- Album Songs recorded during this session officially appear on the The Beatles (Mono) LP.
- EMI Studios, Studio Two, Abbey Road
More from year 1968
Some songs from this session appear on:
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Following a day of rehearsals, The Beatles recording six takes of “Everybody’s Got Something to Hide Except Me and My Monkey” on this day (in a session lasting from 5 pm to 3:45 am).
The group began work on yet another harsh, aggressive Lennon song…Once again, The Beatles were playing incredibly loud down in the studio, but this time Lennon and Harrison had their volume turned up so high that Paul actually gave up competing with them. Rather than play bass on the backing track, he stood next to Ringo, ringing a huge fireman’s bell, egging his drummer on. There was no microphone on him, because the thing was so loud that it bled on all the mics anyway. Physically, it was very difficult to pull off – Paul had to take a break after each take because his shoulders were aching so much. […] As much as I disliked the song, I had to admit that it was the first time in any of the ‘White Album’ sessions that there was any energy in their playing. George Harrison’s lead work was crisp and efficient, much more aggressive than his usual style.Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
Needless to say, by the time the track was completed, I had a splitting headache. That evening, Paul had walked into the control room on his way in and unceremoniously plunked a bottle of Johnnie Walker down on the table, saying, ‘This is for you, boys.’…(Engineer Richard Lush and I) restrained ourselves until after everyone had gone home, at which point we drained the entire bottle…Giggling like the drunken fools we were, we got every last cup and saucer out of the canteen and took them into Studio Two, whereupon we smashed them up against the wall. Of course, we then had to hide the evidence. But it was worth it. The next morning the canteen staff came in and wanted to know where all the cups and saucers had gone. Fighting our hangovers and trying to appear as angelic as humanly possible, we pleaded innocence.Geoff Emerick – From “Here, There and Everywhere: My Life Recording the Music of The Beatles“, 2006
Last updated on September 11, 2021
Recording • Take 1
Recording • Take 2
Recording • Take 3
Recording • Take 4
Recording • Take 5
Recording • Take 6
Tape copying • Tape reduction take 6 into take 7
Tape copying • Tape reduction take 6 into take 8
Recording • SI onto take 8
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The fourth book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 4: The Beatles through Yellow Submarine (1968 - early 1969)" captures The Beatles as they take the lessons of Sgt. Pepper forward with an ambitious double-album that is equally innovative and progressive. From the first take to the final remix, discover the making of the greatest recordings of all time. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.