- Album This song officially appears on the Flaming Pie Official album.
- Timeline This song has been written (or started being written) in 1995 (Paul McCartney was 53 years old)
Related sessions
This song has been recorded during the following studio sessions
Circa 1995
"Flaming Pie" sessions with Jeff Lynne at Hog Hill Mill #1
Nov 01 to Dec 05, 1995
Started Nov 21, 1995
Other Flaming Pie songs written in Jamaica, January 1995
Officially appears on Flaming Pie
Officially appears on Flaming Pie
Related interviews
May 27, 1997 • From USA Today
Fab? If you say so, pop pickers
Apr 25, 1997 • From The Times
Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project.
Song facts
“Little Willow” was written early 1995 as a tribute to Maureen Cox, the first wife of Ringo Starr, who passed away in December 1994; it was released on 1997 album “Flaming Pie“. From the liner notes of the album:
‘Little Willow’ was written after Paul learned of the death of a dear friend. He created the song not only as an immediate personal response to the sadness but, hopefully, as a salve for his late friend’s children. The studio recording, begun ten months later (on the day the The Beatles Anthology 1, with “Free As A Bird” was released), is an eloquent combination of voice and instrumentation, Paul’s work being augmented by Jeff Lynne.
“I wanted to somehow convey how much I thought of her. For her and her kids. It certainly is heartfelt, and I hope it will help a bit.”
A good friend of mine died, someone we all loved, so I wrote a song that conveyed my mood. It’s heartfelt – instead of writing her kids a letter I wrote a song. It was a very sad day for all of us, and Jeff Lynne and I gave it our all in the studio.
Mark Lewisohn, in Club Sandwich n°82, Summer 1997:
‘Little Willow’ is an achingly touching ballad written by Paul upon hearing of the death of a close friend, whom the McCartneys visited in hospital and continued to keep in close contact with until she died. Being on holiday at the time, and therefore out of reach, Paul wasn’t given the news for some days, but instantly created ‘Little Willow’ not only as a personal response to the sadness but, hopefully, as a salve for his late friend’s children. The studio recording, begun ten months later (on the day that The Beatles Anthology 1, with ‘Free As A Bird’ was released), is an eloquent combination of voice and instrumentation, Paul’s work being augmented by Jeff Lynne.
Even if I’m writing something very specific, I veil it. That’s just my way. It’s the way I’ve developed as a songwriter. You know, if I want to write about loneliness, it’ll be ‘Eleanor Rigby’ who carries the can. ‘Little Willow’, I know I was very affected by Maureen’s death, and again I remember just going into a room and putting those sentiments into that song. The sort of fragility of life is in that song. But it wasn’t called ‘Maureen’, it was called ‘Little Willow’. I always prefer to conjure up some story or tale or some bit of imagination around something, because then I can get my emotions out but it’s not quite as raw. And I think it makes it a little more available to people if you call it ‘Little Willow’. We’ve all got a Little Willow.
Paul McCartney, from the Flaming Pie Archive Edition, 2020
At the end of 1997, “Little Willow” was included in a tribute album to Diana, Princess of Wales, who had died in August the same year.
A promotional video directed by John Schlesinger was shot in September 1997, and premiered in December during the second airing of the Oprah Winfrey show.
“Little Willow” was remastered in 2016 for inclusion on the “Pure McCartney” compilation, and then in 2020 for the “Flaming Pie Archive Collection“, both times by engineer Alex Wharton. As explained on the Steve Hoffman forum:
It’s interesting that for both ‘Pure McCartney’ in 2016 and the new 2020 remaster the polarity is different. Which means something went wrong in the final mastering stage of the original 1997 issue. Because ‘Pure McCartney’ worked from a compressed and limited 1997 master, and this 2020 remaster from a tape without that compression and limiting.
by forum resident “mindgames”
Last updated on September 17, 2020
Lyrics
Bend, little willow
Winds gonna blow you
Hard and cold tonight
Life, as it happens,
Nobody warns you
Willow, hold on tight
Nothing's gonna shake your love
Take your love away
No one's out to break your heart
It only seems that way… hey
Sleep little willow,
Peace gonna follow
Time will heal your wounds
Grow to the heavens
Now and forever
Always came too soon
Little willow
Nothing's gonna shake your love
Take your love away
No one's out to break your heart
It only seems that way… hey
Bend, little willow
Wind's gonna blow you
Hard and cold tonight.
Life as it happens
Nobody warns you
Willow, hold on tight
Ah, little willow
Little willow
Officially appears on
Official album • Released in 1997
2.55 • Studio version • A
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Flaming Pie (White-Label Promo LP)
Official album • Released in 1997
2.55 • Studio version • A
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Official album • Released in 1997
2.55 • Studio version • A
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Diana, Princess Of Wales - Tribute
Official album • Released in 1997
2:56 • Studio version • A
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Official album • Released in 2016
2:58 • Studio version • A2016 • 2016 remaster
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Alex Wharton :
- Remastering
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Flaming Pie - Archive Collection
Official album • Released in 2020
2:58 • Studio version • A2020 • 2020 remaster
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Alex Wharton :
- Remastering
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Flaming Pie - Archive Collection
Official album • Released in 2020
2:26 • Demo • B • Home Recording
- Paul McCartney :
- Acoustic guitar, Producer, Vocal
- Alex Wharton :
- Mastering
- Session Recording:
- Circa 1995
Flaming Pie - Archive Collection
Official album • Released in 2020
2:59 • Rough mix • C
- Paul McCartney :
- Acoustic guitar, Backing vocal, Lead vocal, Piano
- Jeff Lynne :
- Backing vocal
- Geoff Emerick :
- Recording engineer
- Jon Jacobs :
- Assistant recording engineer
- Alex Wharton :
- Mastering
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Mixing:
- Nov 23, 1995
- Studio :
- Hog Hill Studio, Rye, UK
Official album • Released in 2020
2.55 • Studio version • A2020.1 • 2020 half-speed remaster
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Miles Showell :
- Mastering
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Bootlegs
Complete Flaming Pie - Sessions & Beyond (1997-1998)
Unofficial album
3:10 • Alternate take • 2007 Video Mix
Flaming Pie - Ultimate Archive Collection
Unofficial album • Released in 2016
2:58 • Studio version • A
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Unofficial album • Released in 2016
3:09 • Outtake • A • Video Soundtrack
- Paul McCartney :
- Acoustic guitar, Backing vocal, Bass guitar, Electric guitar, Harmonium, Harpsichord, Lead vocal, Mellotron, Percussion effects, Piano, Producer, Spanish guitar
- Jeff Lynne :
- Backing vocal, Electric spinette harpsichord, Producer
- Geoff Emerick :
- Mixing engineer, Recording engineer
- Jon Jacobs :
- Recording engineer
- Keith Smith :
- Assistant engineer
- Session Recording:
- Started Nov 21, 1995
- Studio :
- Hog Hill Studio, Rye, UK
- Session Overdubs ?:
- February 1996
- Studio :
- Hog Hill Studio, Rye, UK
Videos
Album • Flaming Pie
Album • Flaming Pie - Archive Collection
Album • Flaming Pie - Archive Collection
Album • Flaming Pie - Archive Collection
Live performances
Paul McCartney has never played this song in concert.
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This is a beautiful song.
On the day I heard that I had just recovered from cancer, I heard little willow while listening to songs on flaming pie. In the mood I was in I really appreciated the fragility of life and after feeling that Paul was the most real, optimistic, natural and talented person I had ever experienced in my 69 years and ever since 1966 when I started to think that. This song puts the final stamp on those feelings for me. Paul and I nearly met in the summer of ‘69. After a night of Lucy in the Sky, I was walking to the top of Primrose hill and about 20 feet away I could see Paul get out of his little car at about 6 in the morning. He was walking Martha. I kept my distance and marveled that Paul had just finished working at EMI studios and by another miracle I got to see the human Paul and his beloved Martha. I was 17 and lived in Camden Town and went to Haverstock Hill School. Obviously I know how much Paul and the Beatles meant to so many People. For me they were the guiding beacon to freedom fun and the magical possibilities in life. I have never lost that feeling. To have grown up in a different place and not experienced the Beatles would have made the world a much less exiting , fun and frightening place. God bless the little willow teller. Love David.
This song brings me to tears! I love it! Definitely one of the greatest songs ever written