be the end of another short rehearsal edited perfectly right after the phrase “Tuesday’s on the phone to me” (in ‘Anthology 3’ the track continues from the phrase “She said she’d always been a dancer” and until the end of the rehearsal, two minutes and five seconds later); so now we have a previously unavailable 32-second segment (0:59-1:31) before there is another edit on this track at 1:32. It is possible that this insert was recorded even before the full rehearsal, but without the NAGRA tape available in this short sequence it is difficult to know and not even if we put the two official sources (‘Anthology 3’ and ‘Let it Be 50th’) together will we be able to get the whole segment. ‘Anthology 3’ includes 10 seconds at the end that were omitted here, with Paul’s dialogue suggesting playing some notes as classical music (they only left John’s reply “What’s that?” here); the rest of the track (1:32-2:48) is available on the NAGRA Roll 411 A that began recording again precisely from these words of McCartney.

Performed by : Paul McCartney Glyn Johns : Recording engineer

SessionRecording : Jan 21, 1969 • Studio : Apple Studios, 3 Savile Row, London

Details & description coming from Mike Carrera - published on The Daily Beatle

DDSI.7.08 • 0:05 • Studio version • C • From the "Fly On The Wall" bonus disc

Paul McCartney : Piano, Vocals Kevin Howlett : Producer Brian Thompson : Engineer

SessionRecording : Jan 07, 1969 • Studio : Twickenham Film Studios, London, UK

SessionMixing : 2002 or 2003 ? • Studio : EMI Studios, Abbey Road Studios • London • UK

3:37 • Outtake • B • Stereo • Recording from the first day of the Savile Row sessions. The performance of She Came In Through The Bathroom Window is a rehearsal, Paul running the Beatles through one of his latest compositions. The song did not surface again in these Get Back sessions but, uptempo, would become a part of the Abbey Road medley, for which it was recorded in July 1969.

Paul McCartney : Bass, Harmony vocals Ringo Starr : Drums John Lennon : Lead vocal, Rhythm guitar George Harrison : Lead guitar Glyn Johns : Recording engineer Billy Preston : Electric piano

SessionRecording : Jan 21, 1969 • Studio : Apple Studios, 3 Savile Row, London