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Saturday, January 24, 1970

Mixing "The Lovely Linda", "That Would Be Something", "Valentine Day", "Momma", "Oo You", "Teddy Boy"

For Paul McCartney

Last updated on August 3, 2025


Master session

Location

Timeline

Master release

AlbumSome of the songs worked on during this session were first released on the "McCartney" LP

In late December 1969, Paul McCartney began recording new material using a Studer J37 4-track tape recorder that had recently been installed at his home in London. In early January 1970, he took part in the final Beatles sessions. Following a short trip to New York to visit Linda’s family, Paul resumed work on his solo project and spent January 17 at home recording “Junk.”

On this day, January 24, he spent some time at EMI Studios, Abbey Road, with engineers Phil McDonald and John Kurlander, creating rough mixes of several tracks he had recorded at home. He would return to EMI Studios on February 7 and 8 to continue work on the album.

These sessions at EMI Studios — as well as upcoming sessions at Morgan Studios — had been booked by Linda McCartney under a pseudonym to preserve the project’s secrecy. She chose the name “Billy Martin,” after the American baseball player and manager.


Session activities

  1. The Lovely Linda

    Written by Paul McCartney

    Mixing

    Unreleased track

  2. That Would Be Something

    Written by Paul McCartney

    Mixing

    Unreleased track

  3. Valentine Day

    Written by Paul McCartney

    Mixing

    Unreleased track

  4. Momma Miss America

    Written by Paul McCartney

    Mixing • “Momma Miss America” is a combination of two separate recordings that Paul joined together. Only the first part, titled “Momma,” was mixed on this day.

    Unreleased track

  5. Oo You

    Written by Paul McCartney

    Mixing

    Unreleased track

  6. Teddy Boy

    Written by Paul McCartney

    Mixing

    Unreleased track


Staff

Production staff


Going further

Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989

Paul McCartney: Music Is Ideas. The Stories Behind the Songs (Vol. 1) 1970-1989

With 25 albums of pop music, 5 of classical – a total of around 500 songs – released over the course of more than half a century, Paul McCartney's career, on his own and with Wings, boasts an incredible catalogue that's always striving to free itself from the shadow of The Beatles. The stories behind the songs, demos and studio recordings, unreleased tracks, recording dates, musicians, live performances and tours, covers, events: Music Is Ideas Volume 1 traces McCartney's post-Beatles output from 1970 to 1989 in the form of 346 song sheets, filled with details of the recordings and stories behind the sessions. Accompanied by photos, and drawing on interviews and contemporary reviews, this reference book draws the portrait of a musical craftsman who has elevated popular song to an art-form.

The McCartney Legacy: Volume 1: 1969 – 73

The McCartney Legacy: Volume 1: 1969 – 73

In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.

Eight Arms to Hold You: The Solo Beatles Compendium

Eight Arms to Hold You: The Solo Beatles Compendium

Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.

Paul McCartney writing

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