Thursday, January 23, 1969
For The Beatles
Last updated on January 12, 2025
The "Get Back / Let It Be" sessions
January 1969 • Songs recorded during this session appear on Let It Be (Limited Edition)
Recording studio: Apple Studios, 3 Savile Row, London
Session Jan 21, 1969 • Get Back sessions • Day 12
Session Jan 22, 1969 • Get Back sessions • Day 13
Session Jan 23, 1969 • Get Back sessions • Day 14
Session Jan 24, 1969 • Get Back sessions • Day 15
Session January 24 & January 26, 1969 • Mixing the "Get Back" album (1st compilation)
On this day, The Beatles continued the “Get Back” sessions at Apple Studios in London. This marked the third day at their new studio and the 14th day overall for the project.
The day was focused on the development of the track “Get Back.” The presence of keyboard player Billy Preston, who joined the sessions the previous day, added new energy to the band’s work, shaping the song significantly. Ringo Starr’s drum pattern and George Harrison’s guitar rhythm began to solidify, while John Lennon’s guitar solo and backing vocals took form. Paul decided to simplify the structure to include just two verses, omitting an earlier third verse about “Pakistanis.” Instead, a keyboard solo from Preston and a second guitar solo from John were incorporated. These explorations brought the arrangement closer to its final version, although the iconic coda and the “Beatles break” were still to come.
The group rehearsed “Get Back” extensively, performing 43 takes throughout the day, at least ten of which were recorded with George Martin as producer. The sessions also marked renowned engineer, producer, and musician Alan Parsons’ debut as a tape operator.
Beyond “Get Back,” the band dabbled in other songs, including “Oh! Darling,” which would later feature on the “Abbey Road” album, and Ringo’s “Octopus’s Garden,” then a simple three-chord piano sketch. Brief, playful renditions of “Please Please Me” in an atonal form and “Help!” in a slow swing style were also performed. Paul McCartney also attempted Eddie Cochran’s “Twenty Flight Rock,” though he struggled to remember the lyrics.
The mood at Apple Studios stood in stark contrast to the tense atmosphere of the earlier Twickenham rehearsals. The Beatles appeared energized and lighthearted, smiling, laughing, and clearly enjoying the creative process. They even took a break in the afternoon to watch a film of John’s “You Are Here” art gallery show from the previous year, underscoring the camaraderie of the day and explaining the presence of art dealer Robert Fraser at the session.
We were working on a good track [Get Back], and that always excited us. And his [Billy Preston’s] part was also a part of it, you know. Suddenly, when you were working on something good the bullshit went out the window, and we got back down to doin’ what we did really, really well.
Ringo Starr Quoted in Classic Rock, May 2020
At this stage, the goal was to create a commercial film from these sessions, intended to become the third Beatles movie. The film’s climax would feature a live performance. The previous day, Primrose Hill — a grassy hill offering stunning views across London — had been considered as a potential location for this event. On this day, discussions focused on timing, and a consensus emerged that the performance should take place within a week to ten days. It was also acknowledged that weekend work might be required to meet this timeline.
Michael Lindsay-Hogg: Well, the current thought is that we’ll try to do it at the end of next week, maybe.
Ringo Starr: You know, if we did ten days straight from now…
George Martin: Well, you’re working so well together now. Let’s keep it going.
John Lennon: Well, you know, I won’t say no.
Michael Lindsay-Hogg: Mightn’t be able to speak.
Ringo Starr: You know, I’d rather work the weekend than make it last out an extra week or so.
Michael Lindsay-Hogg: I think the thing is we’ll aim for Thursday, ’cause if we don’t make Thursday, just as a…
Ringo Starr: Then we won’t get outside, will we?
John Lennon: Michael was talking in terms of next Thursday. And working over the weekend. So, it’s gonna be stupid.
Paul McCartney: Yeah, let’s work Saturday, but not Sunday. Just to have one day. ‘Cause it does help next week… If you get one day.
John Lennon: Oh, yeah. I’m so tired though. It’s amazing.
From Peter Jackson’s film “The Beatles: Get Back“, 2021
Paul McCartney: For this show, though, we should all have our hair greased back!
John Lennon: Yeah, like rockers!
George Harrison: Way back in the ’50s.
Paul McCartney: ‘Course, you probably don’t remember the ’50s. When the great names were around. Eddie Cochran, Gene Burke.
John Lennon: George Hemingway, Frida Starr.
Paul McCartney: Foster Dulles.
From Peter Jackson’s film “The Beatles: Get Back“, 2021
Given the progress made on “Get Back” during the day’s session, George Harrison proposed the idea of rush-releasing it as the next Beatles single. While the suggestion was considered by the others, no final decision was made at the time. Ultimately, “Get Back” was released as the next Beatles single in April 1969.
George Harrison: It’d be nice to just put it out as a single. Just do a single of it now.
John Lennon: Let’s knock it off for a single maybe.
Paul McCartney: Let’s finish it off…
George Harrison: Just make it now and have it as a single, put it out next week.
Paul McCartney: Oh, yeah?
George Harrison: It’s easy. Just take it in there, cut it in the master. You have the master back tomorrow. We’ll finish it in half an hour.
Paul McCartney: I’m easy, lads.
George Harrison: What was the last one we had?
Paul McCartney: “Hey Jude”.
Glyn Johns: It would be unbelievable.
Paul McCartney: And the on the show we’d be doing the…
John Lennon and Ringo Starr: … single.
John Lennon: And we’d have film of it to send out as well.
George Harrison: It’s great. Remember how we used to have it? One record would be coming out, and we’d put another one out. Like in the old hustling days.
Paul McCartney: Yeah.
George Harrison: It’d be great. “Get back” in time.
Denis O’Dell: Never save a good idea, do it!
Paul McCartney: Well, I’m going home now. Knocking off.
From Peter Jackson’s film “The Beatles: Get Back“, 2021
The performances are sequentially numbered using the nomenclature from the book "Drugs, Divorce and a Slipping Image" by Doug Sulpy. DDSI 2.01 is, for example, the first performance from January 2nd, while DDSI 31.65 is the sixty-fifth performance from January 31st. This numbering is at times different from the DDSI numbers used on the bootleg collection "A/B Road Complete Get Back Sessions", likely because "Drugs, Divorce and a Slipping Image" was updated since the release of this collection.
Octopus's Garden
Recording • DDSI.23.01 • 1:52
Performed by : Ringo Starr
Hey, Hey Georgie
Recording • DDSI.23.02 • 8:12
Performed by : Ringo Starr
Recording • DDSI.23.03 • 1:32 • Performed in the style of Stevie Wonder
Performed by : Paul McCartney • John Lennon
Recording • DDSI.23.04 • 3:18
Recording • DDSI.23.05 • 1:34
Recording • DDSI.23.06 • 1:46
Recording • DDSI.23.07 • 5:23
Recording • DDSI.23.08 • 1:31
Recording • DDSI.23.09 • 2:38
Recording • DDSI.23.10 • 1:02
"If You Need Me"
Recording • DDSI.23.11 • 1:55 • Brief R&B improvisation
Performed by : Paul McCartney
Recording • DDSI.23.12 • 2:00
Recording • DDSI.23.13 • 3:38
Recording • DDSI.23.14 • 2:57
Recording • DDSI.23.15 • 4:30
Recording • DDSI.23.16 • 2:26
Recording • DDSI.23.17 • 10:14
Recording • DDSI.23.18 • 3:22
Recording • DDSI.23.19 • 0:11
Recording • DDSI.23.20 • 9:55
Recording • DDSI.23.21 • 11:08
Recording • DDSI.23.22 • 0:55
Recording • DDSI.23.23 • 12:17
Recording • DDSI.23.24 • 1:10
Recording • DDSI.23.25 • 10:07
Recording • DDSI.23.26 • 2:32
Recording • DDSI.23.27 • 0:23
Words of Love
Recording • DDSI.23.28 • 1:24
Performed by : John Lennon • George Harrison
Recording • DDSI.23.29 • 2:47
Blues instrumental
Recording • DDSI.23.30 • 8:59
Recording • DDSI.23.31 • 0:22
Written by Eddie Cochran, Ned Fairchild
Recording • DDSI.23.32 • 3:29
Film Included in Peter Jackson's film "The Beatles: Get Back", 2021
Recording • DDSI.23.33 • 0:36
Recording • DDSI.23.34 • 0:06
Recording • DDSI.23.35 • 1:01
Recording • DDSI.23.36 • 2:26
Recording • DDSI.23.37 • 2:52
Recording • DDSI.23.38 • 6:08
Recording • DDSI.23.39 • 3:25
Recording • DDSI.23.40 • 16:14
Film Included in Peter Jackson's film "The Beatles: Get Back", 2021
Recording • DDSI.23.41 • 4:33
Instrumental
Recording • DDSI.23.42 • 1:05
Recording • DDSI.23.43 • 1:48
Guitar Instrumental
Recording • DDSI.23.44 • 0:31
Guitar Instrumental
Recording • DDSI.23.45
Recording • DDSI.23.46 • 2:48
Improvisation
Recording • DDSI.23.47 • 3:44
Recording • DDSI.23.48 • 0:13
Performed by : Paul McCartney
Improvisation
Recording • DDSI.23.49 • 0:28
Improvisation
Recording • DDSI.23.50 • 4:09
Written by Kal Mann, Dave Appell
Recording • DDSI.23.51 • 3:01
Performed by : Paul McCartney
Recording • DDSI.23.52 • 0:25
Performed by : Paul McCartney
Recording • DDSI.23.53 • 2:44
Performed by : Paul McCartney
Love Is The Thing To Me
Recording • DDSI.23.54 • 1:48
Performed by : Billy Preston
Everything's Alright
Recording • DDSI.23.55 • 1:43
Performed by : Billy Preston
I Want To Thank You
Recording • DDSI.23.56 • 3:03
Performed by : Billy Preston
You've Been Acting Strange
Recording • DDSI.23.57 • 1:18
Performed by : Billy Preston
Use What You Got
Recording • DDSI.23.58 • 2:02
Performed by : Billy Preston
Together In Love
Recording • DDSI.23.59 • 1:34
Performed by : Billy Preston
Feedback Improvisation
Recording • DDSI.23.60 • 3:18
Written by Paul McCartney, John Lennon, Yoko Ono
Recording • DDSI.23.61 • 5:02
Paul McCartney : Drums John Lennon : Electric guitars Yoko Ono : Vocals
Improvisation
Recording • DDSI.23.62 • 8:21
Happiness Runs
Recording • DDSI.23.63 • 0:09
Performed by : John Lennon
"It Blew Again"
Recording • DDSI.23.64 • 0:33
Written by Duane Eddy, Lee Hazlewood
Recording • DDSI.23.65 • 2:15
Performed by : Paul McCartney • John Lennon
Recording • DDSI.23.66 • 4:55
Recording • DDSI.23.67 • 2:24
Recording • DDSI.23.68 • 2:45
Recording • DDSI.23.69 • 3:28
Recording • DDSI.23.70 • 5:34
Recording • DDSI.23.71 • 1:45
Recording • DDSI.23.72 • 0:36
Recording • DDSI.23.73 • 2:16
Recording • DDSI.23.74 • 2:29
Recording • DDSI.23.75 • 3:12
Recording • DDSI.23.76 • 3:30
Recording • DDSI.23.77 • 2:00
Recording • DDSI.23.78 • 0:30
Performed by : Paul McCartney
Recording • DDSI.23.79 • 1:18
Recording • DDSI.23.80 • 2:37 • This performance was marked best and Glyn Johns mixed it and prepared some acetates for The Beatles
Recording • DDSI.23.81 • 0:17
Recording • DDSI.23.82 • 0:41
Film Included in Peter Jackson's film "The Beatles: Get Back", 2021
Recording • DDSI.23.83 • 0:46
Film Included in Peter Jackson's film "The Beatles: Get Back", 2021
You've Got To Hide Your Love Away
Recording • DDSI.23.84
Performed by : Billy Preston
Recording • DDSI.23.85 • 2:04
Performed by : Paul McCartney
Drugs, Divorce and a Slipping Image - The Complete, Unauthorized Story of The Beatles' 'Get Back' Sessions
The definitive guide to the Get Back sessions, released in 1994 and updated in 2007. In the author's own words:
New, completely revised edition! This new volume isn t just a compilation of material from the 1994 book Drugs, Divorce and a Slipping Image (also later published as 'Get Back') and 'The 910's Guide To The Beatles Outtakes Part Two: The Complete Get Back Sessions' (2001). I've re-listened to the entire canon of available Get Back session tapes, come up with a bunch of new conclusions (and even a handful of new identifications!), and pretty much re-written half the book from scratch. In addition, great effort has been made to improve readability of the book. Songs have now been put into groups (generally by Nagra reel, or series of them), rather than describing each performance separately, as was done in the original. In every way, this is the book we wished we could have written in 1994.
As the paperback version is out of print, you can buy a PDF version on the author's website
If we modestly consider the Paul McCartney Project to be the premier online resource for all things Paul McCartney, it is undeniable that The Beatles Bible stands as the definitive online site dedicated to the Beatles. While there is some overlap in content between the two sites, they differ significantly in their approach.
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