- Album Songs recorded during this session officially appear on the Revolver (UK Mono) LP.
- EMI Studios, Studio Two, Abbey Road
More from year 1966
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We put trumpets on because it sounded like a trumpet number. None of the others did, so we haven’t used them on any other tracks, so it’s a nice novelty.Paul McCartney – From “The Beatles: Off The Record” by Keith Badman, 2008
It was interesting and unusual. I’ve never done a session quite like it before. The tune was a rhythm & bluesish sort of thing. We were only on one number. Apparently, The Beatles felt it needed something extra. As for the song’s arrangement, well, they didn’t have a thing written down! We just listened to what they had done and got an idea of what they wanted. Then we went ahead from there and gradually built up an arrangement. We tried a few things, and Paul and George Martin decided between them what would be used.Les Condon – Trumpet player – From “The Beatles: Off The Record” by Keith Badman, 2008
The brass was close-miked in the bells of the instruments, then put through a limiter. This session, on 18 May, marked the first time that the Beatles had used a horn section.
The song starts with a blaring brass fanfare, McCartney’s vocals entering at 0:07. The chorus of the song appears at 1:04, with the song’s title sung. The song then switches between a verse and the refrain. A short electric guitar solo appears at 1:53 and at 2:10 the horn fanfare re-enters. The song closes with fading vocals of McCartney.
Last updated on September 24, 2022
The definitive guide for every Beatles recording sessions from 1962 to 1970.
We owe a lot to Mark Lewisohn for the creation of those session pages, but you really have to buy this book to get all the details - the number of takes for each song, who contributed what, a description of the context and how each session went, various photographies... And an introductory interview with Paul McCartney!
The second book of the Association for Recorded Sound Collections (ARSC)-nominated series, "The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966)" follows the evolution of the band from the end of Beatlemania with "Help!" through the introspection of "Rubber Soul" up to the sonic revolution of "Revolver". From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
If we like to think, in all modesty, that the Paul McCartney Project is the best online ressource for everything Paul McCartney, The Beatles Bible is for sure the definitive online site focused on the Beatles. There are obviously some overlap in terms of content between the two sites, but also some major differences in terms of approach.